{"title":"Trending","description":"","products":[{"product_id":"sony-pxw-z150-4k-xdcam-camcorder","title":"Sony PXW-Z150 4K XDCAM Camcorder","description":"\u003cp\u003eThe Z150 is the world's first professional camcorder to feature a 1.0 type stacked CMOS image sensor. This breakthrough in sensor integration delivers a 2x increase in read-out speed compared to a conventional 1.0 sensor for stunning 120fps slow motion in Full HD and spectacular 4K recording\u003c\/p\u003e\r\n\u003cp\u003eCompact handy camcorder delivers broadcast quality 4K and Full-HD. Ready for any shooting scenario, Sony’s PXW-Z150 handy professional camcorder delivers stunning 4K image quality, Instant HDR workflow, 120fps HFR Full-HD slow-motion and built-in advanced networking for live streaming and wireless workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe large 1.0 type sensor is also brighter, has higher resolution and offers more bokeh with a shallow depth of field, allowing you to create beautiful, cinematic images that will inspire you and delight your clients.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Z150 offers a step-change in image capture in its class with 4K QFHD (3840×2160) using the advanced XAVC Long GOP 100 Mbps codec for truly broadcast quality 4K performance. 4K High Dynamic Range (HDR) content is also supported with Hybrid Log-Gamma (HLG) file-based workflow for truly stunning imagery with a wide color gamut and color range.* To maximize the quality of your images, the Z150 has a stunning optical 12x zoom lens that offers high resolution and contrast across the entire image. Sony’s advanced Clear Image Zoom feature doubles magnification to 18x when shooting in 4K QFHD and 24x in HD, to fully exploit the imaging capabilities of the Z150’s large 1.0 type stacked sensor. PXW-Z150 price is very good in UBMS dubai showroom. If you want to experience  PXW-Z150 you an visit UBMS Showroom. \u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cp\u003eThe \u003cspan\u003eSony PXW-Z150 4K XDCAM Camcorder\u003c\/span\u003e brings high-quality performance, adaptability, and ease of use to a compact, handheld body that is the same size as the HXR-NX100. Suitable for corporate video, house of worship, and legal deposition recording. The camcorder features a single Exmor RS sensor with a UHD 4K (3840 x 2160) resolution, Sony G lens with 12x optical zoom range, and 18\/24x Clear Image Zoom in 4K\/HD. It can record 4K in XAVC Long at 4:2:0 8-bit, and HD in XAVC Long at 4:2:2 10-bit at 50 Mb\/s, as well as MPEG2HD at 4:2:2 or 4:2:0 in 8-bit only. The integrated zoom lens features individual lens control rings for focus, iris, and zoom, and produces smooth-rounded-out-of-focus highlights. The lens can be used in either full-auto mode with servo control or as a completely manually operated lens.\r\nSony PXW-Z150 Price is very good in UBMS Dubai Showroom. Come and experience the Sony PXW-Z150 camcorder at UBMS showroom and get the best price. We can ship Sony PXW-Z150 camcorder to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries .\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camcorder supports storing up to 6 picture profiles and allows you to share profiles; the camera also supports Sony's Slow and Quick Motion for shooting HD video at variable frame rates, including 120 fps. Recording to a variety of formats, frame rates, and codecs, the camcorder supports 100 Mb\/s XAVC Long GOP recording of 4K UHD video at up to 29.97p, HD up to 59.94p, MPEG HD up to 59.94p, and AVCHD 2.0 up to 59.94p. Your footage is recorded to media via two SD memory card slots. You can choose to record simultaneously to both cards or use the relay mode which switches recording automatically to the second memory card when the first one is full. It features built-in Wi-Fi and NFC connectivity. The PXW-Z150 features two 3-pin XLR audio inputs that support line, mic, and mic +48V (phantom power) for using external microphones; you can also use the PXW-Z150's built-in microphone to record audio when shooting. The camcorder also includes Night Shot capability for shooting in extremely dim lighting conditions as well as date\/time stamp, and timecode functionality. Buy Sony PXW-Z150 from UBMS Dubai . \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4\u003e Features\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eSingle 1\" Exmor RS CMOS Sensor\u003c\/li\u003e\r\n\u003cli\u003eUHD 4K (3840 x 2160) up to 30p\u003c\/li\u003e\r\n\u003cli\u003eHD up to 120 fps\u003c\/li\u003e\r\n\u003cli\u003eSony G Lens with 12x Optical Zoom\u003c\/li\u003e\r\n\u003cli\u003e18\/24x Clear Image Zoom\/48x Digital Zoom\u003c\/li\u003e\r\n\u003cli\u003eDiscrete Manual Focus, Zoom, Iris Rings\u003c\/li\u003e\r\n\u003cli\u003eXAVC, AVC\/H.264, AVCHD 2.0, MPEG-4\u003c\/li\u003e\r\n\u003cli\u003eSlow and Quick Motion Function\u003c\/li\u003e\r\n\u003cli\u003eTwo SD Memory Card Slots, Wi-Fi\u003c\/li\u003e\r\n\u003cli\u003e2 x 3-Pin XLR Audio Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e1\" Exmor RS CMOS Sensor\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe PXW-Z150 incorporates a 1.0\"-type Exmor RS CMOS sensor with approximately 14.2 million effective pixels. The R designation signifies that this is a backside-illuminated sensor, and the S designation refers to the buffer design and that it can read the information off the sensor much faster than a non-S designated sensor.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDepth of Field\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe 1.0\"-type offers more shallow depth of field than 1\/2.88\"-type or smaller sensors.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSony G Lens with 12x Optical Zoom, 24x Clear Image Zoom\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe PXW-Z150 is supplied with a fixed 12x optical zoom wide-angle Sony G lens, equivalent to a 29 to 348mm 35mm lens. The 12x optical zoom can be extended via Sony's Clear Image Zoom technology to deliver an apparent 18x zoom range in 4K. In HD the 12x optical zoom can be doubled to 24x with Clear Image Zoom, and the Digital Extender function can double this range again, up to 48x zoom.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eFrame Rate Flexibility\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe camera records UHD 4K video (3840 x 2160p) at 29.97, 25, and 23.98 fps, in XAVC Long GOP in a choice of 100 Mb\/s or 60 Mb\/s. You can also select to record HD video instead of 4K, which allows you to not only record at standard frame rates up to 59.94p, but also engage Sony's S\u0026amp;Q Motion, for recording HD video at 1, 2, 4, 8, 15, 30, and 60 fps.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMultiple Codec Choice\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eYou can select to record in XAVC Long GOP (4K\/1080p), MPEG HD at 4:2:2 or 4:2:0, or AVCHD 2.0 at a variety of data rates.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eLens Control\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThree lens rings enable smooth, natural adjustment of focus, zoom, and iris control. The rings are not mechanically linked to the lens movement, but there is a mechanical feel to the rings. However, they are endlessly rotating, which protects your lens elements from pinning, and the faster you rotate the lens ring the more reactive the result. The lens can also be used in full-auto mode or completely manual for maximum creative control.  The PXW-Z150 Price is very good in UBMS Dubai Showroom. Come and experience the Sony Z150 camera at UBMS showroom and get the best price. We can ship Z150  to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries .\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eBuilt-In ND Filters\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe PXW-Z150 is equipped with an ND Filter function, allowing you to choose four conventional mechanical ND filter positions (Clear, 1\/4ND, 1\/16ND, and 1\/64ND) for better exposure and depth of field control.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMedia Slots\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe PXW-Z150 is equipped with two memory card slots, one of which is for SDHC\/SDXC cards only, while the other slot is compatible with SDHC\/SDXC and Memory Stick PRO Duo (Mark 2)\/Memory Stick PRO-HG Duo cards.\u003cbr\u003e\u003cbr\u003eTwo media slots can be used to record in either \"SIMUL\" or \"RELAY\" mode. \"RELAY\" mode automatically switches recording from the first to the second memory card when the first is full, while \"SIMUL\" mode permits simultaneous recording to two memory cards. You can choose to record the same file to the second slot, creating an instant copy, or record a lower quality proxy for post.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMulti-Interface Shoe\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe Multi-Interface Shoe expands your options to use accessories without cables, such as the optional HVL-LBPC Video Light or the UWP-D wireless microphone series.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePicture Profiles\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eYou can fine-tune the look of movies before shooting by adjusting up to 99 parameters such as gamma, knee, black level, color model, color level, color phase, and more. Adjusted parameters can be saved along with other settings as a profile, and up to six profiles can be stored for later recall.\u003cbr\u003e\u003cbr\u003eYou can copy the settings from one PXW-Z150 to another PXW-Z150 so that the user can shoot with multiple cameras in the same settings. The picture profiles only work with the same model of camera.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch4 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eWi-Fi\/NFC\u003c\/h4\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eUsing the camcorder's built-in Wi-Fi capability you can FTP files directly from the camcorder or live stream over Wi-Fi without having to add any additional accessories. You can also use the camcorder's Wi-Fi and NFC connectivity to remotely pair it to your iOS or Android mobile devices running the Content Browser Mobile app, giving you remote control over focus, zoom, iris, white balance, REC start\/stop, and more.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\r\n\u003cstyle\u003e\n\n\n.offer-box{\n    border: 1px solid rgba(45, 112, 145, 0.3);\n    font-size: 14px;\n    padding: 20px;\n    border-radius: 3px;\n    line-height: 24px;\n    color: black;\n   \n}\n.offer-box b{\n  color: #ff6868;\n   font-size: 14.5px;\n}\n\u003c\/style\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824374358302,"sku":"PXW-Z150","price":11180.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_pxw_z150_4k_xdcam_camcorder_4FnG2.jpg?v=1749046305"},{"product_id":"sony-hxr-nx200-nxcam-4k-camcorder","title":"Sony HXR-NX200 NXCAM 4K Camcorder","description":"\u003cp\u003eHXR-NX200 is an affordable, compact camcorder with a big 1.0-type sensor and new colour reproduction for superb 4K or Full-HD image quality. It offers all the professional features you need with refined manual controls including three independent manual lens rings, smart fully auto options and more. Buy Sony HXR-NX200 Camcorder from UBMS Dubai . We can provide best price for sony camcorders . You can either shop form our Dubai Showroom or order online .  \u003c\/p\u003e\r\n\r\n4K or HD : Simply superb image quality\r\n\u003cbr\u003e\u003cbr\u003e\r\nA large, 20 megapixel* 1.0 type sensor delivers stunning image quality in 4K (3840×2160) or Full-HD at 50Mbps. Its 1.0 sensor is brighter, has higher resolution and offers more bokeh with a shallow depth of field. NX200 gives you the flexibility to work the way you want to.\r\n\u003cbr\u003e\u003cbr\u003e\r\nWell-balanced colour reproduction\r\n\u003cbr\u003e\u003cbr\u003e\r\nNatural skin colours and rich mid-range colours deliver vivid, yet true-to-life imagery regardless of exposure setting. It’s perfect for capturing live events such as seminars, weddings and houses of worship. NX200’s newly developed gamma curve provides a vibrant look ready to share as soon as you export.\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe professional’s choice\r\n\u003cbr\u003e\u003cbr\u003e\r\nThere’s no need to choose between professional features and superb 4K imaging at an entry level price-point. Advanced manual controls, including three independent manual lens rings, built-in 4-step ND filters and class-leading 4K and Full-HD performance make NX200 a choice you can rely upon for live events, corporate, education and wedding videography.\r\n\u003cbr\u003e\u003cbr\u003e\r\nOptimised for PAL 50Hz\r\n\u003cbr\u003e\u003cbr\u003e\r\nHXR-NX200 is currently only available as a PAL 50Hz product with sales exclusive to countries with a PAL infrastructure. For customers who require NTSC support, PXW-Z150 and HXR-NX100 are recommended alternatives.\r\n\u003cbr\u003e\u003cbr\u003e\r\nStunning quality from a large 1.0 type sensor\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe HXR-NX200’s single 20 megapixel* 1.0 type Exmor R CMOS sensor is approximately the same size as a 16mm film frame and seven times larger than three 1\/4.7 type sensors combined. The key benefit of this large size is low noise and less blur because more light reaches the sensor, offering clear and steady pictures even in a dark scene with minimum illumination 1.7 lux**. The large sensor size also enables beautiful background defocussing (bokeh) to enable you to focus on what you want to show and defocus the rest of the image.\r\n\u003cbr\u003e\u003cbr\u003e\r\n*14.2 million effective pixels.\r\n\u003cbr\u003e\u003cbr\u003e\r\n**LOW LUX mode.\r\n\u003cbr\u003e\u003cbr\u003e\r\nPicture Profiles with New Gamma Curve\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe default look for NX200 uses an all-new gamma curve specifically developed to accurately realize brilliant and deep colors, with true-to-life skin tones. Tuned in consultation with leading videographers, it avoids oversaturation of brightly lit subjects and provides a more natural look. The NX200 has six Picture Profile settings to choose from, each of which can be individually customised to your requirements.\r\n\u003cbr\u003e\u003cbr\u003e\r\nSony G Lens with 24x Clear Image Zoom (FHD)\r\n\u003cbr\u003e\u003cbr\u003e\r\nA fixed 29mm wide-angle lens with 12x optical zoom makes it easy to capture even the most expansive landscape scenes while also offering superb clarity and sharpness – maximising the performance of the NX200’s large 1.0 type sensor.\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe G Lens is Sony’s own camera lens family, designed and manufactured to the high standards of optical performance.\r\n\u003cbr\u003e\u003cbr\u003e\r\nIn addition, your ability to get into close with the most distant scenes is aided by Sony’s advanced Clear Image Zoom feature. Once you’ve zoomed in at maximum 12x optical magnification, By Pixel Super Resolution Technology can enlarge the image by an additional 150% in 4K and 200% in HD while still preserving image quality. In addition, zoom performance can be doubled at any point with a digital extender by up to 24x.\r\n\u003cbr\u003e\u003cbr\u003e\r\nManual operability in professional handy design\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe HXR-NX200 is ergonomically designed to provide a lightweight and easy-to-use shooting experience. Three manual, independent lens rings enables smooth, natural adjustment of focussing, zooming and iris control. It can also be used in full-auto mode or completely manual for maximum creative control. Manual dial and buttons on the side of the body allow swift and easy adjustment of IRIS (aperture), GAIN and shutter speed. The white balance is simple to adjust by colour temperature in convenient 100K steps.