{"title":"Recorders \u0026 Duplicators","description":"","products":[{"product_id":"zoom-h6-handy-recorder-with-interchangeable-microphone-system","title":"ZOOM H6 BLACK","description":"\u003cdiv\u003e\r\n\u003cdiv data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cp\u003eWhile the original gray H6 is bundled with two mic capsules and premium accessories, the \u003cspan\u003eZoom H6 All Black\u003c\/span\u003e portable handheld recorder features a sleek black finish and a single mic capsule, making ideal for bands, multi-instrumentalists, and podcasters who don't immediately need the extras. With its X\/Y stereo microphone capsule, six versatile mic\/line inputs, and up to 6-track recording, the H6 All Black is both user-friendly and easily expandable.\u003c\/p\u003e\r\nLike other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 All Black packs an impressive array of features into a rugged, rubberized body that's more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers.\r\n\u003cp\u003e\u003c\/p\u003e\r\nFrom the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 All Black is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you'll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eOriginal H6 vs H6 All Black\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eWhereas the original H6 sports a gray finish, two interchangeable stereo mic capsules, and premium accessories—a protective case, a foam windscreen, and a USB cable, the H6 All Black 2020 Version is presented in a sleek, solid black finish and includes a single stereo mic capsule. Both versions include four AA batteries for powering the H6 on the go.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eFast, User-Friendly Operability\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe H6 All Black's front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play\/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.\u003cbr\u003e\u003cbr\u003eDay or night, view vital information such as audio levels, recording time, battery status, and more on the 2\" full-color LCD, which happens to be backlit and angled for maximum visibility.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eInstant Access to Gain Adjustments\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eEach H6 input has its own dedicated gain control knob. There's no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1\/4\" input sources are so loud that you need even less gain than the preamps provide at the \"0\" setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eX\/Y Stereo Microphone Capsule\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eLeave your external mics at home and travel light; the H6 All Black includes a stereo microphone capsule (the original H6 includes two interchangeable capsules). With nothing more than the H6, you're set to record a variety of sources, even ear-rattling ones up to 136 dB!\u003cbr\u003e\u003cbr\u003eThe matching black X\/Y capsule provides clear, phase-accurate capture in two different X\/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSupports Interchangeable Zoom Mic Capsules\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe Zoom mic capsule input on the H6 All Black accommodates Zoom's line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X\/Y, Mid-Side, and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic\/line signals via XLR-1\/4\" jacks.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSix Channels of Microphone\/Line Inputs\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eEquipped with four XLR-1\/4\" combo inputs and a 3.5mm stereo mini-jack input (on the X\/Y capsule), the H6 All Black can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6 All Black's preamps are ready to deliver low-noise (-120 dB EIN) performance.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eRecord All Channels Live or Overdub Layers\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe H6 All Black boasts 6-channel recording at up to 24-bit \/ 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the internal mixdown function to blend six tracks down to a stereo file.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSD Card Recording and Audio Interface Functionality\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eMaximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over 3 hours of 16-bit \/ 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.\u003cbr\u003e\u003cbr\u003eAlternatively, use the H6 All Black as a 6-in \/ 2-out USB 2.0 audio interface at up to 24-bit \/ 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit \/ 48 kHz.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe H6 All Black boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera\/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePowered via AA Batteries or AC Adapter\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003ePower the H6 All Black via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit \/ 44.1 kHz recording using the X\/Y mic capsule, or for over 9 hours of nonstop 24-bit \/ 96 kHz recording using the X\/Y mic and the four XLR-1\/4\" inputs. When using the H6 All Black in the stereo USB audio interface mode, USB bus powering is possible.