SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS

SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS
SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS
$13,461.00
SKU
PXW-FX9TK

SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS ( PXW-FX9TK )

Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science.

Key Features
  • 6K Full-Frame “Exmor R” sensor for stunning picture quality
  • 28-135mm f/4 G OSS E-Mount Lens
  • Phenomenal 15+ stops dynamic range for limitless expression
  • UHD 4K (3840 x 2160) up to 59.94p
  • HD Recording up to 120 fps
  • Dual Base ISO for stunning images in any light
  • Stable, shake-free handheld footage

Sony PXW-FX9TK Overview

PXW-FX9TK XDCAM 6K Full-Frame Camera System with 28-135mm f/4 G OSS Lens

Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science.

6K Full-Frame “Exmor R” sensor for stunning picture quality.

The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. Sony Fx9 (PXW-FX9TK) Price is very good in UBMS Dubai Showroom. Come and experience the Sony PXW-FX9TK camera at UBMS showroom and get the best price. We can ship Sony Fx9 to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
*DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.

With the release of the FX9, a new video look “S-Cinetone” is introduced. Installed in the FX9 “S-Cinetone” expresses the cinematic look cultivated from the Color Science in VENICE but tailored for the video world. Whereas VENICE and s709 provides images close to the film color found in movie and drama productions, “S-Cinetone” provides images with a more cinematic look in tone and color for the video world. As a result, you can create richer content compared to conventional processing.

Full-frame creativity

Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. To know more about sony FX9 camera contact UBMS.

Capturing the impossible

Using the FX9 you can make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.*
*Ver2.0 is required.

Shoot in comfort, expand your horizons

The FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come. Shop sony FX9 camera from UBMS Dubai.

6K Full-Frame "Exmor R" sensor for stunning picture quality

The FX9camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.
*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.

Phenomenal 15+ stops dynamic range for limitless expression

The FX9 offers an exceptional 15+ stops of dynamic range—beyond the normal range of human perception—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. To know more about the FX9 please contact UBMS Dubai.

Dual Base ISO for stunning images in any light

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions. The FX9 can be purchased from UBMS Dubai Showroom .

Cinematic color science with S-Cinetone™

S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.

Accelerate your workflow with User 3D Luts and HLG*

User Created 3D LUTs make it easy to customize FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.
FX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.
•S-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when color grading.
•HLG* delivers content quickly without additional color grading making it an ideal choice for day-to-day shooting, viewing, and editing workflows.

Selectable Frame Rates in Both Full-Frame & Super 35

Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.

Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended.

Capture the action with enhanced Fast Hybrid AF

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.

The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.

Eye AF & Focus Touch Control*

FX9 is the world’s first professional camcorder with Sony’s world-leading eye-tracking technology**. High-speed, high-precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing.

Focus Touch Control allows you to precisely set the camera’s specific focus area by simply touching the LCD viewfinder. It’s fast and intuitive—ensuring your full creative control of FX9’s powerful AF technology.

Customizable AF settings

The FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.

7-level AF transition speeds from Fast—switching between subjects as quickly as possible—to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

5-level AF subject-shift sensitivity ranges from Locked-on—ignoring other moving subjects in the frame—to Responsive, which switches focus from one subject to another, ideal for snapping between race cars as they speed by.

Autofocus with Sony E-mount lenses

Experience smooth, responsive autofocus with every Sony E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever-lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.

The world's first electronic variable ND filter for full-frame sensors*

Realize even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter—a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for breathtaking artistic effects.

Proven ergonomics & accessory compatibility

FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*

The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style—handheld, at waist level, or shoulder-mounted. The smart grip also features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. The FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.

To withstand the rigors of real-world shooting, FX9 has a robust magnesium chassis which is almost one third lighter than aluminum equivalent, while offering high impact resistance. FX9’s buttons, dials, and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability.**
*BP-U30 and XDCA-FS7 are not compatible with the FX9.
**Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

Quick menu control with touch operation*

The FX9’s LCD Viewfinder has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:
• Codec, Imager Scan mode, Picture Size and frequency.
• Base ISO/Sensitivity
• Shooting Mode
• Audio Levels
Introduced with V2 firmware, the FX9’s quick access control menu uses a similar UI to Sony’s acclaimed VENICE digital cinematography camera.