\r\n\u003cbr\u003e\u003cbr\u003e\r\nBuilt-in ND Filters\r\n\u003cbr\u003e\u003cbr\u003e\r\nA built-in Neutral Density (ND) filter wheel includes positions for clear, 1\/4 (2 stops), 1\/16 (4 stops), and 1\/64 (6 stops). This makes it easier to get all the advantages of shallow depth of field even in exterior day shoots, with no need to worry about bringing along and fitting a separate filter.\r\n\u003cbr\u003e\u003cbr\u003e\r\nMulti-format recording with 100Mbps XAVC S 4K, HD and DV\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe HXR-NX200 offers superb all-round performance whatever your workflow.\r\n\u003cbr\u003e\u003cbr\u003e\r\nFor 4K or Full-HD production, XAVC S offers stunning picture quality, but also workflow flexibility and storage efficiency. Compared to AVCHD, XAVC S captures more details and less noise thanks to the higher bitrate, while also being supported by all the major non-linear editors.\r\n\u003cbr\u003e\u003cbr\u003e\r\nNX200 also offers the option to record HD in AVCHD or DV, making it easy to integrate your content into existing workflows. NX200 offers PAL-only recording frame rates of 25p 4K:QFHD 3840×2160 50p, 50i, 25p Full HD and 50i SD.\r\n\u003cbr\u003e\u003cbr\u003e\r\nDual media slots for recording flexibility\r\n\u003cbr\u003e\u003cbr\u003e\r\nTo extend recording time and workflow flexibility, the NX200 is equipped with two memory card slots and is compatible with SDXC and SDHC cards.\r\n\u003cbr\u003e\u003cbr\u003e\r\nRELAY mode automatically switches recording from the first to the second memory card when the first is full, while SIMUL mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). The NX200’s two Start\/Stop buttons on the handle grip, and camcorder body, can independently start and stop recording on different memory cards while recording in SIMUL mode.\r\n\u003cbr\u003e\u003cbr\u003e\r\nSimple live solution\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe HXR-NX200 is designed to work seamlessly with Sony’s MCX-500 Multi Camera Live Producer, a robust and cost-effective switcher that makes it easy for one person to run a multi-camera live event shoot. When used with the MCX-500 and Remote Commander RM-30BP, a tally indicator will automatically appear on each HXR-NX200’s LCD panel and viewfinder – a red icon indicates when the shot is live (PGM) while green indicates preview mode (PVW). The MCX-500 supports up to nine video inputs, five channel stereo inputs, five channel stereo inputs including XLR with both internal recording and live streaming via Facebook Live and YouTube Live. \r\n\r\n\r\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824597836062,"sku":"HXR-NX200","price":8500.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_hxr_nx200_nxcam_4k_camcorder_irnxV.jpg?v=1749053829"},{"product_id":"sony-venice-cinealta-6k-cinema-camera","title":"Sony Venice CineAlta 6K Cinema Camera","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch4\u003eSony Venice CineAlta 6K Cinema Camera\u003c\/h4\u003e\r\n\u003cp\u003eNext-generation motion picture camera system with forward-thinking full-frame sensor, phenomenal color science and user-friendly operation. \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VENICE is a cinema camera created by and for the cinematographer. VENICE is equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality. VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9x18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9x14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35.\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eSony Venice Price is very good in UBMS Showroom. Come and experience the Sony Venice camera at UBMS showroom and get the best price. Sony’s VENICE motion picture camera, which has been embraced by the production community, will enhance its usability and flexibility with the VENICE Extension System and Version 3.0 firmware updates in early 2019. The lightweight and easy to use tethered extension system allows the camera body to detach from the image sensor block with no degradation in image quality. The image sensor block weighs 4 lbs with PL mount and 3 lbs using the native E-mount, and the cable system can extend from 9 or 18 feet, offering a highly configurable, flexible and portable method of operation. The new Extension System is compatible with existing and new VENICE cameras. A user can quickly configure and freely use VENICE’s image sensor block to capture uncompromising imagery, customizing the camera for specific scenarios in under 3 minutes with one 3mm Allen Wrench allowing for ultimate flexibility onset.  VENICE is a proud member of the Netflix Post Technology Alliance program. VENICE meets the Netflix technical and delivery specifications today, and will continue to do so in the future. Sony is committed to work closely with Netflix to innovate production workflows and support the needs of the global production and postproduction communities.\u003c\/p\u003e\r\n\u003ch4\u003e Main Features\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e36x24mm Full-Frame Sensor for cinema\u003c\/li\u003e\r\n\u003cli\u003eSuper35 full height 2x squeeze Anamorphic\u003c\/li\u003e\r\n\u003cli\u003e15+ stops of latitude\u003c\/li\u003e\r\n\u003cli\u003eCan exceed Rec. 2020 colour space\u003c\/li\u003e\r\n\u003cli\u003eSuper35 17:9 and 16:9\u003c\/li\u003e\r\n\u003cli\u003eFeatures high speed readout sensor\u003c\/li\u003e\r\n\u003cli\u003ePL Lens Mount\u003c\/li\u003e\r\n\u003cli\u003eLever Lock Type E-mount\u003c\/li\u003e\r\n\u003cli\u003e6K High Resolution\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch4\u003eReliable partner for creativity\u003c\/h4\u003e\r\n\u003cp\u003eVENICE is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality. If you want to know more details or if you want to  experience  the Sony Venice camera in UAE, then please visit UBMS Dubai Showrrom .\u003c\/p\u003e\r\n\u003cp\u003eProviding a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke \/i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 60 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRemove the PL Mount to reveal a Sony E-Mount with a locking outer ring that allows you to mount your lens and then rotate the ring to secure it, creating a strong mounting system that does not require you to rotate your E-Mount lens when mounting it to the camera. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments. The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera. It features dual SxS card slots that allow you to capture XAVC or HD ProRes in-camera. We can ship Sony Venice to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries .\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003e36 x 24-mm full-frame sensor for cinema\u003c\/h4\u003e\r\n\u003cp\u003eVENICE is equipped with a 36 x 24-mm full-frame image sensor designed specifically for high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.3 x 18.0 mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.3 x 12.8 mm, 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18 mm-height Super35 anamorphic and spherical and full-frame 24 mm-height anamorphic and spherical. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCreative freedom\u003c\/h4\u003e\r\n\u003ch5\u003eFull-frame full-width 36 mm 6K\u003c\/h5\u003e\r\n\r\n\u003cp\u003eIn full-frame, you can use the full 6048 pixel width of the sensor for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.\u003c\/p\u003e\r\n\u003ch5\u003eSuper35 full height 2.0x squeeze anamorphic\u003c\/h5\u003e\r\n\r\n\u003cp\u003eFor anamorphic shooting and production, Super35 full height 2 x squeeze anamorphic is supported.\u003c\/p\u003e\r\n\u003ch5\u003eSuper35 17:9 and 16:9\u003c\/h5\u003e\r\n\r\n\u003cp\u003eThese popular imager sizes are natively supported by VENICE. Current Super 35 mm PL mount lenses can be used.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eAlso available in early 2019 will be the free VENICE Version 3.0 firmware upgrade, which further augments VENICE’s capabilities, incorporating feedback from filmmakers and protecting customers’ investment by allowing the camera to grow with the user. Version 3.0 firmware will add a recording profile within the 16-bit X-OCN (eXtended tonal range Original Camera Negative).\u003c\/p\u003e\r\n\u003ch4\u003eVersion 3.0 Firmware\u003c\/h4\u003e\r\n\u003cp\u003eAdds the following:\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eImager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)\u003c\/li\u003e\r\n\u003cli\u003eSupport for the X-OCN XT recording format\u003c\/li\u003e\r\n\u003cli\u003eCompatibility with Rialto VENICE Extension System\u003c\/li\u003e\r\n\u003cli\u003eDe-squeeze ratios 1.25x, 1.3x, 1.5x, and 1.8x\u003c\/li\u003e\r\n\u003cli\u003eCache rec function\u003c\/li\u003e\r\n\u003cli\u003eAXS Relay rec function\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous format\u003c\/li\u003e\r\n\u003cli\u003eSxS recording folder structure selection\u003c\/li\u003e\r\n\u003cli\u003eSupport for 6G\/12G output SDI\u003c\/li\u003e\r\n\u003cli\u003eImproved imaging assist function\u003c\/li\u003e\r\n\u003cli\u003eSupport for CBK-WA02 Wireless LAN Adapter\u003c\/li\u003e\r\n\u003cli\u003eImproved VF menu operations and Frame Line setting\u003c\/li\u003e\r\n\u003cli\u003eSupport for CDL files\u003c\/li\u003e\r\n\u003cli\u003e 16-bit X-OCN XT profile delivers the highest picture quality at economical data rates with AXS-R7\u003c\/li\u003e\r\n\u003cli\u003eNew imager modes, including 6K 2.39:1 and 5.7K 16:9 for greater shooting flexibility\u003c\/li\u003e\r\n\u003cli\u003e Additional de-squeezed ratios for various anamorphic lenses (x1.25, x1.3, x1.5, x1.8), as requested by filmmakers\u003c\/li\u003e\r\n\u003cli\u003e Cache REC for a maximum 30 sec in X-OCN 4K 17:9 AXS Memory \/ HD MPEG 50 SxS memory, so you don’t miss a shot\u003c\/li\u003e\r\n\u003cli\u003e 6G\/12G-SDI switchable output enabling 4K SDI output\u003c\/li\u003e\r\n\u003cli\u003e Wireless Remote Control with CBK-WA02 for wirelessly controlling and changing key functions and menu settings for increased flexibility\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch4\u003eVersion 3.0 firmware introduces 16-bit X-OCN XT profile \u003c\/h4\u003e\r\n\u003cp\u003eThis new profile, called X-OCN XT, captures the highest quality imagery when using the AXS-R7 portable memory recorder. X-OCN XT is ideal for demanding visual effects work and productions requiring the utmost image quality from VENICE. The new X-OCN XT profile maintains economical file sizes comparable to Sony’s RAW file size, making the workflow affordable and efficient. In comparing X-OCN with Sony’s RAW format, X-OCN has superior reproduction in low light areas and high light areas. In VENICE’s 4K 17:9 imager mode, users will have the flexibility to record three X-OCN profiles (XT, ST, LT) and Sony RAW with V3.0 firmware. (Prior to V3.0 firmware, X-OCN LT, X-OCN ST and Sony RAW are available). UBMS can provide best price and fast delivry for Sony Venice Cinema camera.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eUse Case\u003c\/h4\u003e\r\n\u003cp\u003eThe VENICE is designed to start you off with a basic camera and, through firmware updates and licenses, upgrade it over time. This allows you to upgrade it as your needs grow, instead of having to buy a whole new camera system. Licenses can be permanent upgrades or used for limited periods of time, for those jobs that require more features than you normally use.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSensor\u003c\/h4\u003e\r\n\u003cp\u003eThe sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space—which is larger than the DCI-P3 color space—enabling you to create stunning images with a camera that already exceeds future specs.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFull-Frame Sensor\u003c\/h4\u003e\r\n\u003cp\u003eIn full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1, or large format scope. A firmware upgrade and license are required for full-frame recording.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFast Shutter\u003c\/h4\u003e\r\n\u003cp\u003eThe VENICE features a high-speed readout that minimizes the dreaded \"jello\" camera effect that plagues some CMOS sensor cameras.\u003c\/p\u003e\r\n\r\n\u003ch4\u003ePL Mount\u003c\/h4\u003e\r\n\u003cp\u003eThe VENICE comes with the industry-standard PL lens mount. It is compatible with all Super 35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke \/i Technology. The camera's lens information is recorded as metadata frame by frame.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eE-Mount\u003c\/h4\u003e\r\n\u003cp\u003eRemoving the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount minimizing play. Rotating of the locking collar means that in most cases lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.\r\nThe VENICE records XAVC UHD 4K or HD ProRes internally to its SxS card slots. An optional AXS-R7 on-board recorder will enable 16-bit Raw and X-OCN recording to AXS cards with a future firmware update.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eThere are many Full Frame and Super 35 cine-zoom lenses with PL mounts available for the VENICE from Angenieux, Cooke, Fujinon, Zeiss and many others. While there is an immediate and obvious benefit in shooting with a longer focal length, this might not always be desirable. With lens manufacturing improving the quality and speed of cine-zoom lenses every year, there were already an increasing number of cinematographers who chose to work with high-end cine-zooms, rather than a full set of PLs, prior to the pandemic. More cinematographers again regularly deployed cine-zooms to second units to act as ‘variable’ prime lenses. \u003c\/p\u003e\r\n\u003cp\u003eFor example, with the Fujinon Premista 28-100mm or 80-250mm Full Frame lenses you would have most shooting options fully covered on one or both of the lenses. Even when working Full Frame many cine-zoom lenses are considered largely indistinguishable from fixed focal length glass recording the same shallow depth of focus beloved by the modern cinematographer. Angenieux and Cooke even offer a range of anamorphic cine-zoom lenses. The clear advantage is removing the necessity to swap out lenses as often between shots, with more portable, faster set-ups while respecting that lens choice is personal to the cinematographer based around each lens having its own distinct personality and characteristics and the ideal choice for the production. If you want more details about Venice you can contact UBMS . \u003c\/p\u003e\r\n\r\n\u003cp\u003eMany lens vendors have also adopted Cooke Optics’ \/i Technology that collects lens metadata captured alongside the main media. This allows a continuous remote readout of the precise focus setting, depth of focus and even T stop, which allows both the first AC and DIT to receive valuable recording data without having to approach the camera or take measurements while shooting. (The lens metadata recorded by \/i Technology is also used to support later VFX and DI calibration work and saves valuable time in post.)\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch4\u003eVENICE Remote Operation Cinematography Guide \u003c\/h4\u003e\r\n\u003cp\u003e Soy recently published VENICE Remote Operation Cinematography Guide and it focus on social distancing in film productions specially  suite for the Pandemic situation . This guide covers Sony and third-party products and solutions for the most complete picture of today’s remote operation technology.