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eRugged and Portable, Handheld or Mounted\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 All Black obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 All Black directly to a DSLR.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSignal Processing Adds Sonic Polish\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe H6 All Black's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.\u003cbr\u003e\u003cbr\u003eThere's an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 All Black an ideal tool for phrase training.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSpecial Recording Functions\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe H6 All Black offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you'll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.\u003cbr\u003e\u003cbr\u003eBackup record enables the H6 All Black to automatically record a duplicate of the L\/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSupports External Remote Control\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eUse the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eIncludes Audio Software\u003c\/h2\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe H6 All Black comes with free download licenses for Steinberg's Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"ZOOM","offers":[{"title":"Default Title","offer_id":49825603584286,"sku":"ZH6","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/zoom_h6_black_wT8JG.jpg?v=1749066255"},{"product_id":"blackmagic-design-hyperdeck-extreme-8k-hdr","title":"Blackmagic Design HyperDeck Extreme 8K HDR","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eBlackmagic Design HyperDeck Extreme 8K Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eHyperDeck Extreme 8K HDR\u003c\/strong\u003e from Blackmagic Design is a cutting-edge 8K recorder designed for professional broadcast, live production, digital signage, and archiving. Featuring a large touchscreen display with standard deck controls, physical transport buttons, and two CFast card slots, it provides a comprehensive solution for recording and playback in resolutions up to 8K. For enhanced functionality, it can be paired with the optional \u003cstrong\u003eHyperDeck Extreme Control\u003c\/strong\u003e, which adds traditional deck control features and a built-in editor for automating legacy videotape ingest workflows. Both devices share the same 3 RU, half-rack width design and can be installed side-by-side using the optional HyperDeck Extreme Rack Kit.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eKey Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eQuad 12G-SDI Connectivity:\u003c\/strong\u003e Supports full-resolution 8K recording and playback, as well as SD, HD, and UHD formats via multi-rate SDI connections.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eTouchscreen Display:\u003c\/strong\u003e A large, bright LCD screen with a wide color gamut supports both Rec. 2020 and Rec. 709 color spaces, making it ideal for HDR workflows. The display includes built-in monitoring scopes, timecode, media status, and audio meters.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDual CFast Card Slots:\u003c\/strong\u003e Allows for continuous recording by swapping out full cards during operation. The H.265 codec ensures smaller file sizes, enabling long recordings on standard CFast cards.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eUSB Type-C External Disk Port:\u003c\/strong\u003e Enables recording to external flash disks or SSD arrays, such as the Blackmagic MultiDock 10G, for high data rate formats like ProRes in 8K.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eOptional M.2 PCIe NVMe Cache Card:\u003c\/strong\u003e Eliminates dropped frames by acting as a backup recording cache when media becomes full or too slow.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHDR Support:\u003c\/strong\u003e Handles static metadata PQ and HLG formats according to the ST2084 standard, with automatic detection of HDR video standards on SDI and HDMI inputs.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eWide Codec Compatibility:\u003c\/strong\u003e Records in H.265 for 8K and supports ProRes 422 HQ, ProRes 422, ProRes 422 LT, and ProRes 4444 for playback and recording.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eAnalog Connections:\u003c\/strong\u003e Includes balanced analog audio and hi-fi inputs for archiving legacy videotape content.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003e10G Ethernet:\u003c\/strong\u003e Facilitates fast media uploads and remote control via FTP protocols, making it ideal for digital signage and broadcast server applications.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eIdeal Use Cases\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLive Production:\u003c\/strong\u003e Functions as a master recorder, clip player, and ISO camera recorder.