Stable, shake-free handheld footage

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata combining FX9’s built-in gyro and lens information allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature requires Sony E-mount lens and allows for far faster processing than conventional NLE stabilization workflows

Beautifully matched shooting partners

Optimized for professional cinematography applications, the light and compact SELP28135G-powered zoom lens is an ideal complement for the full-frame imaging possibilities of the FX9.
• Circular aperture with full-frame image circle format
• Motorized servo zoom for smooth, precise zoom moves
• Three independent rings for focus, zoom and iris with smooth, silent drive
You have the choice of purchasing the FX9 on its own (PXW-FX9) or with the SELP28135G lens (PXW-FX9K).

Networked for high mobility

The FX9 features internal 5 GHz* and 2.4 GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:

• Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device—it’s ideal for single-operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity.
• FTP Transfer allows content files to be sent over the Internet for remote storage on an FTP server even while shooting. In the case of signal interruption, the system will automatically resume as soon as connection is restored.
• Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content.
• XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story is breaking.
• A wired LAN port with the optional XDCA-FX9 allows the FX9 to connect to the Internet with a standard Ethernet cable, enabling files to be streamed or transferred by FTP.
• Dual Link Cellular is enabled with the optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. The FX9 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.)
• High quality Sony QoS Streaming to Network RX Station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location

If you are looking for Sony Venice please check it here

If you are looking for Sony FX6 you can find the details here.

Firmware: PXW-FX9 V2.0 - 18/Sep/2020

There is a malfunction found in PXW-FX9 firmware V2.00 which was released recently. Please see the below new functions

Symptoms of malfunction

By using V2.00 installed PXW-FX9, with following setup, horizontal noise may be noticed in the captured and recorded images.

  • Project - Rec Format - Imager Scan Mode : FFcrop 5K
  • Technical - Lens – Distortion Comp. : Auto

Workaround

To avoid this malfunction for PXW-FX9 with V2.00 installed, please chose either 1 or 2 setup below.

  • Project - Rec Format - Imager Scan Mode: other than FFcrop 5K
  • Project - Rec Format - Imager Scan Mode: FFcrop 5K
    Lens – Distortion Comp. : Off* (*default setup is "Auto")
    Note that with this setup, lens distortion compensation process is not applied.
General
Mass
Approx 2.0 kg (body only)
Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder)
Dimensions (W x H x D)
146 x 142.5 x 229 mm (body without protrusions)
Power Requirements
DC 19.5V
Power Consumption
Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Operating Temperature
0°C to 40°C
32°F to 104°F
Storage Temperature
-20°C to +60°C
-4°F to +140°F
Battery Operating Time
Approx. 54min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 108min. with BP-U70 battery (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video)
[XAVC Intra]
XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264
XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264
Recording Format (Video)
[XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC
Recording Format (Video)
[MPEG-2 Long GOP]
MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 [email protected]
Recording Format (Audio)
LPCM 24 bits, 48 kHz, 4 channels
Recording Frame Rate
[XAVC Intra]
XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
[XAVC Long]
XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920 x 1080, 1280 x 720/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 25 mode:1920 x 1080/59.94i, 50
[MPEG-2 Long GOP]
MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25Pi
Recording/Playback Time
[XAVC Intra]
XAVC-I QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB): Approx. 10 minutes

XAVC-I QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB): Approx. 13 minutes

XAVC-I QFHD 29.97p
When using QD-G128A (128 GB): Approx. 43 minutes
When using QD-G64A (64 GB): Approx. 21 Minutes

XAVC-I QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB): Approx. 25 Minutes

XAVC-I QFHD 23.98p
When using QD-G128A (128 GB): Approx. 54 minutes
When using QD-G64A (64 GB): Approx. 26 Minutes

XAVC-I HD 59.94p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 28 Minutes

XAVC-I HD 50p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 27 Minutes

XAVC-I HD 59.94i/29.97p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes

XAVC-I HD 50i/25p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes

XAVC-I HD 23.98p
When using QD-G128A (128 GB): Approx. 130 minutes
When using QD-G64A (64 GB): Approx. 65 Minutes
Recording/Playback Time
[XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p
When using QD-G128A (128 GB): Approx. 125 minutes
When using QD-G64A (64 GB): Approx. 62 Minutes