\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e Remote VENICE Camera Control over Wi-Fi\u003c\/li\u003e\r\n\u003cli\u003eShare and Review Content Fast from Set to Studio\u003c\/li\u003e\r\n\u003cli\u003eWorking with Cine-Zoom Lenses \u003c\/li\u003e\r\n\u003cli\u003eFull Remote Lens, Focus Assist and VENICE Camera Control\u003c\/li\u003e \r\n\u003cli\u003eRF and the Virtual Video Village \u003c\/li\u003e\r\n\u003cli\u003eAffordable Best-in-Class 4K HDR On-Set Monitoring \u003c\/li\u003e\r\n\u003cli\u003eThe Flexible Sony VENICE Extension System\u003c\/li\u003e\r\n\u003cli\u003eRapid Remote Camera Deployment and Tracking\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e To get more information about Sony Venice \u0026amp; VENICE Remote Operation Cinematography Guide , please get in touch with UBMS \u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you are looking for new \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-fx6-full-frame-4k-cinima-camera.html\"\u003eSony FX6 Cinema Camera \u003c\/a\u003e you can find the details \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-fx6-full-frame-4k-cinima-camera.html\"\u003ehere. \u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eModel: MPC-3610\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824949764382,"sku":"MPC-3610","price":168350.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_venice_cinealta_6k_cinema_camera_hQJ6B.jpg?v=1749056725"},{"product_id":"sony-pxw-z280-dubai-4k-3-cmos-1-2-sensor-xdcam-camcorder","title":"Sony Camcorder PXW-Z280 4K XDCAM","description":"\u003ch4\u003ePXW-Z280\u003c\/h4\u003e\r\n\u003cp\u003eSetting the standard for handheld image quality and direct to air broadcasting in the IoT era.\r\n\r\n\u003c\/p\u003e\u003ch4\u003eWorld-leading handheld 4K HDR performance\u003c\/h4\u003e\r\n\u003cp\u003eAn all-new 4K 3CMOS 1\/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eRevolutionary networking capabilities\u003c\/h4\u003e\r\n\u003cp\u003eDeliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with Dual Link Cellular capability for double the uplink performance and reliability.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eThe complete package for professionals\u003c\/h4\u003e\r\n\u003cp\u003eUnpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eWorld's first 1\/2-type 3CMOS Sensor for broadcast 4K\u003c\/h4\u003e\r\n\u003cp\u003eThe Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1\/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.\r\n\r\n\u003c\/p\u003e\u003ch4\u003e17x professional HD zoom lens with three independent rings with end-stop and large focal length\u003c\/h4\u003e\r\n\u003cp\u003eThe PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1\/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.\r\n\r\n\u003c\/p\u003e\u003cp\u003eThe image can be enlarged in HD mode up to 34x zoom equivalent while maintaining Full HD resolution thanks to digital extender.\r\n\r\n\u003c\/p\u003e\u003ch4\u003eSpectacular HDR performance\u003c\/h4\u003e\r\n\u003cp\u003eDemand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.\r\n\u003c\/p\u003e\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eS-Log3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading\u003c\/li\u003e\r\n\u003cli\u003eInstant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\r\n\u003ch4\u003eAmazingly fast precision auto focus\u003c\/h4\u003e\r\n\u003cp\u003eThe PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBuilt-in electronic Variable ND Filters\u003c\/h4\u003e\r\n\u003cp\u003eSony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1\/4ND to 1\/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.\u003c\/p\u003e\r\n\r\n\u003ch4\u003e12G-SDI accelerated workflow\u003c\/h4\u003e\r\n\u003cp\u003eRevolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a single cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eAccurate OLED viewfinder\u003c\/h4\u003e\r\n\u003cp\u003eAn expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDual Multi-Interface (MI) Shoe\u003c\/h4\u003e\r\n\u003cp\u003eMI Shoe provides power, signal connections and coordinated on\/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximise operational flexibility.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDual XLR and 4 Channel Audio\u003c\/h4\u003e\r\n\u003cp\u003eThe PXW-Z280 offers superior professional audio capabilities with independent volume dials enabling precision control of external audio inputs, including an MI-shoe attached microphone.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDual SxS media slots\u003c\/h4\u003e\r\n\u003cp\u003eThe camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start\/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode.*\u003c\/p\u003e\r\n\r\n\u003ch4\u003eNetworked for high mobility\u003c\/h4\u003e\r\n\u003cp\u003eThe PXW-Z280 comes with 5GHz* and 2.4GHz Wi-Fi as standard – simply turn on and log onto your preferred network to enable a host of advanced wireless production features:\r\n\u003c\/p\u003e\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eDual Link Cellular – use two cellular networks in combination to provide an even more reliable network connection. The PXW-Z280 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.)\u003c\/li\u003e\r\n\u003cli\u003eHigh quality Sony QoS Streaming to Network RX station (Sold separately) and XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location\u003c\/li\u003e\r\n\u003cli\u003eFTP Transfer allows content files recorded with MPEG HD 422\/420 proxy feature and other content files shot in XAVC (QFHD\/FHD) to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored\u003c\/li\u003e\r\n\u003cli\u003eTrimming function is available for both proxy and PGM without need for a PC. Any clip can have its start and endpoints selected to eliminate time wasted transferring unnecessary content\u003c\/li\u003e\r\n\u003cli\u003eXDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking\u003c\/li\u003e\r\n\u003cli\u003eWi-Fi\/NFC (Near Field Communication) with Content Browser Mobile™** allows the PXW-Z280 to be remotely controlled from a smartphone or tablet computer (iOS 9.0 – 10.3 or Android 4.4 through 7.1) via a Wi-Fi connection. One-touch authentication is also possible with smartphones that offer NFC connectivity\u003c\/li\u003e\r\n\u003cli\u003eWired LAN port allows you to connect the PXW-Z280 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch4\u003eHigh performance, proven recording formats\u003c\/h4\u003e\r\n\u003cp\u003ePXW-Z280 offers complete production flexibility with built-in support for a wide variety of production formats.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHigh quality XAVC Intra and XAVC Long GOP recordings\u003c\/h4\u003e\r\n\u003cp\u003eXAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high definition recording with rich tonal expression.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBroadcast-standard MPEG HD422 and MPEG HDs\u003c\/h4\u003e\r\n\u003cp\u003eHigh-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDVCAM at 25 Mbps in MXF file formats\u003c\/h4\u003e\r\n\u003cp\u003eMany broadcasters and production houses still utilise the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825275871518,"sku":"PXW-Z280","price":24800.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_camcorder_pxw_z280_4k_xdcam_WXhZg.jpg?v=1749061531"},{"product_id":"libec-650ex-tripod-system","title":"Libec 650EX Tripod System","description":"\u003ch4\u003eSliding Plate Range for Camera Balance\u003c\/h4\u003e\r\n\u003cp\u003eThe 650EX is equipped with a sliding plate range that allows users to balance their camera even quicker, a key improvement from the previous model's fixed quick shoe.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eOne-touch Flip Locks\u003c\/h4\u003e\r\n\u003cp\u003eDesigned with efficient one-touch flip locks, users can quickly adjust and set their tripod's height between shots and when necessary.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eTransport Lock\u003c\/h4\u003e\r\n\u003cp\u003eDuring transportation, the 650EX tripod legs can be locked into place thanks to the equipped transport lock.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eRubber Foot Pads with Metal Spikes\u003c\/h4\u003e\r\n\u003cp\u003eDesigned with quality rubber footpads for most indoor video shoots. When shooting outdoors, the tripod can be firmly planted on the ground by twisting the footpads and exposing the conveniently hidden metal spikes. Lookinf for Libec tripods in Dubai ? Visit UBMS showroom and experience all Libec tripods. Buy Libec 650 EX from UBMS.  \u003c\/p\u003e\r\n\r\n\u003ch4\u003eTravel Bag Included\u003c\/h4\u003e\r\n\u003cp\u003eThe travel bag's hand straps are comfortable and long enough to be used as a shoulder strap, making transportation a walk in the park.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eIndustry Standard Sliding Plate\u003c\/h4\u003e\r\n\u003cp\u003eThe included sliding plate is compatible with select Manfrotto and Sachtler tripods, allowing users to quickly swap between a wide range of camera supports.\u003c\/p\u003e\r\n\u003cp\u003e View all \u003ca href=\"https:\/\/unitedbroadcast.com\/brand\/libec.html?cat=168\"\u003e Libec tripod here\u003c\/a\u003e. UBMS is the only Libec authorized dealer in Dubai , UAE.   If you are looking for new \u003ca href=\"https:\/\/unitedbroadcast.com\/libec-t150f-heavy-duty-2-stage-aluminum-tripod-legs-4-bolt-flat-base.html\"\u003eLibec T150F Heavy-Duty tripod\u003c\/a\u003e , please check it \u003ca href=\"https:\/\/unitedbroadcast.com\/libec-t150f-heavy-duty-2-stage-aluminum-tripod-legs-4-bolt-flat-base.html\"\u003ehere\u003c\/a\u003e \u003c\/p\u003e","brand":"Libec","offers":[{"title":"Default Title","offer_id":49825275904286,"sku":"Libec 650EX","price":733.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/libec_650ex_tripod_system_x3lny.jpg?v=1749061571"},{"product_id":"ew-135p-g4","title":"Sennheiser EW 135P G4 B","description":"\u003cp\u003eA broadcast quality sound solution. Providing the highest flexibility for your outdoor shoots and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting and ease of use. The easiest wireless solution for moderators or reporters. The rugged e 835 microphone resists any bad weather or fi eld condition, while the versatile receiver is easily mounted to any camera . Buy  EW 135P G4 B from UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eEW 135P G4 B Key Features\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eRugged all-in-one wireless system with high flexibility for broadcast quality sound\u003c\/li\u003e\r\n\u003cli\u003eExcellent sound and construction quality\u003c\/li\u003e\r\n\u003cli\u003eEasy to use and fast setup time\u003c\/li\u003e\r\n\u003cli\u003ePowerful and reliable wireless transmission\u003c\/li\u003e\r\n\u003cli\u003eRange: up to 100 meters \/ 330 feet\u003c\/li\u003e\r\n\u003cli\u003e Up to 8 hours of operation time\u003c\/li\u003e\r\n\r\n\u003c\/ul\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":49825592279326,"sku":"EW 135P G4-B","price":2576.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sennheiser_ew_135p_g4_b_Q9fA8.jpg?v=1749064813"},{"product_id":"blackmagic-pocket-cinema-camera-6k","title":"Blackmagic Pocket Cinema Camera 6K","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eBlackmagic Pocket Cinema Camera 6K (BMPCC 6K)\u003c\/h3\u003e\r\n\u003cp\u003e\u003cb\u003eIntroducing the Next Generation Handheld Digital Film Cameras!\u003c\/b\u003e \u003cbr\u003e Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same \"look\" as Hollywood feature films. The BMPCC 6K camera uses a Super 35-size sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 50 fps. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colors. You get advanced features such as 4K or 6K models, large 5\" LCD for easy focus, SD card and CFast media, external USB‑C media disk recording, EF or MFT lens mounts and more! DaVinci Resolve Studio is also included for editing, color correction, audio post and VFX!\u003cbr\u003eBuy Blackmagic Pocket Cinema Camera 6K camera from UBMS . We can provide best and competitive price for all blackmagic cameras . UBMS is the one of the best destination for buy Blackmagic camera in Dubai . We are the authorized dealer of Blackamgic Design products in Dubai , UAE , GCC , Middle Eat \u0026amp; Africa.\u003c\/p\u003e\r\n\u003cp\u003eNext generation 4K camera with dual native ISO up to 25,600, full 4\/3 HDR sensor, 13 stops of dynamic range, ProRes or RAW recording to internal SD\/UHS-II and CFast cards, as well as a USB-C expansion port for recording to external drives and more. Featuring a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets you use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects! Extra resolution also gives you more room for reframing in editing and color correction. This means that you can shoot in 6K and then in post production zoom and re‑frame to allow wide shots and close ups to be created, all from a single camera and without losing image quality! Buy Blackmagic Design Pocket Cinema Camera 6K (Canon EF\/EF-S) featuring Active Canon EF\/EF-S Mount, Super 35-Sized HDR Sensor, Record 6K 6144 x 3456 up to 50 fps, Dual Native 400 \u0026amp;amp; 3200 ISO to 25,600, 5\u0026amp;quot; 1920 x 1080 Touchscreen Display, Record up to 120 fps Windowed HD, CFast 2.0 \u0026amp; SD\/UHS-II Card Slots, External Recording via USB Type-C, 13-Stop Dynamic Range, 3D LUT Support, Includes DaVinci Resolve Studio License.\u003c\/p\u003e\r\n\u003ch4\u003eGet the \"Hollywood Look\" with Digital Film!\u003c\/h4\u003e\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera 6K (BMPCC 6K) has the professional features needed for feature film, television programming and documentaries, however now these same features can be used to revolutionize other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the key reason why feature films look so amazing and now you can get these same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more! Pocket 6k camera is available in UBMS showroom and you can either buy online or visit our showroom to purchase the item .\u003c\/p\u003e\r\n\u003ch4\u003eLightweight CarbonFiber Polycarbonate Composite\u003c\/h4\u003e\r\n\u003cp\u003eThe elegant design of the Blackmagic Pocket Cinema Camera 6K (BMPCC 6K) packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\r\n\u003ch4\u003eMultifunction Grip with Fingertip Controls!\u003c\/h4\u003e\r\n\u003cp\u003eThe multifunction handgrip features a comfortable and familiar design that puts important functions such as ISO, WB and shutter buttons right at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! You get additional controls that go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect them to be, including user assignable function keys and control buttons for high frame rate, focus zoom, menu operation, playback and more.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49825764278558,"sku":"BMPCC 6K","price":10264.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_pocket_cinema_camera_6k_QBdS7.jpg?v=1749074379"},{"product_id":"sony-pxw-fx9-6k-full-frame-camera-with-28-135mm-f-4-g-oss","title":"SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f\/4 G OSS","description":"\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/unitedbroadcast.com\/product\/manual\/PXW-FX9T.pdf\" target=\"_blank;\"\u003eSony PXW-FX9TK Overview\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003ch4\u003ePXW-FX9TK XDCAM 6K Full-Frame Camera System with 28-135mm f\/4 G OSS Lens\u003c\/h4\u003e\r\n\u003cp style=\"text-align:center;background: #0e0e0e;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/main-features.png?v=1748074422\" alt=\"\"\u003e\u003c\/p\u003e\r\n\u003cp\u003eDiscover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science.\u003c\/p\u003e\r\n\u003cp\u003e6K Full-Frame “Exmor R” sensor for stunning picture quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. Sony Fx9 (PXW-FX9TK) Price is very good in UBMS Dubai Showroom. Come and experience the Sony PXW-FX9TK camera at UBMS showroom and get the best price. We can ship Sony Fx9 to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries . \u003cbr\u003e\r\n\r\n*DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.