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDigital Signage:\u003c\/strong\u003e Supports 8K resolution and fast media uploads via 10G Ethernet for high-quality displays.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eArchiving Legacy Content:\u003c\/strong\u003e Converts old videotapes into modern formats for streaming services or editing workflows.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eField Recording:\u003c\/strong\u003e Combines HDMI, SDI, and analog inputs with built-in scopes and 3D LUTs for professional-grade field recording.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eBuilt-In Scopes and Monitoring Tools\u003c\/h3\u003e\r\n\u003cp\u003eThe HyperDeck Extreme 8K HDR includes advanced waveform monitoring tools to ensure compliance with broadcast standards:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eWaveform Display:\u003c\/strong\u003e Provides a traditional luminance (brightness) view of your input or playback signal.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eVectorscope:\u003c\/strong\u003e Displays the intensity of color at 100% SDI reference levels.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eRGB and YUV Parade:\u003c\/strong\u003e Ideal for color correction and checking for illegal levels.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHistogram:\u003c\/strong\u003e Shows the distribution of white to black detail, highlighting clipping in shadows or highlights.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePicture-in-Picture View:\u003c\/strong\u003e Scopes can be overlaid on live video or displayed as a small window in the top-right corner.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eAdvanced Audio Support\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eMultichannel SDI Audio:\u003c\/strong\u003e Records 2, 4, 8, or 16 channels of audio in real-time when working with SDI formats.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eAnalog Audio Inputs:\u003c\/strong\u003e Four XLR inputs allow recording from legacy broadcast decks like Betacam SP.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHi-Fi Audio Inputs:\u003c\/strong\u003e Direct inputs for consumer devices such as VHS, DVD players, and set-top boxes.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eOn-Screen Audio Meters:\u003c\/strong\u003e Monitors audio levels with user-selectable VU or PPM ballistics.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCompatibility and Integration\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHyperDeck Extreme Control:\u003c\/strong\u003e Adds traditional deck controls and automates the ingest of legacy videotape-based programming.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eBlackmagic ATEM Constellation 8K:\u003c\/strong\u003e Works seamlessly as a mastering recorder or for clip playback and ISO recording.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eTeranex SDI to HDMI 8K:\u003c\/strong\u003e Enables broadcast monitoring on consumer televisions with monitor calibration and 3D LUTs.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePopular Video Software:\u003c\/strong\u003e Files are compatible with DaVinci Resolve, Media Composer, Premiere Pro, Final Cut Pro X, and more.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eLocalized Interface\u003c\/h3\u003e\r\n\u003cp\u003eThe HyperDeck Extreme 8K HDR supports 11 languages, including English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, and Turkish. Users can select their preferred language during startup or change it later via the menu system.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWhy Choose the HyperDeck Extreme 8K HDR?\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eHyperDeck Extreme 8K HDR\u003c\/strong\u003e is a versatile and powerful tool for professionals working in broadcast, live production, and archiving. Its ability to handle 8K resolution, support for HDR workflows, and compatibility with legacy systems make it an indispensable device for modern video workflows. Whether you're managing a multi-deck setup, automating tape ingest, or ensuring compliance with broadcast standards, this device delivers the performance, flexibility, and reliability required for demanding applications.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49825741275422,"sku":"HYPERD-RSTEX8KHDR","price":22555.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_hyperdeck_extreme_8k_hdr_m3uNn.jpg?v=1749073084"},{"product_id":"blackmagic-design-hyperdeck-extreme-control","title":"Blackmagic Design HyperDeck Extreme Control","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eBlackmagic Design HYPERD\/RSTEXCTR Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eHyperDeck Extreme Control\u003c\/strong\u003e from Blackmagic Design is a versatile and professional-grade deck control solution designed for seamless integration with virtually any type of deck, including legacy models and the HyperDeck Extreme 8K HDR. Housed in a compact 3 RU, half-rack width design, this device features eight RS-422 ports, enabling simultaneous control of up to eight decks. With traditional transport controls, a premium search dial, and a built-in editor for automating tape-to-digital workflows, the HyperDeck Extreme Control is an essential tool for broadcasters, archivists, and post-production professionals.