XAVC-L QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 86 minutes
When using QD-G64A (64 GB): Approx. 42 Minutes

XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 225 minutes
When using QD-G64A (64 GB): Approx. 110 Minutes

XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 305 minutes
When using QD-G64A (64 GB): Approx. 150 Minutes

XAVC-L HD 25 59.94i/50i
When using QD-G128A (128 GB): Approx. 410 minutes
When using QD-G64A (64 GB) Approx. 200 Minutes
Recording/Playback Time
[MPEG-2 Long GOP]
MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
When using QD-G128A (128 GB): Approx. 220 minutes
When using QD-G64A (64 GB): Approx. 105 Minutes
Recording Format (Proxy Audio)
XAVC Proxy: AAC-LC, 128 kbps, 2 channels
Recording Format (Proxy Video)
XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9Mbps
1280 x 720, 9Mbps
1280 x 720, 6Mbps
640 x 360, 3Mbps
Lens
Lens Mount
28-135mm f/4 G OSS E-Mount Lens
Camera Section
Imaging Device (Type)
35 mm full-frame, single-chip CMOS image sensor
Imaging Device (Pixel Count)
20.5 M pixels (Total)
Built-in Optical Filters
Clear, linear variable ND (1/4ND to 1/128ND)
ISO Sensitivity
ISO 800/4000 (Cine EI mode, D55 Light source)
====
S/N Ratio
57 dB (Y) (typical)
Shutter Speed
64F to 1/8000 sec
Slow and Quick Motion Function
FF 6K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 30 frames (29.97/25/23.98)

S35 4K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 60 frames (59.94p, 50p, 29.97/25/23.98)

FF 2K, S35 2K mode:
XAVC-I/L
1920 x 1080
1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)
White Balance
Preset, Memory A, Memory B (2000K-15000K)/ATW
Gain
-3 to 18dB (every 1dB), AGC
Gamma Curve
S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3
Latitude
15+ stop
Input/Output
Audio Input
XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Mic Reference: -30 to -80 dBu"
SDI Output
SDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI
SDI OUT2: BNC, 3G-SDI (Level A/B), HD-SDI
USB
USB device, micro-B (x1)
Headphone Output
Stereo mini jack (x1) -16 dBu 16 Ω
Speaker Output
Monaural
DC Input
DC jack
Remote
Stereo mini-minijack (Φ2.5 mm)
HDMI Output
Type A (x1)
Monitoring
LCD
8.8 cm (3.5 type) Approx. 2.76 M dots
Built-in Microphone
Built-in Microphone
Omni-directional monoral electret condenser microphone
Media
Type
XQD Card slot (x2)
SD/MS Card slot (x1) for saving configuration data
SD card slot also can be used for proxy video recording
Wi-Fi/NFC
Supported Format
IEEE 802.11 a/b/g/n/ac
Frequency Band
2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth*
* Depending on country/regional regulation
Security
WEP/WPA-PSK/WPA2-PSK
NFC
NFC Forum Type 3 Tag compliant
Supplied Accessories
Supplied Accessories
Body Cap (1)
Viewfinder (1)
Eyepiece (1)
Grip Remote Control (1)
AC Adapter
BC-U1A battery charger (1)
BP-U35 battery pack (1)
Power cord (2)
USB cable (1)
Operating Guide (2)
CD-ROM "Manuales for Solid-State Memory Camcorder" (1)
  • Sony PXW-FX9K XDCAM 6K Full-Frame Camera System with 28-135mm f/4 G OSS Lens
  • Sony FE PZ 28-135mm f/4 G OSS Lens
  • Body Cap
  • Viewfinder
  • Eyepiece
  • BP-U35 Battery
  • Sony BC-U1A Battery Charger / AC Adapter for BP-U90, U60, U60T, U30
  • Grip Remote Control
  • AC Adapter
  • USB Cable
  • Limited 1-Year Warranty
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