\u003c\/p\u003e\r\n\u003cp\u003eWith the release of the FX9, a new video look “S-Cinetone” is introduced. Installed in the FX9 “S-Cinetone” expresses the cinematic look cultivated from the Color Science in VENICE but tailored for the video world. Whereas VENICE and s709 provides images close to the film color found in movie and drama productions, “S-Cinetone” provides images with a more cinematic look in tone and color for the video world. As a result, you can create richer content compared to conventional processing.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFull-frame creativity\u003c\/h4\u003e\r\n\u003cp\u003eRealize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. To know more about sony FX9 camera contact UBMS. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eCapturing the impossible\u003c\/h4\u003e\r\n\u003cp\u003eUsing the FX9 you can make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.*\u003cbr\u003e\r\n\r\n*Ver2.0 is required.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eShoot in comfort, expand your horizons\u003c\/h4\u003e\r\n\u003cp\u003eThe FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come. Shop sony FX9 camera from UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003ch4\u003e6K Full-Frame \"Exmor R\" sensor for stunning picture quality\u003c\/h4\u003e\r\n\u003cp\u003eThe  FX9camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.\u003cbr\u003e\r\n\r\n*DCI 4K (4096 x 2160 at 17:9 recording)  requires Ver.2.0 or higher firmware.\u003c\/p\u003e\r\n\r\n\u003ch4\u003ePhenomenal 15+ stops dynamic range for limitless expression\u003c\/h4\u003e\r\n\u003cp\u003eThe FX9 offers an exceptional 15+ stops of dynamic range—beyond the normal range of human perception—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. To know more about the FX9 please contact UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDual Base ISO for stunning images in any light\u003c\/h4\u003e\r\n\u003cp\u003eThe FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions. The FX9 can be purchased from UBMS Dubai Showroom . \u003c\/p\u003e\r\n\r\n\u003ch4\u003eCinematic color science with S-Cinetone™\u003c\/h4\u003e\r\n\u003cp\u003eS-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eAccelerate your workflow with User 3D Luts and HLG*\u003c\/h4\u003e\r\n\u003cp\u003eUser Created 3D LUTs make it easy to customize FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.\u003cbr\u003e\r\n\r\nFX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.\u003cbr\u003e\r\n•S-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when color grading.\u003cbr\u003e\r\n•HLG* delivers content quickly without additional color grading making it an ideal choice for day-to-day shooting, viewing, and editing workflows.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eSelectable Frame Rates in Both Full-Frame \u0026amp; Super 35\u003c\/h4\u003e\r\n\u003cp\u003eChoose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSuper 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCapture the action with enhanced Fast Hybrid AF\u003c\/h4\u003e\r\n\u003cp\u003eEffortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eEye AF \u0026amp; Focus Touch Control*\u003c\/h4\u003e\r\n\u003cp\u003eFX9 is the world’s first professional camcorder with Sony’s world-leading eye-tracking technology**. High-speed, high-precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing. \u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus Touch Control allows you to precisely set the camera’s specific focus area by simply touching the LCD viewfinder. It’s fast and intuitive—ensuring your full creative control of FX9’s powerful AF technology.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCustomizable AF settings\u003c\/h4\u003e\r\n\u003cp\u003eThe FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.\u003c\/p\u003e\r\n\r\n\u003cp\u003e7-level AF transition speeds from Fast—switching between subjects as quickly as possible—to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.\u003c\/p\u003e\r\n\r\n\u003cp\u003e5-level AF subject-shift sensitivity ranges from Locked-on—ignoring other moving subjects in the frame—to Responsive, which switches focus from one subject to another, ideal for snapping between race cars as they speed by.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eAutofocus with Sony E-mount lenses\u003c\/h4\u003e\r\n\u003cp\u003eExperience smooth, responsive autofocus with every Sony E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever-lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eThe world's first electronic variable ND filter for full-frame sensors*\u003c\/h4\u003e\r\n\u003cp\u003eRealize even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter—a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1\/4 to 1\/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for breathtaking artistic effects.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eProven ergonomics \u0026amp; accessory compatibility\u003c\/h4\u003e\r\n\u003cp\u003eFX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style—handheld, at waist level, or shoulder-mounted. The smart grip also features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. The FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo withstand the rigors of real-world shooting, FX9 has a robust magnesium chassis which is almost one third lighter than aluminum equivalent, while offering high impact resistance. FX9’s buttons, dials, and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability.**\u003cbr\u003e\r\n\r\n*BP-U30 and XDCA-FS7 are not compatible with the FX9.\u003cbr\u003e\r\n**Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eQuick menu control with touch operation*\u003c\/h4\u003e\r\n\u003cp\u003eThe FX9’s LCD Viewfinder has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:\u003cbr\u003e\r\n\r\n• Codec, Imager Scan mode, Picture Size and frequency.\u003cbr\u003e\r\n• Base ISO\/Sensitivity\u003cbr\u003e\r\n• Shooting Mode\u003cbr\u003e\r\n• Audio Levels\u003cbr\u003e\r\nIntroduced with V2 firmware, the FX9’s quick access control menu uses a similar UI to Sony’s acclaimed VENICE digital cinematography camera.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eStable, shake-free handheld footage\u003c\/h4\u003e\r\n\u003cp\u003eAdvanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse\/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata combining FX9’s built-in gyro and lens information allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature requires Sony E-mount lens and allows for far faster processing than conventional NLE stabilization workflows\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBeautifully matched shooting partners\u003c\/h4\u003e\r\n\u003cp\u003eOptimized for professional cinematography applications, the light and compact SELP28135G-powered zoom lens is an ideal complement for the full-frame imaging possibilities of the FX9.\u003cbr\u003e\r\n\r\n• Circular aperture with full-frame image circle format\u003cbr\u003e\r\n• Motorized servo zoom for smooth, precise zoom moves\u003cbr\u003e\r\n• Three independent rings for focus, zoom and iris with smooth, silent drive\u003cbr\u003e\r\nYou have the choice of purchasing the FX9 on its own (PXW-FX9) or with the SELP28135G lens (PXW-FX9K).\u003c\/p\u003e\r\n\r\n\u003ch4\u003eNetworked for high mobility\u003c\/h4\u003e\r\n\u003cp\u003eThe FX9 features internal 5 GHz* and 2.4 GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:\u003c\/p\u003e\r\n\r\n\u003cp\u003e• Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record\/Stop and more via your mobile device—it’s ideal for single-operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity.\u003cbr\u003e\r\n• FTP Transfer allows content files to be sent over the Internet for remote storage on an FTP server even while shooting. In the case of signal interruption, the system will automatically resume as soon as connection is restored.\u003cbr\u003e\r\n• Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content.\u003cbr\u003e\r\n• XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story is breaking.\u003cbr\u003e\r\n• A wired LAN port with the optional XDCA-FX9 allows the FX9 to connect to the Internet with a standard Ethernet cable, enabling files to be streamed or transferred by FTP.\u003cbr\u003e\r\n• Dual Link Cellular is enabled with the optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. The FX9 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.)\u003cbr\u003e\r\n• High quality Sony QoS Streaming to Network RX Station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location\u003c\/p\u003e\r\n\u003cp\u003eIf you are looking for Sony \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-venice-dubai-cinealta-full-frame-35mm-6k-cinema-camera.html\"\u003eVenice\u003c\/a\u003e please check it \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-venice-dubai-cinealta-full-frame-35mm-6k-cinema-camera.html\"\u003ehere\u003c\/a\u003e \u003c\/p\u003e\r\n\u003cp\u003eIf you are looking for \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-fx6-full-frame-4k-cinima-camera.html\"\u003eSony FX6\u003c\/a\u003e you can find the details \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-fx6-full-frame-4k-cinima-camera.html\"\u003ehere. \u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003e The new Sony FX3 from Sony cinema line will be available soon. \u003c\/p\u003e\r\n\u003ch3\u003eFirmware: PXW-FX9 V2.0 - 18\/Sep\/2020\u003c\/h3\u003e\r\n\u003cp\u003eThere is a malfunction found in PXW-FX9 firmware V2.00 which was released recently. Please see the below new functions \u003c\/p\u003e\r\n\r\n\u003ch4\u003eSymptoms of malfunction\u003c\/h4\u003e\r\n\u003cp\u003eBy using V2.00 installed PXW-FX9, with following setup, horizontal noise may be noticed in the captured and recorded images.\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eProject - Rec Format - Imager Scan Mode : FFcrop 5K\u003c\/li\u003e\r\n\u003cli\u003eTechnical - Lens – Distortion Comp. : Auto\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch4\u003eWorkaround\u003c\/h4\u003e\r\n\u003cp\u003eTo avoid this malfunction for PXW-FX9 with V2.00 installed, please chose either 1 or 2 setup below.\u003c\/p\u003e\r\n\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e Project - Rec Format - Imager Scan Mode: other than FFcrop 5K\u003c\/li\u003e \r\n\r\n\u003cli\u003e Project - Rec Format - Imager Scan Mode: FFcrop 5K\u003cbr\u003e\r\n  Lens – Distortion Comp. : Off* (*default setup is \"Auto\")\u003cbr\u003e\r\n  Note that with this setup, lens distortion compensation process is not applied.\u003cbr\u003e\n\u003c\/li\u003e \r\n\u003c\/ul\u003e\r\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825788428574,"sku":"PXW-FX9TK","price":49130.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_pxw_fx9_6k_full_frame_camera_with_28_135mm_f_4_g_oss_XvYbc.jpg?v=1749075707"},{"product_id":"sony-pxw-z750-camcorder","title":"Sony PXW-Z750 Camcorder (Body Only)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eSony PXW-Z750 Camcorder (Body Only) Overview\u003c\/h2\u003e\r\n\u003ch4\u003eNew benchmark for 4K, HDR and HD image quality\u003c\/h4\u003e\r\n\u003cp\u003eCapture beautiful 4K images with the deep of depth of field made possible by 3-chip 2\/3- type CMOS sensor. The Z750 is Sony’s first shoulder-mount camcorder with a global shutter to eliminate flash banding and “jello” effects. It sets a new class-leading standard for 4K, HDR and HD image quality for reality TV, documentary, news and sports production. In fast-moving applications where a second take is impossible, Z750 is the ideal choice. Buy  Sony  PXW-Z750 Camcorder  (Body Only) from UBMS Dubai . We can provide best price for PXW-Z750 Camcorder . Shop from our Dubai Showroom or order online.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eSaving time and money\u003c\/h4\u003e\r\n\u003cp\u003eDelivering highest quality 4K with HD era workflows wastes time and money. The Z750’s latest generation XAVC-L422 QFHD 200 codec combined with high-speed SxS Pro media radically reduce real-world turnaround times. Premium 4K becomes deliverable on almost any project using the PXW-Z750.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eTransformative cloud-based collaboration\u003c\/h4\u003e\r\n\u003cp\u003eZ750 is at the vanguard of seamlessly integrating Cloud-based production tools with familiar, easy-to-use interfaces and proven Sony reliability. Build stories fast, with secure, direct access from the studio to camcorders out in the field with XDCAM air. Distribute content for preview and editing with stakeholders across the world using Sony’s Ci Media Cloud.\u003c\/p\u003e\r\n\r\n\u003ch4\u003e3-chip 2\/3-type CMOS Sensor with Global Shutter\u003c\/h4\u003e\r\n\u003cp\u003eThe PXW-Z750 incorporates a newly developed 3-chip 2\/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch4\u003eVersatile B4 lens options\u003c\/h4\u003e\r\n\u003cp\u003eThe 3-chip 2\/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K\/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHigh Dynamic Range and wider, richer colours\u003c\/h4\u003e\r\n\u003cp\u003ePXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space.\u003c\/p\u003e\r\n\r\n\u003cp\u003eS-Log3 has a proven track record for premium applications, capturing the maximum dynamic range from the sensors, for the most creative colour grading processes.*\u003cbr\u003e\r\nIndustry standard HLG delivers content quickly without additional colour grading, making it an ideal choice for day-to-day shooting, viewing, editing and broadcasting workflows.\u003cbr\u003e\r\n*QFHD only.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch4\u003eSuperb slow motion\u003c\/h4\u003e\r\n\u003cp\u003eIdeal for sports and nature programmes, the PXW-Z750 can acquire footage in 120fps in Full HD for beautifully smooth, finely-detailed slow-motion playback.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCache recording\u003c\/h4\u003e\r\n\u003cp\u003eNever miss a shot with advanced cache recording in 4K and Full HD modes. Pre-record up to 13-15 sec in MPEG HD 422 50 (at 50\/59.94fps) – giving you plenty of time to catch the action when it happens.\u003cbr\u003e\r\n\r\nRepresentative Cache Rec. Time (@50\/59.94fps)\u003cbr\u003e\r\nXAVC QFHD L422 200: 2-4 sec\u003cbr\u003e\r\nXAVC-I 1920×1080P: 2-4 sec\u003cbr\u003e\r\nMPEG HD 422 50: 13-15 sec\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eHigh quality at lower bitrates\u003c\/h4\u003e\r\n\u003cp\u003eAs well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality. Lower data rates increase recording times while reducing storage requirements. Uncompromised picture quality is ensured by 10-bit quantisation and 4:2:2 colour sampling, making the PXW-Z750 ideal for HDR productions. A wide range of 4K codecs provide the flexibility to select the recording format that is best suited for the requirements of the production you are working on.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eLightning-fast transfers with latest generation media\u003c\/h4\u003e\r\n\u003cp\u003eThe PXW-Z750 supports latest-generation SxS Pro X media, enabling very high speed file transfers at up to 10Gbps (1250MB\/s)¹ with the SBAC-T40 Thunderbolt™ 3,* SxS card reader\/writer. Transfers are approximately three times faster than previous generation media\/reader combinations, dramatically accelerating workflows for any application and bringing down production costs.\u003cbr\u003e\r\n\r\n*Based on Sony internal testing. Transfer speeds vary and are dependent on host devices, the OS version or usage conditions.