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eKey Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eRS-422 Connectivity:\u003c\/strong\u003e Equipped with eight RS-422 ports, allowing control of up to eight decks, including legacy broadcast decks and modern HyperDeck models.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eFamiliar Transport Controls:\u003c\/strong\u003e Includes intuitive buttons for \"PLAY,\" \"REC,\" \"STOP,\" and more, ensuring compatibility with traditional workflows.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePremium Search Dial:\u003c\/strong\u003e Features a high-quality jog\/shuttle dial with an electronic clutch for precise positioning, rapid movement, and smooth operation.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-In Editor:\u003c\/strong\u003e Automates the ingest process by enabling deck-to-deck editing between legacy videotape systems and HyperDeck devices.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eTimecode Display:\u003c\/strong\u003e Provides a large timecode display with deck status indicators, offering real-time feedback on deck operations.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eRecorder and Player Selection:\u003c\/strong\u003e Includes dedicated rows of buttons for selecting up to eight recorders and eight players, streamlining multi-deck workflows.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePre-Roll Functionality:\u003c\/strong\u003e A pre-roll button allows precise cueing of decks, ensuring smooth transitions during edits.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eRack-Mountable Design:\u003c\/strong\u003e Compatible with the optional HyperDeck Extreme Rack Kit, enabling installation alongside other devices in a standard rack or console.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eAdvanced Editing Workflow\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eHyperDeck Extreme Control\u003c\/strong\u003e simplifies the process of transferring legacy videotape content to digital formats. By leveraging its built-in editor, users can automate the ingest process with minimal effort:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDeck-to-Deck Editing:\u003c\/strong\u003e Control both legacy decks and HyperDeck Extreme 8K HDR units from the same front panel. To edit old videotape, simply press the \"PLAYER\" button, set in and out points, select the recorder, and press \"EDIT.\"\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eIn and Out Point Entry:\u003c\/strong\u003e Easily define edit points using the \"IN\" and \"OUT\" buttons, with options to trim points frame-by-frame using the \"TRIM\" function.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePre-Roll Edits:\u003c\/strong\u003e Use the pre-roll button to cue decks to a specific point before performing an edit, ensuring smooth playback during transitions.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eAutomated Edits:\u003c\/strong\u003e Perform edits automatically by pressing the \"EDIT\" button after setting in and out points. If no in point is set, the current tape position will be used as the in point.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eWhy Choose the HyperDeck Extreme Control?\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eHyperDeck Extreme Control\u003c\/strong\u003e is an indispensable tool for professionals working with legacy videotape systems or modern digital recorders. Its robust RS-422 connectivity, intuitive controls, and built-in editing capabilities make it ideal for automating tape ingest workflows, preserving archival content, and integrating older equipment into modern production environments. Whether you're managing a broadcast facility, digitizing archives, or working in post-production, this device provides the precision and flexibility needed to streamline your workflow.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAdditional Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eProtect Videotape Masters:\u003c\/strong\u003e Recording requires pressing both the \"REC\" and \"PLAY\" buttons simultaneously, preventing accidental overwrites of valuable footage.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eVisual Feedback:\u003c\/strong\u003e The horizontal light bar indicator provides visual feedback on the position of the search dial, while the servo indicator light confirms when the deck is in play or record mode.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eExternal Reference Status:\u003c\/strong\u003e Monitors external video reference signals, ensuring synchronization with broadcast standards.