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A brighter image alone doesn’t make an HDR production work. An HDR workflow for video production depends on keeping camera capture, colour decisions, CGI, signal handling and display monitoring aligned; HDR systems routi…

For 10-bit vs 8-bit color depth for video, the key difference is how many color gradations the image can represent. An 8-bit RGB system provides 256 shades per red, green and blue channel, or 16,777,216 colors in total. …

A live-production camera should not lock you into one lens or framing choice. The benefits of a box camera for live production include a modular setup that accommodates different lenses, adds useful angles and fits multi…

Good news coverage depends on more than the camera: the filters, lens, audio path and support all need to work together. An ENG camera setup for news gathering uses electronic equipment to capture television news in the …

The camera with the larger sensor isn’t automatically the better agency choice. If full-frame image characteristics and high-sensitivity capture are priorities, the Sony FX3 is the stronger fit; the FX30’s APS-C crop may…

The obvious choice for a moving shot may be the wrong one: use a gimbal for quick deployment and responsive, motorised control, and a Steadicam for rehearsed movement that needs natural pacing and smoother forward walkin…

The most stable setup isn’t always the best choice for a long shoot. The right camera support options for long shoots depend on where you’re filming and how you need to move: flexible tripods and clamps suit creative mou…

More transmitter power alone won’t produce a longer, steadier video link. Maximizing wireless video transmission range starts with choosing a suitable frequency band, aiming antennas along the signal path, reducing RF co…

A remote camera is useful only when its video reaches the person who needs to see it. Remote camera monitoring sends live footage over a wired or wireless network to a server or cloud service, where it can be viewed thro…

The most protective case isn’t automatically the best fit for every shoot. Choose cinema camera cases by balancing the protection your equipment needs with how you transport and access it. A hard case suits workflows tha…