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch4\u003eNext generation wireless workflow\u003c\/h4\u003e\r\n\u003cp\u003eBuilt-in wireless connectivity enables advanced workflow production features including live streaming, FTP transfer and even remote control from a smartphone or tablet* via Wi-Fi. Wireless workflow is made even more efficient using XDCAM air, Sony’s professional cloud service including dual-link cellular operation.**\u003cbr\u003e\r\n\r\n* Requires Content Browser Mobile and device running iOS 9.0 (or higher) or Android 4.4 (or higher)\u003cbr\u003e\r\n\r\n** Requires XDCAM air subscription and CBK-DL1 USB Extension Adaptor\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSeamless wireless audio integration\u003c\/h4\u003e\r\n\u003cp\u003ePXW-Z750 is compatible with Sony’s DWX series of digital wireless microphone systems offering ENG and documentary teams the benefits of an all-digital audio workflow, including robust end-to-end encryption for truly secure operation.*\u003cbr\u003e\r\n\r\nWireless transmitter parameters can be controlled directly from the PXW-Z750 using the Cross Remote function\u003cbr\u003e\r\nTransmitter power save mode synchronises with the camera’s on\/off control, and is controllable by assignable buttons to save transmitter battery life\u003cbr\u003e\r\nAudio and video are precisely synchronized, ensuring no delays or lip-sync problems\u003cbr\u003e\r\nPower save status and receiver RF levels are displayed in the viewfinder\u003cbr\u003e\r\n*For details, please consult local sales company.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch4\u003eFamiliar refinement, evolved\u003c\/h4\u003e\r\n\u003cp\u003eThe Z750 is lighter than the previous generation PDW-700, while also being more ergonomically balanced so it’s considerably less fatiguing for longer shooting days. All the controls and interfaces are a subtle refinement of previous shoulder camcorders, ensuring that shooting with this camcorder is easy and hassle-free. From power-on, it’s a matter of seconds to be shooting highest quality footage while advanced new features are easy to learn and utilise. \u003c\/p\u003e\r\n\r\n\u003ch3\u003eMajor Functions Updated in V2.00\u003ch3\u003e\r\n\r\n\u003ch4\u003eXAVC added to subclip recording formats when recording in 1-slot Simul Rec mode \u003c\/h4\u003e\r\n\r\n\u003c\/h3\u003e\n\u003c\/h3\u003e\n\u003cp\u003eXAVC-L50 has been added to the MPEG HD422 as a supported subclip recording format.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFTP transfer operation support using the UI of the unit\u003c\/h4\u003e\r\n\u003cp\u003eFTP transfers are now supported using menu operations on the unit.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSeparate QFHD and HD Detail settings configurable from 700P remote control device\u003c\/h4\u003e\r\n\u003cp\u003eSeparate QFHD and HD Detail settings can now be configured from a 700P remote control device.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHDR function name change\u003c\/h4\u003e\r\n\u003cp\u003eThe name of a Paint \u0026gt;HDR Paint Setting menu item and settings have been changed.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eRelated menu items\u003c\/h4\u003e\r\n\u003cp\u003ePaint \u0026gt;HDR Paint Setting \u0026gt;HLG Look\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eNatural: Characteristic conforming to ITU-R BT.2100(HLG)\u003c\/li\u003e\r\n\u003cli\u003eLive: HLG curve conforming to ITU-R BT.2100(HLG) that delivers improved HDR performance (default setting)\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch4\u003e“SR Live for HDR” metadata support\u003c\/h4\u003e\r\n\u003cp\u003eSDR Gain and other key parameters can now be recorded simultaneously to a file as metadata. These key parameters can be also be embedded in the SDI output.\u003cbr\u003e\r\nThe use of metadata enables more consistent solutions from Live camera production through to file processing in post production.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eCertification update menu support\u003c\/h4\u003e\r\n\u003cp\u003eNetwork Client Mode certificates can now be imported using the web menu. Sony Ci certificates can also now be imported using Upload Settings in the web menu. For details about certificates, contact UBMS.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eRelated menu items\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eSystem Settings \u0026gt;Network Client Mode Settings in the web menu\u003c\/li\u003e\r\n\u003cli\u003e“Sony Ci” setup screen accessed from Upload Settings in the web menu\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003ch4\u003ePassword security enhancements\u003c\/h4\u003e\r\n\u003cp\u003ePasswords used for basic authentication now must be 8 characters or longer and contain at least one alphabetic character and one numeric character, respectively, for enhanced security.\u003c\/p\u003e\r\n\u003ch4\u003eRelated menu items\u003c\/h4\u003e\r\n\u003cp\u003eMaintenance \u0026gt;Basic Authentication \u0026gt;Password\u003c\/p\u003e\r\n\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825789215006,"sku":"PXW-Z750","price":129000.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_pxw_z750_camcorder_body_only_LXHGs.jpg?v=1749075774"},{"product_id":"sachtler-dr-bag-1-for-cameras-with-accessories","title":"Sachtler Dr. Bag - 1 for Cameras with Accessories","description":"\u003cp\u003eSachtler Dr. Bag - 1 for Cameras with Accessories (SC001). Protect your camera with mattebox and microphone attached.Compact design suitable for travel.Ergonomic carrying handle and padded shoulder strap.Removable internal rigid dividers for custom configuration.Side pockets for additional storage. Exchangeable logo frame for personal branding. Buy Sachtler Dr. Bag - 1 from UBMS Dubai . We can provide best price for Sachtler  Bags , tripods etc. \u003c\/p\u003e\r\n\u003cb\u003eKey Specification\u003c\/b\u003e\u003cbr\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eWeight: 1.90 kg\u003c\/li\u003e\r\n\u003cli\u003eWidth : 220 mm\u003c\/li\u003e\r\n\u003cli\u003eHeight: 260 mm\u003c\/li\u003e\r\n\u003cli\u003eLength: 400 mm\u003c\/li\u003e\r\n\u003cli\u003eInternal width: 180 mm\u003c\/li\u003e\r\n\u003cli\u003eInternal height: 225 mm\u003c\/li\u003e\r\n\u003cli\u003eInternal length: 340 mm\u003c\/li\u003e\r\n\u003cli\u003eBag type: Camera Bags\u003c\/li\u003e\r\n\u003cli\u003eWheels: No\u003c\/li\u003e\r\n\u003cli\u003eLight: Yes\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sachtler","offers":[{"title":"Default Title","offer_id":49825813168414,"sku":"SC001","price":603.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sachtler_dr_bag_1_for_cameras_with_accessories_b6l9d.jpg?v=1749077115"},{"product_id":"sachtler-dr-bag-4-for-cameras-with-accessories","title":"Sachtler Dr. Bag - 4 for Cameras with Accessories","description":"\u003cb\u003eKey Specification\u003c\/b\u003e\u003cbr\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eWeight: 3.80 kg\u003c\/li\u003e\r\n\u003cli\u003eWidth : 330 mm\u003c\/li\u003e\r\n\u003cli\u003eHeight: 385 mm\u003c\/li\u003e\r\n\u003cli\u003eLength: 620 mm\u003c\/li\u003e\r\n\u003cli\u003eInternal width: 255 mm\u003c\/li\u003e\r\n\u003cli\u003eInternal height: 200 mm\u003c\/li\u003e\r\n\u003cli\u003eInternal length: 575 mm\u003c\/li\u003e\r\n\u003cli\u003eBag type: Camera Bags\u003c\/li\u003e\r\n\u003cli\u003eWheels: No\u003c\/li\u003e\r\n\u003cli\u003eLight: Yes\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sachtler","offers":[{"title":"Default Title","offer_id":49825813233950,"sku":"SC004","price":1298.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sachtler_dr_bag_4_for_cameras_with_accessories_8qez0.jpg?v=1749077156"},{"product_id":"aputure-ls-c300d-ii","title":"Aputure Light Storm LS C300d II Kit with V-Mount Battery Plate","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eAputure Light Storm C300d Mark II LED Light Kit with V-Mount Battery Plate\u003c\/h3\u003e\r\n\u003cp\u003eBuilt on the foundation of the popular LS C300d, Aputure's LS C300d II Daylight LED Monolight is an enhanced version with 20% more power, refined features, and advanced connectivity. Aputure uses Chip on Board (COB) technology to produce a 5600K color temperature, with power consumption of just 350W, while outputting up to 45,000 lux of light with an efficient reflector at a distance of 3.3'. In addition to power efficiency, this fixture also has a CRI\/TLCI rating of 96, indicating accuracy in color rendering. The fixture's ballast\/controller employs 0 to 100% Linear, Logarithmic, Exponential, and S-Curve dimming and is separated from the body of the fixture, making it lighter and reducing its size. A quick release plate connects to an included clamp, allowing attachment to a light stand to distribute the weight.\u003c\/p\u003e\r\n\u003ch3\u003eEven More Output\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBy utilizing the latest in Aputure COB LED technology, the 300d Mark II outputs a whopping 20% more light than its predecessor. When combined with the Fresnel 2X, the 300d Mark II can produce up to 80,000 lux. And as always, the 5500K‐balanced 300d Mark II maintains impeccable color fidelity with CRI and TLCI ratings of 96+ and 97+ respectively.(LSC300DIIVKIT)\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA More Robust Lamp Head\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 300d Mark II also introduces new design features, while maintaining the same form factor and lightweight aircraft aluminum body as the original 300d. The new yoke allows for 360° of rotation, and when combined with the handbrake locking mechanism from the 120d Mark II, you’ll be able to mount the light in any position, with any modifier.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMax Efficiency with Hyper Reflector\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 300d Mark II is also the first Aputure light to feature the all-new, hyper efficient 55° reflector. By slightly narrowing the beam from 60° to 55° and redesigning the inner shape and coating of the reflector, we were able to increase the output of the 300d II by more than 3 times, when compared to the original design. Aputure LS C300d II can be purchase from UBMS Dubai showroom . \u003c\/p\u003e\r\n\r\n\u003ch3\u003eA Revolutionary Redesign\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBut the real advancement is in the complete redesign of the control box. By utilizing Aputure’s fan‐less heatsink design, the 300d Mark II’s All‐in‐One control box is now completely silent. Composed of a durable aluminum alloy, with a new concealed antenna and military‐grade paracord strap, the control box is ready to withstand the rigor of any film set. The 300d Mark II control box is also the first product to utilize Aputure’s new quick release plate and clamp system, allowing you to firmly secure it on any stand, truss, or speed rail. Come and experience  Aputure LS C300d II \u0026amp; other Aputure light in UBMS Dubai showroom. We can provide the best price for Aputure Lights. \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePower Solutions for Indie Filmmakers\u003c\/h3\u003e\r\n\u003cp\u003eThe 300d Mark II can produce its maximum output by using two high capacity V‐Mount or Gold Mount batteries, but it also features new technology that allows you to power the light with a single battery at up to half output.* You can use this light anywhere your filmmaking takes you.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe included 6m NEUTRIK® cable provides the 300d II with a sturdy power connection and allows you the convenience of not having to grab a stinger to power your light. And now, by utilizing a standard 3m male‐to‐female 5‐pin XLR, you can easily replace the header cable in a pinch. An optional 7.5m 5‐pin XLR is also available, letting you keep your control box within arm’s reach while giving you the ability to rig your light anywhere you want, from a menace arm to a tall goalpost rig.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eNew Control Features\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe control box of the 300d Mark II features 8 built‐in lighting FX: “Paparazzi”, “Fireworks”, “Lightning”, “Fault Bulb”, “TV”, “Pulsing”, “Strobe”, and “Explosion”, with more coming in future firmware updates via the control boxes USB interface. The control box also features a new “trigger” button to activate lighting FX instantly.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe long‐awaited 0%‐100% stepless dimming control allows you to use the 300d II in low‐light environments or to overpower the sun, and can utilize any of 4 different dimming curves: Linear, Logarithmic, Exponential, and S‐Curve.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 300d Mark II also features a “studio mode” that allows the lights to turn on and be controlled immediately upon receiving power, making it perfect for DMX lighting grids.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMore Options for Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to the control wheel, the 300d Mark II also features DMX512‐compatibility, a new 2.4Ghz Aputure Wireless remote with an FX toggle button, and the ability to be controlled by the Sidus Link App using our Bluetooth mesh network protocol.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSidus Link App Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFeaturing all‐new Bluetooth SIG mesh network technology, the 300d Mark II will also the first app‐controllable Aputure lighting fixture.* This technology will allow you to control a 300d Mark II from up to 400 meters away, by linking multiple lights up to 80 meters apart. Using the Sidus Link app, you’ll be able to access all of the functions of the control box, in addition to being able to save presets, finely tune and trigger additional lighting FX, as well as install firmware updates, all from your smartphone or tablet. Aputure Lights are available in UBMS Dubai showroom with best price . For more information please contact UBMS . \u003c\/p\u003e\r\n\r\n\u003ch3\u003eRedesigned Carrying Case\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWe also made the case with grip trucks and run‐and‐gun filmmakers in mind. The new 300d Mark II carrying case is composed of durable walls with a soft exterior lining that can support up to 100kg, providing both ample protection and a seat for you on set. The bottom of the case is also covered with an easy‐to‐clean, slash‐proof material, letting you rest easy, knowing your 300d Mark II will survive any situation you throw at it.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":49825814118686,"sku":"APV0129A2F","price":3493.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/aputure_ls_c300d_ii_hcxNs.jpg?v=1749077367"},{"product_id":"blackmagic-design-atem-mini-pro-hdmi-live-stream-switcher","title":"Blackmagic Design ATEM Mini Pro HDMI Live Stream Switcher","description":"\u003ch4\u003eBlackmagic Design ATEM Mini Pro HDMI Live Stream Switcher\u003c\/h4\u003e\r\n\u003cp\u003eSimilar to its predecessor the ATEM Mini, the ATEM Mini Pro from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multi-camera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic Multidock, an added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources. Buy  ATEM Mini Pro from UBMS Dubai.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/unitedbroadcast.com\/product\/manual\/atem-mini-pro.pdf\" target=\"_blank;\"\u003e ATEM Mini Pro  Overview\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eSimply connect an HDMI laptop into ATEM Mini to use it as a source. Set up one camera for the presenter, and one computer for the slides. Connect to ATEM Mini and start streaming!