Sony Venice CineAlta 6K Cinema Camera

Sony Venice CineAlta 6K Cinema Camera
Sony Venice CineAlta 6K Cinema Camera Sony Venice CineAlta 6K Cinema Camera Sony Venice CineAlta 6K Cinema Camera Sony Venice CineAlta 6K Cinema Camera
$45,871.00
AED 168,347.00
SKU
Sony Venice

Sony Venice CineAlta 6K Cinema Camera

VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032.

Key Features:

  • Full-Frame CMOS Sensor
  • Supports UHD 4K and DCI 4K Capture
  • 15+ Stops of Dynamic Range
  • Supports 6K Capture with License Update

Sony Venice CineAlta 6K Cinema Camera

Next-generation motion picture camera system with forward-thinking full-frame sensor, phenomenal color science and user-friendly operation.

The VENICE is a cinema camera created by and for the cinematographer. VENICE is equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality. VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9x18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9x14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35.

Sony Venice Price is very good in UBMS Showroom. Come and experience the Sony Venice camera at UBMS showroom and get the best price. Sony’s VENICE motion picture camera, which has been embraced by the production community, will enhance its usability and flexibility with the VENICE Extension System and Version 3.0 firmware updates in early 2019. The lightweight and easy to use tethered extension system allows the camera body to detach from the image sensor block with no degradation in image quality. The image sensor block weighs 4 lbs with PL mount and 3 lbs using the native E-mount, and the cable system can extend from 9 or 18 feet, offering a highly configurable, flexible and portable method of operation. The new Extension System is compatible with existing and new VENICE cameras. A user can quickly configure and freely use VENICE’s image sensor block to capture uncompromising imagery, customizing the camera for specific scenarios in under 3 minutes with one 3mm Allen Wrench allowing for ultimate flexibility onset. VENICE is a proud member of the Netflix Post Technology Alliance program. VENICE meets the Netflix technical and delivery specifications today, and will continue to do so in the future. Sony is committed to work closely with Netflix to innovate production workflows and support the needs of the global production and postproduction communities.

Main Features

  • 36x24mm Full-Frame Sensor for cinema
  • Super35 full height 2x squeeze Anamorphic
  • 15+ stops of latitude
  • Can exceed Rec. 2020 colour space
  • Super35 17:9 and 16:9
  • Features high speed readout sensor
  • PL Lens Mount
  • Lever Lock Type E-mount
  • 6K High Resolution

Reliable partner for creativity

VENICE is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality. If you want to know more details or if you want to experience the Sony Venice camera in UAE, then please visit UBMS Dubai Showrrom .

Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 60 fps.

Remove the PL Mount to reveal a Sony E-Mount with a locking outer ring that allows you to mount your lens and then rotate the ring to secure it, creating a strong mounting system that does not require you to rotate your E-Mount lens when mounting it to the camera. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments. The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera. It features dual SxS card slots that allow you to capture XAVC or HD ProRes in-camera. We can ship Sony Venice to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .

36 x 24-mm full-frame sensor for cinema

VENICE is equipped with a 36 x 24-mm full-frame image sensor designed specifically for high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.3 x 18.0 mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.3 x 12.8 mm, 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18 mm-height Super35 anamorphic and spherical and full-frame 24 mm-height anamorphic and spherical. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.

Creative freedom

Full-frame full-width 36 mm 6K

In full-frame, you can use the full 6048 pixel width of the sensor for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.

Super35 full height 2.0x squeeze anamorphic

For anamorphic shooting and production, Super35 full height 2 x squeeze anamorphic is supported.

Super35 17:9 and 16:9

These popular imager sizes are natively supported by VENICE. Current Super 35 mm PL mount lenses can be used.

Also available in early 2019 will be the free VENICE Version 3.0 firmware upgrade, which further augments VENICE’s capabilities, incorporating feedback from filmmakers and protecting customers’ investment by allowing the camera to grow with the user. Version 3.0 firmware will add a recording profile within the 16-bit X-OCN (eXtended tonal range Original Camera Negative).

