ARRI Amira

ARRI Amira
ARRI Amira ARRI Amira

Ready to pick up and shoot straight out of the camera bag. (Mfr # K0.0001090)

Key Features:

Same 35 mm sensor as ALEXA
Dynamic range of 14+ stops
Natural colors and skin tones
Up to 100 fps – full sensor area
4K UHD 3840x2160 (with license), HD 1920x1080
ProRes recording up to 422 on CFast 2.0 cards

Sensor Type

35mm format ARRI ALEV III CMOS (28.17x18.13)

Sensor Pixel Count

3200x1800 (4K UHD, 3.2K) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154x1764 (2K), 3414 x 2198 (4K UHD, 3.2K)

Recording Pixel Count

1920 x 1080 ProRes HD, MPEG 2 and HD outputs, 2048 x 1152 ProRes 2K, 3200 x 1800 ProRes 3.2K*, 3840 x 2160 Pro Res 4K UHD and UHD outputs*

Lens Mounts

PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount, PL mount titan (ALEXA Mini)


Electronic shutter, 5.0° to 356.0°

Exposure Index

Adjustable from EI 160-3200 in 1/3 stops (EI 800 base sensitivity)

Exposure Latitude

14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)

Audio Recording

4 channels, 24 bit PCM, 48 kHz

Integrated motorized ND Filters

FSND 0.6, 1.2, 2.1

Sound Level

< 20 dB(A)


~ 4.1 kg/9.2 lbs (camera body with PL Lens mount)


Length: 309mm/12.1", width: 139 mm/5.4" , height: 149mm/5.8" (camera body with PL lens mount)


-20° C to +50° C (-4° F to +122° F) @ 95% humidity max, non-condensing, splash and dust-proof through sealed electronics


AMIRA Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen,

Camera Control Panel

(CCP-1) LCD control panel with option to daisy-chain MVF-1

Outputs Video

2x HD-SDI outputs: 1.5G, (dual) 3G and (dual) 6G; uncompressed HD/UHD video with embedded audio and metadata

Outputs Audio

3,5mm headphone jack, Bluetooth audio

Outputs Power

Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin


Genlock, HD-SDI**, Timecode (In and Output), all BNC

Recording Formats

HD 1920x1080 (interlaced & progressive)
3.2K ProRes 3200x1800*
4K UHD 3840x2160*

Recording Framerates

0,75 - 100 Fps (progressive) HD, 2K
0,75 - 60 Fps 4K UHD & 3.2K*
MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i

Recording Codecs (w/ embedded audio & metadata)

422 LT

Rec 2020, Rec 709, Log C

Rec 2020, Rec 709

K1.71700.0 1x AMIRA camera body, Camera handle, Viewfinder mount, Viewfinder cables, USB stick

K2.75004.0 1x AMIRA Viewfinder MVF-1

ARRI proudly introduces AMIRA – (most economical), a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 100 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.


Same 35 mm sensor as ALEXA
4K UHD 3840x2160 (with license), HD 1920x1080;
Rec 709
ProRes recording up to 422 on CFast 2.0 cards
Dynamic range of 14+ stops
Natural colors and skin tones
Up to 100 fps – full sensor area

AMIRA features the same sensor and exceptional image quality as the ARRI ALEXA, recording superior HD 1080 pictures that are suitable for any distribution format. With a dynamic range of more than 14 stops, low noise levels, subtle highlight handling, natural color rendering, breathtaking skin tones and speeds of up to 100 fps, AMIRA will deliver beautiful, life-like
images in any situation.


Quick start-up – ready to shoot
Optimized for the single operator
Sliding dovetails – perfect shoulder balance
Internal ND filters (0.6/1.2/2.1)
OLED eyepiece and fold-away LCD monitor
Multi-channel audio – easy-access controls

AMIRA boots up quickly and can be used straight out of the bag by a single user, with no setting up, no rigging and no delays. Sliding dovetails allow the camera to be perfectly shoulder-balanced for comfortable handheld shooting, while the innovative multi-viewfinder combines a high resolution OLED eyepiece with a fold-away LCD monitor that provides both a live view and full access to
camera functions.


Preloaded looks
Adjustable looks – total color control on set
High creativity, low postproduction costs
Uniquely, AMIRA comes with a number of 3D LUT-based looks that can be applied while filming.

The pre-loaded LUT feature essentially amounts to in-camera grading; it allows cinematographers to craft a consistent, identifiable visual approach, even on small- scale productions that cannot afford to pay them to attend the grade. Documentaries, dramas and commercials often involve a number of contrasting looks for different narrative or thematic elements. With AMIRA these looks can be either ‘burned in’ to the recorded footage or used purely for monitor imaging. Either way, they give cinematographers and directors a greater degree of creative control on fast-moving productions, while keeping costs down for producers.


Rugged and reliable ARRI build quality
Upgradeable hardware and software
Solid lens mounts (PL/B4 2/3”/EF)
Sealed electronics and efficient cooling

With a solid internal skeleton that guarantees camera and lens stability, AMIRA is a highly durable product constructed of the strongest possible materials. Sealed and capsulated electronics provide top level protection against humidity and dust, while an integrated thermal core results in an exceptionally efficient cooling system. All of this means that productions can take AMIRA anywhere, from jungles and deserts to snow-capped mountain tops, in the sure knowledge that it will not let them down. Whether on a Hollywood sound stage or a r emote documentary location, technical delays cost money – money that could be saved by working with AMIRA.

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