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ATEM Mini Pro retains the same rear panel setup with four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or external monitor, a USB Type-C output as for streaming HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for streaming video through your computer, system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder. Visit UBMS Dubai Showroom to get more infromation and best price for ATEM Mini Pro Switcher. \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once. Get Blackmagic Design ATEM Mini Pro , ATEM Mini  in Dubai, UAE from UBMS. \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic Multidock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video out out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.\u003c\/p\u003e\r\n\r\n\u003ch5\u003eNew Features\u003c\/h5\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eSame rear panel as ATEM Mini with added buttons and software features\u003c\/li\u003e\r\n\u003cli\u003eStream video up to 1080p HD\u003c\/li\u003e\r\n\u003cli\u003eQuick stream, on-air, and record buttons\u003c\/li\u003e\r\n\u003cli\u003eHardware encoder so there's no need for additional streaming software\u003c\/li\u003e\r\n\u003cli\u003eControl and configure timecode, stream status\u003c\/li\u003e\r\n\u003cli\u003eFull support and control features for BMPCC 6K and 4K cameras\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous USB recording\u003c\/li\u003e\r\n\u003cli\u003eIntegration with Multidock for live hard drive switching\u003c\/li\u003e\r\n\u003cli\u003eCustomize advanced settings with XML files\u003c\/li\u003e\r\n\u003cli\u003eSoftware multiview with program previews, graphics, record status, on air status, audio meters\u003c\/li\u003e\r\n\u003cli\u003eProgram preview input and output buttons\u003c\/li\u003e\r\n\u003cli\u003eTally light control for BMPCC 6K\/4K cameras\u003c\/li\u003e\r\n\u003cli\u003eutomatic timecode sync for all cameras\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003ch5\u003eTransitions\u003c\/h5\u003e\r\n\u003cb\u003eAvailable transitions include:\u003c\/b\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eCut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.\u003c\/li\u003e\r\n\u003cli\u003eMix: The mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.\u003c\/li\u003e\r\n\u003cli\u003eDip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.\u003c\/li\u003e\r\n\u003cli\u003eWipe: Built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened, and can even have customized colored borders.\u003c\/li\u003e\r\n\u003cli\u003eDVE: With the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.\u003c\/li\u003e\n\u003c\/ul\u003e\r\n \r\n\r\n\u003ch5\u003eUpstream Keyer\u003c\/h5\u003e\r\n\u003cp\u003eLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.\u003c\/p\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eLuma key: Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.\u003c\/li\u003e\r\n\u003cli\u003eLinear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.\u003c\/li\u003e\r\n\u003cli\u003eChroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.\u003c\/li\u003e\r\n\u003cli\u003ePattern key: Combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003ch5\u003eDownstream Keyers\u003c\/h5\u003e\r\n\u003cp\u003eThe ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.\u003c\/p\u003e\r\n\u003ch5\u003eAudio Mixer\u003c\/h5\u003e\r\n\u003cp\u003eThe built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable On\/Off\/Audio-Follow-Video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.\u003c\/p\u003e\r\n\u003ch5\u003eMonitor Output\u003c\/h5\u003e\r\n\u003cp\u003eThe HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.\u003c\/p\u003e\r\n\u003ch5\u003eMedia Player\u003c\/h5\u003e\r\n\u003cp\u003eEliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.\u003c\/p\u003e\r\n\u003ch4\u003eATEM Software Control\u003c\/h4\u003e\r\n\u003cp\u003eThe world’s most advanced live production switcher control software! ATEM Mini can be operated from the front panel, or you can control it using the included free ATEM Software Control for Mac or Windows. ATEM Software Control gives you even more control and creative options! You can switch video sources live, load the media pool with graphics, use transitions and keys, change switcher settings and mix audio. For larger live productions, you can even run multiple copies of the software so that more than one person can work on the show at the same time!\u003c\/p\u003e\r\n\r\n\r\n\r\n","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49825913897246,"sku":"SWATEMMINIBPR","price":1233.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_atem_mini_pro_hdmi_live_stream_switcher_VFMGJ.jpg?v=1749083165"},{"product_id":"sony-alpha-a7s-iii-mirrorless-digital-camera-body-only","title":"Sony Alpha a7S III Mirrorless Digital Camera (Body Only)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eSony α7S III Mirrorless Digital Camera \u003c\/h3\u003e\r\n\u003cp\u003eDesigned for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cb\u003eMain Features\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\r\n\u003cli\u003eNewly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor\u003c\/li\u003e\r\n\u003cli\u003eNewly developed BIONZ XR image processing engine with up to 8x the processing performance\u003c\/li\u003e\r\n\u003cli\u003eMovie-making with 4K 120p, 10-bit 4:2:2 recording capability\u003c\/li\u003e\r\n\u003cli\u003eFast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF\u003c\/li\u003e\r\n\u003cli\u003eBody-integrated 5-axis optical image stabilisation, Active Mode for movies\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch4\u003eα7S III - Imagination in Motion (ILCE_7SM3)\u003c\/h4\u003e\r\n\u003cp\u003eTaking the S series to a whole new level of full-frame movie expression, spectacular new speed combines with supreme sensitivity and ultra-low noise to put previously impossible 4K movie shoots on the menu, with high dynamic range, breathtaking focusing, and extra-strong image stabilisation. Your new creative potential awaits. A7S3 is a awesome camera that packed with many features , to get more details about price and availability you can contact UBMS. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eFor visual trailblazers\u003c\/h4\u003e\r\n\u003cp\u003eWith extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar for movie makers.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eLarge pixels deliver high sensitivity and low noise ( (ILCE-7SM3))\u003c\/h4\u003e\r\n\u003cp\u003eThe new full-frame 12.1-megapixel back-illuminated　Exmor RTM CMOS image sensor packs major innovations in light gathering, wiring and output optimisation. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF. Order Sony Alpha camera from UBMS Dubai. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eUp to 8x more powerful BIONZ XRTM image processor\u003c\/h4\u003e\r\n\u003cp\u003eAlong with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eStunning AF performance even at 4K 120p\u003c\/h4\u003e\r\n\u003cp\u003eThe new Exmor R full-frame image sensor and revolutionary BIONZ XR image processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular. For know more about all sony alpha camera please visit UBMS Dubai showroom. \u003c\/p\u003e\r\n\r\n\u003ch4\u003e10-bit 4:2:2 recording\u003c\/h4\u003e\r\n\u003cp\u003eRecord right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eAll-Intra encoding available\u003c\/h4\u003e\r\n\u003cp\u003eAs well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSuperior quality and smaller files with XAVC HS\u003c\/h4\u003e\r\n\u003cp\u003eThe new XAVC HS recording format uses HEVC\/H.265 encoding to achieve twice the compression efficiency of AVC\/H.264 encoding, for superior image quality and smaller file sizes\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSony's renowned sensitivity delivers expanded ISO 409600\u003c\/h4\u003e\r\n\u003cp\u003eThe renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80 - 102400). With advanced light-gathering and output optimisation, the 12.1-megapixel2 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near total darkness. Looking for Sony A7S III price in Dubi, UAE ? UBMS can provide best price and fast delivery . \u003c\/p\u003e\r\n\r\n\u003ch4\u003eS-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders\u003c\/h4\u003e\r\n\u003cp\u003eThe S-Log3 gamma curve and S-Gamut3.Cine colour gamut, shared with pro camcorders, provide wider dynamic range and easier colour matching for smoother post-production workflows. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eHLG (Hybrid Log-Gamma)\u003c\/h4\u003e\r\n\u003cp\u003eHLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit colour depth.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eImage quality improvements\u003c\/h4\u003e\r\n\u003cp\u003eThe new BIONZ XR image processing engine delivers improvements in colour reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter.\u003c\/p\u003e\r\n\r\n\u003ch4\u003e16-bit RAW HDMI output\u003c\/h4\u003e\r\n\u003cp\u003eFor demanding post-production workflows, 16-bit RAW output is available via HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eEfficient editing through proxy recording\u003c\/h4\u003e\r\n\u003cp\u003eWhile recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFast Hybrid AF for accuracy and tenacity\u003c\/h4\u003e\r\n\u003cp\u003eThe wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates.\u003c\/p\u003e\r\n\r\n\u003ch4\u003ePowerful focus control for solo shooters\u003c\/h4\u003e\r\n\u003cp\u003eWith AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eReal-time Eye AF for movies\u003c\/h4\u003e\r\n\u003cp\u003eReal-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30% on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eReal-time Tracking with intuitive touch operation\u003c\/h4\u003e\r\n\u003cp\u003eReal-time Tracking analyses subject colour, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eIn-body 5-axis image stabilisation\u003c\/h4\u003e\r\n\u003cp\u003eA highly accurate image stabilisation unit and gyro-sensor are provided, delivering 5-axis optical image stabilisation.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eActive Mode for hand-held shooting\u003c\/h4\u003e\r\n\u003cp\u003eThe new Active Mode provides increased stabilisation for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDigital audio interface for clear sound recording\u003c\/h4\u003e\r\n\u003cp\u003eA digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48kHz\/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48kHz\/24-bit 2-ch and 48kHz\/24-bit 4-ch.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eUnique heat dissipation, for dependable recording\u003c\/h4\u003e\r\n\u003cp\u003eA unique Sony Σ (sigma) shaped graphite heatsink is built into the image stabilisation unit. This dissipates heat 5x more effectively for extended recording time, without interfering with image stabilisation\u003c\/p\u003e\r\n\r\n\u003ch4\u003eMovie-shooting comfort\u003c\/h4\u003e\r\n\u003cp\u003eResponding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHigh ISO sensitivity\u003c\/h4\u003e\r\n\u003cp\u003eWith an amazingly wide standard ISO range of 80-102400 (expandable to 40-409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eFast Hybrid AF for stills\u003c\/h4\u003e\r\n\u003cp\u003eThe Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eOutstanding continuous shooting performance\u003c\/h4\u003e\r\n\u003cp\u003eUse your choice of mechanical or electronic shutter for continuous burst shooting, with AF\/AE tracking, at up to 10fps. Capture decisive moments with over 1000 frames of continuous uncompressed RAW shooting possible.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHighly-sensitive AF for low-light focusing\u003c\/h4\u003e\r\n\u003cp\u003eAF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-6, where subjects are barely even visible with the naked eye.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eStill-image quality advances through new sensor and engine\u003c\/h4\u003e\r\n\u003cp\u003eThe newly-developed image sensor and image processing engine deliver improvements in colour reproduction, particularly of skin tones, and texture depiction in still images. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eNew HEIF format and HLG image capture modes\u003c\/h4\u003e\r\n\u003cp\u003eThe HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit colour. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eTwo CFexpress Type A-compatible media slots\u003c\/h4\u003e\r\n\u003cp\u003eBoth card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available\u003c\/p\u003e\r\n\r\n\u003ch4\u003eVari-angle LCD monitor for comfortable movie shooting\u003c\/h4\u003e\r\n\u003cp\u003eThe variable-angle 1.44 million-dot 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003e9.44 million-dot high-definition electronic viewfinder\u003c\/h4\u003e\r\n\u003cp\u003eThe new EVF offers resolution, contrast and colour unlike anything in its class. It also offers world-leading 0.9x finder magnification, a 41° diagonal field of view, and a 25mm high eyepoint.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eAdvanced operability\u003c\/h4\u003e\r\n\u003cp\u003eThe menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eIntuitive touch operation\u003c\/h4\u003e\r\n\u003cp\u003eThe menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved.\u003c\/p\u003e\r\n\r\n\u003ch4\u003e5GHz Wi-Fi compatible\u003c\/h4\u003e\r\n\u003cp\u003eAs well as 2.4GHz, 5GHz Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eWired LAN connectivity\u003c\/h4\u003e\r\n\u003cp\u003eFor complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera’s USB Type C® port.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eRemote preview and shooting\u003c\/h4\u003e\r\n\u003cp\u003eEither wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eImaging Edge DesktopTM\u003c\/h4\u003e\r\n\u003cp\u003eElevate your photography with Imaging Edge Desktop applications. Use \"Remote\" to control and monitor shooting live on your PC screen; \"Viewer\" to quickly preview, rate, and select photos from large image libraries; and \"Edit\" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCapture One for Sony\u003c\/h4\u003e\r\n\u003cp\u003eCapture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825951711518,"sku":"ILCE-7SM3","price":11413.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_a7s_iii_mirrorless_digital_camera_body_only_V4mEa.jpg?v=1749085382"},{"product_id":"hollyland-mars-400s-pro-sdi-hdmi-wireless-video-transmission-system","title":"Hollyland MARS 400S PRO SDI\/HDMI Wireless Video Transmission System","description":"\u003cp\u003eMARS 400S PRO is using the latest coding, decoding technology, and 5G wireless transmission technology. It can achieve ultra-low latency wireless video transmission. It has a transmission range over 400ft with a clean line of sight (LOS) when the transmitter is connected to 1 or 2 receivers. MARS 400S PRO also can support 2 APPs monitoring when connection with 1 receiver. MARS 400S PRO is supports up to 1080P 60Hz image resolution. And Both transmitter and receiver equipped with L-series battery plate and also can power by DC adapter or power by USB-C interface. Buy MARS 400S PRO from UBMS Dubai . We can provide best price and fast delivery for MARS 400S PRO .\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eAdd up to 1080p60 wireless video transmission to your gimbal, mirrorless, or DSLR camera rig using the lightweight Mars 400S PRO SDI\/HDMI Wireless Video Transmission System from Hollyland. The transmitter provides HDMI and SDI inputs and the receiver offers SDI and HDMI outputs. It features extremely low 0.08s latency with line-of-sight transmission up to 400' to the receiver and up to 300' to the Hollyview Wi-Fi app. For a strong line-of-sight signal, the system includes two external antennas on the transmitter and two on the receiver, and one is included as a spare.