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDual Rack Installation:\u003c\/strong\u003e Two HyperDeck Extreme Control units, or one unit paired with a HyperDeck Extreme 8K HDR, can be installed in a single rack using the optional HyperDeck Extreme Rack Kit.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eIdeal Use Cases\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eDigitizing and preserving legacy videotape archives.\u003c\/li\u003e\r\n    \u003cli\u003eAutomating tape-to-digital ingest workflows in broadcast facilities.\u003c\/li\u003e\r\n    \u003cli\u003eControlling multiple decks simultaneously for live production or post-production tasks.\u003c\/li\u003e\r\n    \u003cli\u003eIntegrating older broadcast equipment with modern digital systems.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eConclusion\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Extreme Control\u003c\/strong\u003e is a powerful and flexible solution for professionals who need precise control over both legacy and modern recording devices. Its traditional transport controls, advanced editing capabilities, and robust connectivity options make it an essential tool for broadcasters, archivists, and post-production teams. Whether you're managing a multi-deck setup or automating the transfer of archival content, the HyperDeck Extreme Control delivers the reliability and performance required for demanding workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49825742684446,"sku":"HYPERD-RSTEXCTR","price":5590.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_hyperdeck_extreme_control_gJUAS.jpg?v=1749073123"},{"product_id":"zoom-livetrak-l-8-portable-8-channel-digital-mixer-and-multitrack-recorder","title":"Zoom LiveTrak L-8 Portable 8-Channel Digital Mixer and Multitrack Recorder","description":"\u003ch3\u003ePower to the Podcast\u003c\/h3\u003e\r\n\u003cp\u003ePodcast creators are a special breed. They require a unique set of audio features, along with the flexibility of a proper mixing console. 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The L-8 records separate tracks directly to your SD card, enabling you to edit them later.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eOn Air, On the Move\u003c\/h3\u003e\r\n\u003cp\u003eThe Zoom LiveTrak L-8 can run up to 2 ½ hours with just four AA batteries, or on a USB battery, so you can podcast from anywhere.\u003c\/p\u003e\r\n\r\n \r\n\u003ch3\u003eRecord Twice, Once\u003c\/h3\u003e\r\n\u003cp\u003eUsed as an audio interface, the L-8 can record full episodes directly to your computer and an SD card simultaneously. You can also live stream while recording. \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSave Settings. Save Time.\u003c\/h3\u003e\r\n\u003cp\u003eOnce you’ve dialed in your mix…save it! The L-8 lets you save up to 7 show “scenes” that can be saved and instantly recalled at the press of a button.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSmall in Size Big on Sound\u003c\/h3\u003e\r\n\u003cp\u003eFrom singer-songwriters to small bands, the L-8 is the ideal mixer and recorder for musicians who may be small in number, but big on sound.\u003c\/p\u003e\r\n \r\n\u003ch3\u003eComing Through Loud \u0026amp; Clear\u003c\/h3\u003e\r\n\u003cp\u003eThe L-8 features six high performance preamps each with phantom power, a low noise floor (-121dBU EIN), and maximum input gain of +54dB.\u003cbr\u003e\r\n\r\nAdditionally there are two each Hi-Z, line-level and USB inputs. You can also fine-tune each channel with EQ and onboard effects.\u003c\/p\u003e\r\n\r\n\r\n\u003ch3\u003eTrue Multi-Track Recording\u003c\/h3\u003e\r\n\u003cp\u003eThe L-8 lets you record up to 10 discrete tracks plus a stereo mix directly to an SD card at resolutions up to 24-bit\/96 kHz*. You can punch-in and overdub with ease, then transfer your work to your favorite DAW for fine tuning.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eGo Out \u0026amp; Play\u003c\/h3\u003e\r\n\u003cp\u003eNo outlet? No worries. Get up to 2 ½ hours of power from just four AA batteries. You can also power using a USB battery, and with the L-8’s unique USB connection design, you never have to worry about accidentally disconnecting.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIndividual Monitor Mixes\u003c\/h3\u003e\r\n\u003cp\u003eNever settle for that “compromise” monitor mix again. The L-8 provides three custom monitor mixes, so no matter where you are on stage, you hear exactly what you need.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHigh Quality Audio Interface\u003c\/h3\u003e\r\n\u003cp\u003eThe L-8 is also a 12-in\/4-out audio interface. Track directly into your favorite DAW or use the USB return to run backing tracks from your computer.\u003c\/p\u003e","brand":"ZOOM","offers":[{"title":"Default Title","offer_id":49825813037342,"sku":"ZL8","price":1525.