Version 3.0 Firmware

Adds the following:

  • Imager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)
  • Support for the X-OCN XT recording format
  • Compatibility with Rialto VENICE Extension System
  • De-squeeze ratios 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • SxS recording folder structure selection
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 16-bit X-OCN XT profile delivers the highest picture quality at economical data rates with AXS-R7
  • New imager modes, including 6K 2.39:1 and 5.7K 16:9 for greater shooting flexibility
  • Additional de-squeezed ratios for various anamorphic lenses (x1.25, x1.3, x1.5, x1.8), as requested by filmmakers
  • Cache REC for a maximum 30 sec in X-OCN 4K 17:9 AXS Memory / HD MPEG 50 SxS memory, so you don’t miss a shot
  • 6G/12G-SDI switchable output enabling 4K SDI output
  • Wireless Remote Control with CBK-WA02 for wirelessly controlling and changing key functions and menu settings for increased flexibility

Version 3.0 firmware introduces 16-bit X-OCN XT profile

This new profile, called X-OCN XT, captures the highest quality imagery when using the AXS-R7 portable memory recorder. X-OCN XT is ideal for demanding visual effects work and productions requiring the utmost image quality from VENICE. The new X-OCN XT profile maintains economical file sizes comparable to Sony’s RAW file size, making the workflow affordable and efficient. In comparing X-OCN with Sony’s RAW format, X-OCN has superior reproduction in low light areas and high light areas. In VENICE’s 4K 17:9 imager mode, users will have the flexibility to record three X-OCN profiles (XT, ST, LT) and Sony RAW with V3.0 firmware. (Prior to V3.0 firmware, X-OCN LT, X-OCN ST and Sony RAW are available). UBMS can provide best price and fast delivry for Sony Venice Cinema camera.

Use Case

The VENICE is designed to start you off with a basic camera and, through firmware updates and licenses, upgrade it over time. This allows you to upgrade it as your needs grow, instead of having to buy a whole new camera system. Licenses can be permanent upgrades or used for limited periods of time, for those jobs that require more features than you normally use.

Sensor

The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space—which is larger than the DCI-P3 color space—enabling you to create stunning images with a camera that already exceeds future specs.

Full-Frame Sensor

In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1, or large format scope. A firmware upgrade and license are required for full-frame recording.

Fast Shutter

The VENICE features a high-speed readout that minimizes the dreaded "jello" camera effect that plagues some CMOS sensor cameras.

PL Mount

The VENICE comes with the industry-standard PL lens mount. It is compatible with all Super 35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.

E-Mount

Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount minimizing play. Rotating of the locking collar means that in most cases lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount. The VENICE records XAVC UHD 4K or HD ProRes internally to its SxS card slots. An optional AXS-R7 on-board recorder will enable 16-bit Raw and X-OCN recording to AXS cards with a future firmware update.

There are many Full Frame and Super 35 cine-zoom lenses with PL mounts available for the VENICE from Angenieux, Cooke, Fujinon, Zeiss and many others. While there is an immediate and obvious benefit in shooting with a longer focal length, this might not always be desirable. With lens manufacturing improving the quality and speed of cine-zoom lenses every year, there were already an increasing number of cinematographers who chose to work with high-end cine-zooms, rather than a full set of PLs, prior to the pandemic. More cinematographers again regularly deployed cine-zooms to second units to act as ‘variable’ prime lenses.

For example, with the Fujinon Premista 28-100mm or 80-250mm Full Frame lenses you would have most shooting options fully covered on one or both of the lenses. Even when working Full Frame many cine-zoom lenses are considered largely indistinguishable from fixed focal length glass recording the same shallow depth of focus beloved by the modern cinematographer. Angenieux and Cooke even offer a range of anamorphic cine-zoom lenses. The clear advantage is removing the necessity to swap out lenses as often between shots, with more portable, faster set-ups while respecting that lens choice is personal to the cinematographer based around each lens having its own distinct personality and characteristics and the ideal choice for the production. If you want more details about Venice you can contact UBMS .

Many lens vendors have also adopted Cooke Optics’ /i Technology that collects lens metadata captured alongside the main media. This allows a continuous remote readout of the precise focus setting, depth of focus and even T stop, which allows both the first AC and DIT to receive valuable recording data without having to approach the camera or take measurements while shooting. (The lens metadata recorded by /i Technology is also used to support later VFX and DI calibration work and saves valuable time in post.)

VENICE Remote Operation Cinematography Guide

Soy recently published VENICE Remote Operation Cinematography Guide and it focus on social distancing in film productions specially suite for the Pandemic situation . This guide covers Sony and third-party products and solutions for the most complete picture of today’s remote operation technology.

  • Remote VENICE Camera Control over Wi-Fi
  • Share and Review Content Fast from Set to Studio
  • Working with Cine-Zoom Lenses
  • Full Remote Lens, Focus Assist and VENICE Camera Control
  • RF and the Virtual Video Village
  • Affordable Best-in-Class 4K HDR On-Set Monitoring
  • The Flexible Sony VENICE Extension System
  • Rapid Remote Camera Deployment and Tracking

To get more information about Sony Venice & VENICE Remote Operation Cinematography Guide , please get in touch with UBMS

If you are looking for new Sony FX6 Cinema Camera you can find the details here.