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsing the Hollyview app for iOS or Android, you can monitor your video transmission in real time via a Wi-Fi connection as well as live stream directly from the receiver via your computer using a USB Type-C adapter. The app also allows you to install optional channel scanning firmware enabling you to easily find the strongest transmission signals. The transmitter can simultaneously transmit to up to one receiver and two apps, or to a total of four apps without the receiver. The redesigned body makes it a low-profile choice for your rig, and it features multiple fan modes to keep it cool or quiet when you are shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 400S PRO transmitter and receiver are compact in size, feature a bright OLED display for configuration, and an integrated shoe adapter with a 1\/4\"-20 mounting thread for different mounting options. Each unit can be powered using a USB Type-C source, the included locking DC power adapter, or by using a separately available L-series type battery using the integrated battery plate.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eKey Features\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eSupports 1 Transmitter Connects With 2 Receivers\u003c\/li\u003e\r\n\u003cli\u003eSupports Up To 2 Mobile Devices Monitoring While Only 1 Receiver Is\u003c\/li\u003e\r\n\u003cli\u003eConnected. Supports Up To 4 Mobile Devices Monitoring without Receiver connecting\u003c\/li\u003e\r\n\u003cli\u003eOLED Display Screen\u003c\/li\u003e\r\n\u003cli\u003eChannel Scan\u003c\/li\u003e\r\n\u003cli\u003eThree Application Scene Modes\u003c\/li\u003e\r\n\u003cli\u003eBattery Voltage Display\u003c\/li\u003e\r\n\u003cli\u003e400ft Transmission Range (LOS)\u003c\/li\u003e\r\n\u003cli\u003eLowest Latency is 0.08s\u003c\/li\u003e\r\n\u003cli\u003eBoth HDMI \u0026amp; SDI Connection Options\u003c\/li\u003e\r\n\u003cli\u003eUSB Firmware Upgrade \u003c\/li\u003e\r\n\u003cli\u003eIntegrated Cold Shoe for Quick Installation\u003c\/li\u003e\r\n\u003cli\u003eSupports DC Power，USB Type-C Power Supply and Battery Power Supply.\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\r\n\r\n","brand":"Hollyland","offers":[{"title":"Default Title","offer_id":49825999487262,"sku":"Mars 400S PRO","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/hollyland_mars_400s_pro_sdi_hdmi_wireless_video_transmission_system_Gw7vh.jpg?v=1749088136"},{"product_id":"kupo-4-in-1-nesting-apple-box-set","title":"Kupo 4-In-1 Nesting Apple Box Set","description":"\u003cp\u003eThe 4-In-1 Nesting Apple Box Set from Kupo includes full-, half-, quarter-, and pancake-sized apple boxes, all made of a strong 9-ply Baltic birch wood. The three smaller sizes in the set store inside the full-sized apple box via a sliding side panel that secures in place by two magnets. The boxes have multiple applications in the studio or on location, so the set can be used to level out an uneven light stand, add height to an otherwise short model, or even serve as a bench or stool. Buy Kupo Nesting Apple Box Set from UBMS Dubai . \u003c\/p\u003e","brand":"Kupo","offers":[{"title":"Default Title","offer_id":49826060402974,"sku":"KAB-41K","price":748.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/kupo_4_in_1_nesting_apple_box_set_0wYRL.jpg?v=1749094055"},{"product_id":"sony-alpha-a7r-iv-mirrorless-digital-camera-with-24-105mm-lens-kit","title":"Sony Alpha a7R IV Mirrorless Digital Camera with 24-105mm Lens Kit","description":"\u003cp\u003eAn ideal starter bundle, the Sony Alpha a7R IV Mirrorless Digital Camera with 24-105mm Lens Kit (ILCE-7RM4K) from UBMS pairs the high-resolution full-frame camera with the FE 24-105mm f\/4 G OSS standard zoom lens. Buy Sony Alpha a7R IV Mirrorless Digital Camera with 24-105mm Lens Kit from UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMoving to an even higher resolution realm, the Sony Alpha a7R IV continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance and versatility. This fourth edition of the a7R sees the inclusion of an updated 61MP Exmor R BSI CMOS sensor and enhanced BIONZ X image processor, which afford impressive imaging results with marked smoothness, a 15-stop dynamic range, and, of course, speed. Up to 10 fps shooting is possible along with the ability to record UHD 4K30 video, both with support for Real-time Eye AF and Tracking AF technologies. The revised sensor design uses a Fast Hybrid AF System, with 567 phase-detection autofocus points, for notably fast and accurate focusing performance. Despite being such a high-resolution sensor, it is also distinguished by its flexible native sensitivity range from ISO 100-32000 for working in a variety of lighting conditions. Additionally, benefitting both stills and video operation, the a7R IV retains the 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is effective to minimize the appearance of camera shake by up to 5.5 stops. We can ship Sony Alpha a7R IV Mirrorless Digital Camera with 24-105mm Lens Kit to all GCC countries (UAE, Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBalancing the imaging merits, the a7R IV also sees an updated physical design with more robust weather sealing to suit working in especially harsh weather conditions. In terms of usability, the OLED electronic viewfinder has been boosted to an impressive 5.76m-dot resolution for clear viewing and the 3.0\" rear tilting touchscreen LCD has a high 1.44m-dot resolution for crisp playback, live view shooting, and menu navigation. Dual SD card slots are both UHS-II-rated for faster performance and the inclusion of a USB Type-C port permits tethering and quick in-camera battery charging. Additionally, built-in Bluetooth and both 2.4 and 5 GHz Wi-Fi bands afford wireless transferring and remote camera control from linked mobile devices.(ILCE-7RKxyz)\u003c\/p\u003e\r\n\r\n\u003cb\u003eDedicated Accessories from Sony\u003c\/b\u003e\r\n\u003cp\u003eComplementing the camera body is a trio of accessories to increase battery life and enhance audio recording capabilities when shooting video. The VG-C4EM Vertical Grip is the dedicated battery grip, which accepts up to two more NP-FZ100 batteries for extended shooting times. Its ergonomic design also enhances handling when shooting in the vertical orientation.\u003c\/p\u003e\r\n\u003cp\u003eFor improved audio recording, and making use of the a7R IV's updated Multi Interface Shoe and digital audio interface, there is the ECM-B1M Shotgun Microphone, which delivers a digital audio stream directly to the camera for cleaner quality with low noise. For even more advanced audio control, there is also the XLR-K3M XLR Adapter Kit, which is a dual-channel digital XLR audio adapter for connecting external microphones to the camera while still benefitting from the digital audio interface.\u003c\/p\u003e\r\n\r\n\u003cb\u003e61MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor\u003c\/b\u003e\r\n\u003cp\u003eFeaturing a back-illuminated design, the full-frame 61MP Exmor R CMOS sensor works with the BIONZ X image processor to offer impressively high-resolution stills and video while minimizing noise, improving speed, and achieving a wide 15-stop dynamic range. This sensor structure works with gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400. Also, it enables internal UHD 4K video recording with a wide 14-stop dynamic range using either the full width of the full-frame sensor or an APS-C-sized area. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture this impressive 15-stop dynamic range with smooth tonal rendering.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 68 consecutive frames, with full-time AF\/AE.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFast Hybrid AF System\u003c\/b\u003e\r\n\u003cp\u003eAn updated Fast Hybrid AF system now employs a combination of 567 phase-detection points, which cover approximately 99.7% of the height and 74% of the width of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This focusing system also achieves especially quick speed and reliable tracking, as well as enhanced low-light focusing response down to -3 EV. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF\/AE tracking compatibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBody Design and Built-In Wi-Fi\/Bluetooth\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eAn updated UXGA OLED Tru-Finder EVF is featured and has a 5.76m-dot resolution for bright, clear viewing in rich detail, and a dedicated High quality setting enables a 120 fps refresh rate for especially smooth playback of moving subjects.\u003c\/li\u003e\r\n\r\n\u003cli\u003eIn addition to the EVF, a 3.0\" 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles.\u003c\/li\u003e\r\n\r\n\u003cli\u003eMagnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.\u003c\/li\u003e\r\n\r\n\u003cli\u003eExtensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.\u003c\/li\u003e\r\n\r\n\u003cli\u003eUsing the same NP-FZ100 battery as its predecessor, the a7R IV's battery life is rated for approximately 530 shots per charge with the EVF or 670 shots with the rear LCD.\u003c\/li\u003e\r\n\r\n\u003cli\u003eDual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.\u003c\/li\u003e\r\n\r\n\u003cli\u003eIntegrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.\u003c\/li\u003e\r\n\r\n\u003cli\u003eA USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.\u003c\/li\u003e\r\n\r\n\u003cli\u003eUpdated Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe a7R IV also features a 3.5mm microphone input jack for compatibility with external microphones.\u003c\/li\u003e\r\n\r\n\u003cli\u003eBuilt-in Wi-Fi enables the a7R IV to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\r\n\r\n\u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e\r\n\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/b\u003e\r\n\r\n\u003cp\u003ePacked into the robust a7R IV is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePixel Shift Multi Shooting\u003c\/b\u003e\r\n\u003cp\u003eThis unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/p\u003e\r\n\r\n\u003cb\u003eUHD 4K Video Recording in XAVC S Format\u003c\/b\u003e\r\n\u003cp\u003eInternal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003c\/p\u003e\r\n\u003cp\u003e4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAdditional Video Features\u003c\/b\u003e\r\n\u003cp\u003eSupport for HDR Content:\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eAffording extensive customizable color and gamma controls, the a7R IV allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSlow \u0026amp; Quick Motion:\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eTake more control over your video capture capabilities with a variety of new frame rates available in an S\u0026amp;Q mode. This will allow shooters to capture Full HD video at one of either steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC\/PAL switchable.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eEnhanced Zebra Function:\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eAn enhanced Zebra function is ideally suited to aid in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eTime Code and User Bit Settings:\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eA time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eProxy Recording:\u003c\/p\u003e\r\n\u003cli\u003eUHD 4K movies and lower-resolution proxy movies can be simultaneously recorded. The smaller proxy files are ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing.\u003c\/li\u003e\r\n\r\n\r\n\u003cb\u003eOther Camera Features\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eA Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production.\u003c\/li\u003e\r\n\r\n\u003cli\u003eAn advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.\u003c\/li\u003e\r\n\r\n\u003cli\u003eHighlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively.\u003c\/li\u003e\r\n\r\n\u003cli\u003eAnti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.\u003c\/li\u003e\r\n\r\n\u003cli\u003ePicture Effect modes: Posterization (Color), Posterization (B\/W), Pop Color, Retro Photo, Partial Color (R\/G\/B\/Y), High Contrast Monochrome, Toy Camera (Normal\/Cool\/Warm\/Green\/Magenta), and Soft High-Key.\u003c\/li\u003e\r\n\r\n\u003cli\u003eCreative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black \u0026amp; White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":49826081669406,"sku":"ILCE-7RM4K","price":12857.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_a7r_iv_mirrorless_digital_camera_with_24_105mm_lens_kit_gioAE.jpg?v=1749095928"},{"product_id":"sony-alpha-1-mirrorless-digital-camera-body-only","title":"Sony Alpha 1 Mirrorless Digital Camera (Body Only)","description":"\u003cp\u003eIntroducing the Sony Alpha 1 – an all-new full-frame camera that delivers an unprecedented combination of resolution, speed \u0026amp; video performance with a new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, blackout-free continuous shooting at up to 30fps, unprecedented autofocus speed with up to 120 AF\/AE calculations per second, 8K 30p video and so much more!\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eα1 - The One\u003c\/h4\u003e\r\n\u003cp\u003eSony continues to challenge the limits of conventional imaging tools with innovative technology that delivers an unprecedented combination of resolution and speed plus intuitive operation. The α1 offers new dimensions of imaging performance as well as efficient workflow, giving the user new creative freedom. The α mission is to give creators the power to realize their dreams. The α1 is its most potent expression to date.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Alpha 1 (ILCE1B) offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1 MP sensor allows continuous bursts at up to 30 fps with AF and AE tracking using the electronic shutter. Perfect for any situation where the critical action is over in an instant. Looking for sony alpha a1 shop ? Contact UBMS \u003c\/p\u003e\r\n\r\n\u003ch4\u003e50.1 megapixel Exmor RS™ image sensor\u003c\/h4\u003e\r\n\u003cp\u003eThe α1 features a full-frame stacked back-illuminated CMOS Exmor RS™ sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the α1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the α series. Unprecedented performance for a new era of image making. Looking for to buy  Sony Alpha 1 contact UBMS Dubai. We can give best price and fast delivery for all sony professional products . Buy new ILCE-1 from UBMS .\u003c\/p\u003e\r\n\r\n\u003ch4\u003eAdvanced BIONZ XR engine boosts speed by up to 8x\u003c\/h4\u003e\r\n\u003cp\u003eThe α1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load. Looking for Sony Alpha store in Dubai ? UBMS have the largest collection of Alpha cameras in UAE. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eContinuous shooting at up to 30 fps\u003c\/h4\u003e\r\n\u003cp\u003eHigh speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images or 155 full-frame compressed RAW images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSilent, vibration-free electronic shutter\u003c\/h4\u003e\r\n\u003cp\u003eThe electronic shutter operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eAnti-flicker shooting with electronic shutter\u003c\/h4\u003e\r\n\u003cp\u003eHigh-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time. This enables blackout-free shooting, up to 120 AF\/AE tracking calculations per second, up to 30 fps continuous shooting, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light.  