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/zoom_livetrak_l_8_portable_8_channel_digital_mixer_and_multitrack_recorder_bq57T.jpg?v=1749077043"},{"product_id":"zoom-h8-8-input-12-track-portable-handy-recorder","title":"Zoom H8 8-Input \/ 12-Track Portable Handy Recorder","description":"\u003cp\u003eWith three app-driven modes that instantly configure the color touchscreen for podcasting, music production, or location recording, the Zoom H8 portable handheld recorder lets you quickly record up to eight simultaneous input signals via a workflow that's highly optimized for your task. Plus, it's compatible with an array of capsules (available separately) for easy expansion into 10-input recording, Ambisonics 360-degree audio, and more.\u003c\/p\u003e\r\n\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eCustomized applications for field recording, music and podcasting\u003c\/li\u003e\r\n\u003cli\u003e3 distinct interfaces for field recording, music and podcasting\u003c\/li\u003e\r\n\u003cli\u003eInterchangeable input capsules\u003c\/li\u003e\r\n\u003cli\u003e12-track simultaneous recording\u003c\/li\u003e\r\n\u003cli\u003eFour mic inputs and two XLR\/TRS combo connectors\u003c\/li\u003e\r\n\u003cli\u003eGain control knobs and -20dB pads for each input\u003c\/li\u003e\r\n\u003cli\u003eSupplied XYH-6 X\/Y capsule provides secondary input via a stereo ⅛” Mic\/Line In mini phone jack\u003c\/li\u003e\r\n\u003cli\u003ePhantom power for all six XLR mic inputs: +24\/+48V\u003c\/li\u003e\r\n\u003cli\u003eLarge color LCD touchscreen display\u003c\/li\u003e\r\n\u003cli\u003eRecords directly to SD, SDHC and SDXC cards up to 512GB\u003c\/li\u003e\r\n\u003cli\u003eUp to 24-bit \/96kHz audio in BWF-compliant WAV or a variety of MP3 formats\u003c\/li\u003e\r\n\u003cli\u003eAuto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in effects, including low-cut filtering, compression, and limiting\u003c\/li\u003e\r\n\u003cli\u003eMultichannel and stereo USB audio interface for PC\/Mac\/iPad\u003c\/li\u003e\r\n\u003cli\u003eAccepts standard AA alkaline or NiMH rechargeable batteries\u003c\/li\u003e\r\n\u003cli\u003eOver 15 hours of operation with 4 AA alkaline batteries\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eLike other H-Series Handy recorders such as the H5 and H6, you can hold the H8 in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H8 packs an impressive array of features into a lightweight body that's more than ready to meet the varied demands of podcasters, musicians, sound designers, and content creators. The bundled Cubase LE and WaveLab Cast software programs give you the tools you need to edit, refine, export, and upload your projects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H8 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from guitars, keyboards, or drum machines. No matter the source, selectable auto-recording and pre-recording ensure that you'll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.  We can ship Zoom H8 to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries .  Contact UBMS Dubai for to get more details about Zoom H8\u003c\/p\u003e\r\n\r\n\u003ch4\u003eApp-Driven Touchscreen\u003c\/h4\u003e\r\n\u003cp\u003eOperating the H8 is extremely intuitive and user-friendly thanks to the 2.4\" color LCD touchscreen and the three app-driven modes optimized for podcasting, music, and field recording workflows at the touch of the screen. ZOOM H8 price is very good in UBMS Dubai showroom .\u003c\/p\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003ePodcast App: With four mic channels and two sound pad channels readily available, the Podcast app makes high-quality podcast production easy. Use the 13 pre-loaded sounds or load your own from an SD card to trigger sound effects, music beds, and more from the dedicated Sound Pads.\u003c\/li\u003e\r\n\u003cli\u003eMusic App: Record up to 10 input tracks, overdub, mix, and enhance your recordings with EQ and compression, all while the Music app puts important controls such as audio levels, faders, and metering at your fingertips. Plus, you can connect to Zoom’s Guitar Lab via USB to access a vast assortment of amps and effects.\u003c\/li\u003e\r\n\u003cli\u003eField App: Designed for location sound, sound design, conferences, and more, the Field app gives you instant access to large meters for every track, so you can make sure your recordings never clip. It also lets you quickly adjust input type, lo-cut filtering, compression, limiting, the noise gate, and other key settings.\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003ch4\u003eX\/Y Stereo Microphone Capsule\u003c\/h4\u003e\r\n\u003cp\u003eLeave your external mics at home and travel light; the H8 includes a stereo microphone capsule equipped with two unidirectional mics. With nothing more than the H8, you're set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB!\u003c\/p\u003e\r\n\u003ch4\u003eZoom Capsule System 2.0\u003c\/h4\u003e\r\n\u003cp\u003eZoom’s Capsule System 2.0 allows up to four channels of audio to be added to the H8's capsule connection, creating new ways to expand your recording capabilities through the addition of new separately available capsules.\u003c\/p\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003e\n\u003cb\u003eXAH-8\u003c\/b\u003e: The XAH-8 capsule delivers pristine stereo recordings via its two condenser microphones. Easily rotate the capsules from a tight X\/Y pattern to a wide AB pattern to enhance the stereo image of your recordings.