In the Box

  • Sony Venice Camera 
  • Standard Manufacturer's Warranty

New 36×24 mm Full Frame CMOS Image Sensor

Supports image capture at resolutions up to 6048 × 4032 pixels.* By switching the imager mode, the unit can natively support many shooting formats, including Super 35 24.3 × 12.8 mm, 4096 × 2160 pixel resolution (equivalent to 3-perforation motion picture film) and 4:3 Anamorphic* Super 35 24.3 × 18.3 mm, 4096 × 3024 pixel resolution (equivalent to 4-perforation motion picture film). * Full Frame and Anamorphic modes require licenses sold separately.

Wide Latitude

The unit supports 15+ stops of latitude. It features very low noise for delivering phenomenal images in conditions from searing sunlight to almost no light, allowing for unprecedented creative freedom in grading

Wide Color Space Capture

Images can be captured in a color space that exceeds DCI-P3. The degree of freedom in the grading is dramatically improved when using Sony’s S-Gamut and S-Gamut3.Cine color space together with S-Log3.

Dual Base ISO

The unit supports two selectable native ISO settings (ISO500 and ISO2500). Using Base ISO500 under normal lighting conditions and Base ISO2500 under low light conditions allows you to maintain the latitude balance between bright and low light conditions when shooting, without graining (noise).

PL Lens Mount

Equipped with the industry-standard PL lens mount. The lens mount supports Cooke /i technology, and lens information is recorded as metadata frame by frame.

E Mount Lens

E mount lenses are supported by removing the PL lens adaptor. E mount lenses are smaller and lighter than PL lenses, and are available in a diverse lineup for expanded possibilities in image reproduction.

Compact Body and Intuitive Operation

A relatively compact design for a device equipped with a large Full Frame image sensor, achieved using Sony’s miniaturization technology, which allows easier shooting in confined spaces or on drones. The position, shape, and size of the control buttons reflect the requirements of camera operators for intuitive operation. They also feature backlighting for ease of use in dark locations.

Engineered to Survive

The chassis is made from magnesium alloy form high robustness and durability. The ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand, and liquids.* The silent-running fan can be removed and cleaned on-set quickly and easily to maintain high readiness. * Design protects against dust and rain, but cannot completely prevent the ingress of dust and liquid.

Modular Design

Features a fully modular design, allowing you to flexibly support various rigs and peripheral equipment according to the shooting application. The top handle and viewfinder are easily adjustable to maintain ergonomic balance and ease of use with lenses. The height of the optical axis is the same as the PMW-F55, permitting the use of peripheral devices used with the PMW-F55. And an optional AXS-R7 Portable Memory Recorder can be securely attached to the rear of the unit using four hex screws.

8-Position Optical ND Filter

Employs an 8-position optical ND filter. It offers a wide ND range of 0.3ND (1/2 = 1 stop) to 2.4ND (1/256 = 8 stops) that reduces time lost on set changing external ND filters. The ND filter mechanism is servo-controllable.

Intuitive and Familiar On-Set Operation

The menu screen is available from both sides of the camera, with the main control display on the Assistant side of the camera for fast access to the camera settings by the camera assistant while shooting.

An OLED mini display on the Operator side allows the operator to access commonly accessed features such as ND filter position, shutter, white balance, exposure index (EI), and frame rate (FPS),making it convenient for the operator to check the status of the unit.

Paint Control from RM/RCP Units

The unit supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable and adjustment of various paint parameters is supported.

High Frame Rate (HFR) Shooting

4K RAW recording at frame rates up to 120 fps is supported using the unit in combination with an AXS-R7.

Remote Control Unit Support

By connecting an RM-B170 or other remote control unit, you can control some of the functions of the unit from the remote control unit even when Technical > System Configuration > RM/ RCP Paint Control (page 68) is set to Off in the full menu.

Various Recording Formats

The unit supports recording on SxS memory cards in XAVC 4K/QFHD, MPEG HD, and HD ProRes 422 formats. In addition, it can record in 16-bit RAW or X-OCN format onto AXS memory cards when used in combination with an optional AXS-R7 Portable Memory Recorder.

Imager Block Extension

The imager block can be extended from the camera body by 2.7 m (8.9 ft) or 5.5 m (18 ft) by connecting the CBK-3610XS* Camera Extension System. * Update the firmware to version 3.0 or later.

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