Anti-flicker [1] ON  [2] OFF\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBlackout-free shooting\u003c\/h4\u003e\r\n\u003cp\u003eThe α1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 240 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing.  (A) Blackout-free Shooting  (B) Shooting with blackouts . ILCE1 will available in UBMS Dubai Showroom Soon . \u003c\/p\u003e\r\n\r\n\u003ch4\u003eHigh resolution and sensitivity with 15-stop  dynamic range\u003c\/h4\u003e\r\n\u003cp\u003eThe α1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eWide sensitivity range\u003c\/h4\u003e\r\n\u003cp\u003eEven with this sensor’s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~102400 \u003c\/p\u003e\r\n\r\n\u003ch4\u003eElectronic shutter flash sync + high-speed mechanical sync\u003c\/h4\u003e\r\n\u003cp\u003eFor the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1\/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1\/400 sec. (1\/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eBody Design\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 240 fps High Quality+ setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.\u003c\/li\u003e\r\n\u003cli\u003e  A 3.0\" 1.44m-dot tilting screen benefits working from high and low angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.\u003c\/li\u003e\r\n \u003cli\u003e Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.\u003c\/li\u003e\r\n\u003cli\u003e  Updated menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.\u003c\/li\u003e\r\n\u003cli\u003e  Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.\u003c\/li\u003e\r\n\u003cli\u003e  Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.\u003c\/li\u003e\r\n \u003cli\u003e Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 430 shots\/90 minutes of recording per charge when using the viewfinder or 530 shots\/95 minutes of recording per charge when using the rear LCD.\u003c\/li\u003e\r\n\u003cli\u003e  Full-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/li\u003e\r\n\u003cli\u003e  A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.\u003c\/li\u003e\r\n\u003cli\u003e  PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.\u003c\/li\u003e\r\n\u003cli\u003e  Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/li\u003e\r\n\u003cli\u003e  Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\r\n\u003cli\u003e  Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control\u003c\/li\u003e\r\n\u003cli\u003e  USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.\u003c\/li\u003e \u003c\/ul\u003e\r\n\u003ch4\u003eConnectivity\u003c\/h4\u003e\r\n \u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eBuilt-in Wi-Fi enables the a1 to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. Also, the 5.0 GHz band supports 2x2 MIMO for fast communication speeds and dual antennas ensure a reliable connection.\u003c\/li\u003e\r\n\u003cli\u003e NFC (Near Field Communication) allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\r\n\u003cli\u003e Bluetooth connectivity allows for location data acquisition.\u003c\/li\u003e\r\n\u003cli\u003e Ethernet port offers up to 1000BASE-T speeds for quick wired LAN sharing and remote operation.\u003c\/li\u003e\r\n\u003cli\u003e When working over a wired LAN, the Remote Camera Tool 2.1 app now has been enhanced for a reduced release time lag and live view delays as well as support for remote SD card formatting, FTP server switching, and changes to the still image storage destination. Wired or wireless LAN transfers can also occur in the background, while continuing to shoot.\u003c\/li\u003e\r\n \u003cli\u003eImaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB Type-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.\u003c\/li\u003e\r\n\u003cli\u003e Transfer \u0026amp; Tagging add-on app can send FTP setting parameters from your mobile device to the camera, offers automatic data upload to an FTP server with attached metadata, and can perform automatic voice-to-text conversion.\u003c\/li\u003e\n\u003c\/ul\u003e\r\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":49826093072670,"sku":"ILCE-1","price":19032.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_1_mirrorless_digital_camera_body_only_LDQpC.jpg?v=1749097885"},{"product_id":"sony-fx3-full-frame-cinema-camera-ilme-fx3","title":"Sony FX3 Full-Frame Cinema Camera ILME-FX3","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eSony FX3 Full-Frame Cinema Camera,ilme fx3, black Overview\u003c\/h3\u003e\r\n\u003cp\u003eSony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle. Sony FX3 combines everything videographers love about Sony’s video capabilities in the Sony Alpha lineup with a new body optimized for videography. \u003c\/p\u003e\r\n\u003ch4\u003eFull-frame image capture even in dim light\u003c\/h4\u003e\r\n\u003cp\u003eThe FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600. Unlock the world of professional cinema with new sony FX3. UBMS is the authorized dealer of sony cameras and cine cameras, you can buy Sony FX3 From UBMS. ILME-FX3 is smallest from sony cinema line.\u003c\/p\u003e\r\n\u003ch4\u003eWide dynamic range, wider creative expression\u003c\/h4\u003e\r\n\u003cp\u003eThe FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in color grading. Looking for a Sony FX3 price, contact UBMS. We can provide the best price and fast delivery for Sony Fx3.\u003c\/p\u003e\r\n\u003ch4\u003eStunning bokeh and full-frame creativity\u003c\/h4\u003e\r\n\u003cp\u003eCapture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh, and cinematic freedom made possible with a full-frame sensor.\u003c\/p\u003e\r\n\u003ch4\u003eCinematic color science of S-Cinetone™\u003c\/h4\u003e\r\n\u003cp\u003eS-Cinetone color, developed for Sony's acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading.\u003c\/p\u003e\r\n\u003ch4\u003e4K 120fps with every frame in focus\u003c\/h4\u003e\r\n\u003cp\u003eEven at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S\u0026amp;Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). ILME-FX3 can buy from UBMS\u003c\/p\u003e\r\n\u003ch4\u003e10-bit S-Log3 and HDR recording for smooth gradations\u003c\/h4\u003e\r\n\u003cp\u003eS-Log3 gamma curve and S-Gamut3.Cine enables shooting with high-quality color reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. Looking for where to buy Sony FX3 , it will be available in UBMS Dubai Showroom.\u003c\/p\u003e\r\n\u003ch4\u003eSophisticated tracking AF for steady focus\u003c\/h4\u003e\r\n\u003cp\u003eSophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.\u003c\/p\u003e\r\n\u003ch4\u003eCommon FX3\/FX6\/a7S III Features\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\r\n\u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\r\n\u003cli\u003eDynamic range of 15+ stops\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eShared FX3\/FX6 Attributes\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\r\n\u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\r\n\u003cli\u003eInternal fan to prevent overheating\u003c\/li\u003e\r\n\u003cli\u003eZoom lever\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eShared FX3\/A7S III Attributes\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e5-axis in-body image stabilization\u003c\/li\u003e\r\n\u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\r\n\u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\r\n\u003cli\u003e80 to 409,6000 ISO range (expanded)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eImproved FX3 Features\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eComfortable, cage-free, handheld operation\u003c\/li\u003e\r\n\u003cli\u003eGreater than 1.6x battery runtime compared to a7S III\u003c\/li\u003e\r\n\u003cli\u003eUSB-PD power option for extended shooting times\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/h4\u003e\r\n\u003cp\u003eThe 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.\u003c\/p\u003e\r\n\u003ch4\u003eS-Cinetone Color\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eDefault S-Cinetone color setting provides a softer-toned look with beautiful skin tone reproduction\u003c\/li\u003e\r\n\u003cli\u003eComplements your VENICE, FX9, or FX6 footage\u003c\/li\u003e\r\n\u003cli\u003eS-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the range of Sony Cinema Line cameras\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eCinematic Recording \/ Frame Rate Options\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eUp to 600 Mb\/s XAVC S-I ALL-I H.264 codec recording\u003c\/li\u003e\r\n\u003cli\u003eXAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP\u003c\/li\u003e\r\n\u003cli\u003eInternal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards\u003c\/li\u003e\r\n\u003cli\u003eExternal, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port\u003c\/li\u003e\r\n\u003cli\u003e8-bit XAVC S or 10-bit XAVC HS proxy capture\u003c\/li\u003e\r\n\u003cli\u003e10-bit, 4:2:2 color available in all formats including HLG\u003c\/li\u003e\r\n\u003cli\u003eFull-frame UHD 4K high-speeds up to 120p\u003c\/li\u003e\r\n\u003cli\u003eS35 HD high-speed rates up to 240p\u003c\/li\u003e\r\n\u003cli\u003eUp to 5x slow-motion rates\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eCompact Design \/ Ergonomic Operation\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eFlexible, streamlined, 5 x 3 x 3\" form\u003c\/li\u003e\r\n\u003cli\u003e3\" LCD with 1,440,000-dot resolution tilts for optimal viewing\u003c\/li\u003e\r\n\u003cli\u003eCan be used with or without a cage\u003c\/li\u003e\r\n\u003cli\u003eRight-handed controls feature placement consistent with the rest of the Cinema Line\u003c\/li\u003e\r\n\u003cli\u003eFive 1\/4\"-20 accessory threads on the FX3 body plus two on the top handle\u003c\/li\u003e\r\n\u003cli\u003eIntuitive touchscreen menu\u003c\/li\u003e\r\n\u003cli\u003eCustomizable buttons for assigning 15 controls and up to 140 menu items\u003c\/li\u003e\r\n\u003cli\u003eTally (record) lights are easily viewable on the top, front, and rear of the camera\u003c\/li\u003e\r\n\u003cli\u003eDual CFexpress Type A\/SD slots\u003c\/li\u003e\r\n\u003cli\u003eRelay, simultaneous, and backup recording\u003c\/li\u003e\r\n\u003cli\u003eCustomizable zoom setting plus Clear Image Zoom\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eDetachable XLR Adapter Handle\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eTop handle with two XLR\/3.5mm TRS combo audio inputs\u003c\/li\u003e\r\n\u003cli\u003eMicrophone holder and 3.5mm mic input\u003c\/li\u003e\r\n\u003cli\u003eDigital audio with up to 4-channel, 24-bit recording\u003c\/li\u003e\r\n\u003cli\u003eContoured for comfortable low-angle shooting\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eFast Hybrid \/ Phase Detection Autofocus\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eMultiple autofocusing modes are designed for solo shooting\u003c\/li\u003e\r\n\u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame\u003c\/li\u003e\r\n\u003cli\u003eReal-Time Eye AF, Eye and Face Detection, and subject Touch Tracking\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eDurable Build \/ Enhanced Operating\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eAn integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60\u003c\/li\u003e\r\n\u003cli\u003eMagnesium-alloy chassis and shell\u003c\/li\u003e\r\n\u003cli\u003eSealed against inclement weather and dust\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eWireless Connectivity\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\r\n\u003cli\u003eWired LAN link using the USB Type-C port and a separate adapter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e\r\n\u003cli\u003eAdjustable balance between shake compensation and image area trimming\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eUnited Broadcast \u0026amp; Media Solutions is SONY authorized distributor. Contact United Broadcast \u0026amp; Media Solutions Dubai for Sony FX3 Full-Frame Cinema Camera.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49826112700702,"sku":"ILME-FX3","price":14310.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/ilme-fx3.jpg?v=1749100403"},{"product_id":"blackmagic-design-hyperdeck-studio-4k-pro","title":"Blackmagic Design HyperDeck Studio 4K Pro","description":"\u003cp\u003eThe Blackmagic Design HyperDeck Studio 4K Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog\/shuttle wheel, 10G Ethernet, and a speaker on the front. Buy Blackmagic Design HyperDeck Studio 4K Pro from UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. UBMS can provide best price and fast delivery for Blackmagic Design HyperDeck Studio 4K Pro. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.\u003c\/p\u003e\r\n\r\n\u003cb\u003eProfessional Broadcast Deck\u003c\/b\u003e\r\n\u003cp\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/p\u003e\r\n\r\n\u003cb\u003eMastering Recorder\u003c\/b\u003e\r\n\u003cp\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e\r\n\r\n\u003cb\u003eISO Recording\u003c\/b\u003e\r\n\u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003c\/p\u003e\r\n\r\n\u003cb\u003eDigital Signage\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBroadcast Archive\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBright Color LCD Status Display\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/p\u003e\r\n\r\n\u003cb\u003eTraditional Broadcast Deck Controls\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSupports SD Cards, UHS-II Cards or SSDs\u003c\/b\u003e\r\n\u003cp\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.\u003c\/p\u003e\r\n\r\n\u003cb\u003eDual Media Slots for Non-Stop Recording\u003c\/b\u003e\r\n\u003cp\u003eAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/p\u003e\r\n\r\n\u003cb\u003eRecord to External USB Type-C Media Disks\u003c\/b\u003e\r\n\u003cp\u003eIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePopular ProRes, DNx, H.264, and H.265 Files\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAdvanced Broadcast Connections\u003c\/b\u003e\r\n\u003cp\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/p\u003e\r\n\r\n\u003cb\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models\u003c\/b\u003e\r\n\u003cp\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFill and Key Outputs for Broadcast Animations\u003c\/b\u003e\r\n\u003cp\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e\r\n\r\n\u003cb\u003eUSB Webcam Output for Video Software\u003c\/b\u003e\r\n\u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/b\u003e\r\n\u003cp\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/p\u003e\r\n\r\n\u003cb\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.\u003c\/p\u003e\r\n\r\n\u003cb\u003eIncredibly Fast Network File Transfers\u003c\/b\u003e\r\n\u003cp\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003c\/p\u003e\r\n\r\n\u003cb\u003eTraditional RS-422 Broadcast Deck Control\u003c\/b\u003e\r\n\u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBuilt-In Timecode and Sync Generators\u003c\/b\u003e\r\n\u003cp\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBlackmagic OS\u003c\/b\u003e\r\n\u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/p\u003e\r\n\r\n\u003cb\u003eLocalized for 13 Popular Languages\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/p\u003e\r\n\r\n\u003cb\u003eUse All Video Software and Streaming Sites\u003c\/b\u003e\r\n\u003cp\u003eHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBuilt-In Redundancy Keeps You on Air\u003c\/b\u003e\r\n\u003cp\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/p\u003e\r\n\r\n\u003cb\u003eDesigned for Both Portable or Rack Mount Use\u003c\/b\u003e\r\n\u003cp\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5\" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.\u003c\/p\u003e\r\n\r\n\u003cb\u003eCompatible with Switchers, Disk Docks, and Cameras\u003c\/b\u003e\r\n\u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. 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