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eVRH-8\u003c\/b\u003e: The VRH-8 is an Ambisonic mic capsule that utilizes four condenser microphones to deliver immersive 360-audio recordings. A built-in accelerometer helps ensure the capsule is always perfectly aligned, while the onboard Ambisonic decoder automatically handles the necessary conversions, saving you time in post-production.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eEXH-8\u003c\/b\u003e: The EXH-8 capsule provides four additional XLR inputs, giving you a total of 10. Each additional input has a dedicated gain knob and pad switch. You can even use your favorite condenser microphones—just connect a power source to the EXH-8 capsule to supply phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003ch4\u003eSupports Existing Zoom Mic Capsules\u003c\/h4\u003e\r\n\u003cp\u003eThe Zoom mic capsule input on the H8 accommodates Zoom's existing line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X\/Y, Mid-Side, and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic\/line signals via XLR-1\/4\" jacks.\u003c\/p\u003e\r\n\u003ch4\u003eFast, User-Friendly Operability\u003c\/h4\u003e\r\n\u003cp\u003eThe H8's front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play\/pause, and stop, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.\u003c\/p\u003e\r\n\u003ch4\u003eInstant Access to Gain Adjustments\u003c\/h4\u003e\r\n\u003cp\u003eEach H8 input has its own dedicated gain control knob. There's no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR input sources are so loud that you need even less gain than the preamps provide at the \"0\" setting, use four front-panel pad switches to attenuate the XLR inputs by 20 dB.\u003c\/p\u003e\r\n\u003ch4\u003eEight Channels of Microphone\/Line Inputs\u003c\/h4\u003e\r\n\u003cp\u003eEquipped with four XLR inputs, two XLR-1\/4\" combo inputs, and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H8 can accommodate condenser microphones (via 12, 24, or 48 VDC phantom power), +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H8's preamps are ready to deliver low-noise performance.\u003c\/p\u003e\r\n\u003ch4\u003eRecord All Channels Live or Overdub Layers\u003c\/h4\u003e\r\n\u003cp\u003eThe H8 boasts multichannel recording at up to 24-bit \/ 96 kHz resolution; up to 12 tracks (mic capsule, backup recording, XLR 1-4, XLR-1\/4\" combo A and B, and LR stereo mix) are available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecord all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H8's internal mixdown function to blend your tracks down to a stereo file.\u003c\/p\u003e\r\n\u003ch4\u003eSD Card Recording and Audio Interface Functionality\u003c\/h4\u003e\r\n\u003cp\u003eMaximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 512GB capacity). A 2GB card will yield over three hours of 16-bit \/ 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlternatively, use the H8 as a 12-in\/2-out USB 2.0 audio interface (at up to 24-bit \/ 96 kHz) with your Mac or Windows computer. 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With eight crystal-clear, ultra low-noise Kashmir preamps, you can record multiple actors, multiple podcasters, or audio for film with superior quality – all the way up to a 32-bit float bit depth and a 192 kHz sample rate. This newest generation of Sound Devices’ award-winning MixPre Series has been redesigned for increased performance and an astounding 142 dB of dynamic range.  Looking for Sound Devises shop in Dubai, visit UBMS Dubai showroom. UBMS can provide best price and fast delivery for all Sound Devises.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYour MixPre-10 II is highly customizable to your needs. Record internally to a compatible SD card on set or stream your podcast over USB to your computer at home. Power with wall power, or record in the middle of nowhere with AA or Sony L-mount batteries. Adjust limiters, bit depth, sample rates, gain, pan, low-cut, phase inversion and phantom power to your liking. Stay in sync with your camera using the internal timecode generator, or feed timecode in via HDMI, Aux In, or BNC. The choice is yours! UBMS can provide best price and fast delivery for Sound Devices MixPre-10 II .\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessionals love the flexibility of the MixPre Series. Don’t need all those options? Basic mode has you covered.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYour MixPre-10 II is rugged, lightweight, and small, so you can throw it in a bag or mount it to a tripod or camera – or get situated on set with our Wingman App and one of our four supported USB control surfaces. With the superior sound and build quality that you can expect from the industry leader in production audio recording, your MixPre-10 II can capture audio for any application. Our friendly and knowledgeable support team, based in the USA and the UK, is here for all your questions and comments. Our job is to make your job easier.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eOverview\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eEight ultra-low-noise Kashmir microphone preamps with adjustable limiters capture high quality audio in the field, on set, or with a computer.\u003c\/li\u003e\r\n\u003cli\u003eCreate a mix using the built-in 10 x 4 portable mixer. \u003c\/li\u003e\r\n\u003cli\u003eRecord up to 12 tracks to an SD card and backup to a USB thumb drive.\u003c\/li\u003e\r\n\u003cli\u003e12-in, 4-out USB audio interface streams to your computer via USB-C at bit depths up to 32-bit float.\u003c\/li\u003e\r\n\u003cli\u003eChoose bit depths from 16 to 32-bit float, and sampling rates from 44.1 kHz to 192 kHz.\u003c\/li\u003e\r\n\u003cli\u003eInternal LTC timecode generator. 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With 16 mic\/line preamplifiers, 32 channels of Dante in and out, AES in and out, 12 analog outputs and multiple headphone outputs, Scorpio is well-suited for any production scenario. A fully-customizable routing matrix enables sound professionals to send any input to any channel, bus, or output. Up to 12 buses may be individually mixed. Due to its compact form factor, the Scorpio is equally at home over-the-shoulder or in a mobile rig.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSince its release in April 2019, Scorpio has received the 56th CAS Outstanding Product in Production Award, the 2020 AMPS Excellence in a Production Audio Project Technical Award, PSNEurope Best of Show Award at IBC2019, Editor’s Choice 2019 Award from Professional Audio, and Resolution Magazine Award for Best Recorder, 2019. Looking for Scorpio recorder in Dubai, contact UBMS. 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The 888 is the smallest portable mixer-recorder on the market that offers Dante for sending and receiving audio over Ethernet. With 8 ultra low-noise, 8-Series microphone preamplifiers, 16 channels, 20 tracks, multiple powering methods, and support for multiple USB control surfaces, the 888 can be easily tailored to your workflow. An updated processing architecture and multiple FPGAs enables the 888 to be fully routable: any physical input may be sent to any track, bus, or output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMany features have carried over from the premium Sound Devices’ Scorpio, such as the new 8-Series preamplifier design, 2 SD card slots, internal 256GB SSD, and dual L-Mount battery charging and powering. Alternatively, power your 888 using a smart battery, NP-1 battery, or an in-line power supply via its TA4 DC input. The ultra-accurate, fully-featured timecode generator contains its own battery to hold timecode for up to four hours after power off.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDedicated coms and slate allows for professional bi-directional communication with other crew members. Send customized mixes to the camera or crew with multiple mix buses. With the ability to record to three media simultaneously, you can turn over an SD card to production, AAC files for transcription, and keep a backup on the internal 256 GB SSD.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSimultaneous 20-Track Recording\u003c\/b\u003e\r\n\u003cp\u003eRecord 16 input channels and four buses at the same time in sample rates up to 192 kHz, and even arm or disarm tracks during recording. The 888 utilizes monophonic and polyphonic BWF (Broadcast WAV) files that support embedded timecode and extensive metadata such as track names, file names, and notes. 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Plus, the vast dynamic range of the 32-bit converters allows you to record at extremely high or low levels without causing distortion or undue noise.\u003c\/p\u003e\r\n\r\n\u003cb\u003eRecords to Three Media\u003c\/b\u003e\r\n\u003cp\u003eThe 888 features an internal 256GB SSD and dual SD card slots. Customizable track-to-media routing means that you can record redundantly to all media or select specific sources for each media. For example, you can use the 888 to create multitrack files for production, AAC files for transcription, and a backup on the internal 256GB SSD.\u003c\/p\u003e\r\n\r\n\u003cb\u003e16-Channel Dugan Automixing\u003c\/b\u003e\r\n\u003cp\u003eEnable Dugan Automixing or MixAssist to automatically attenuate unused microphones in multi-microphone applications. Up to 16 channels can be automixed at a time, and two separate groups can be mixed simultaneously.\u003c\/p\u003e\r\n\r\n\u003cb\u003eEight Mic\/Line Preamps with Independent Phantom Power\u003c\/b\u003e\r\nPassed on from the flagship Scorpio, the 888's Class-A preamps deliver premium amplification with a massive 76 dB of maximum gain and an ultralow noise level of -131 dBV (-129 dBu). Eight locking inputs (four XLR and four TA3) with per-channel 12V\/48V phantom power support mic level and +4 dBu line level to accommodate external microphones or balanced outputs from high-end wireless receivers. The first XLR input can alternatively accept AES3 or AES42 digital signal.\r\n\r\n\u003cp\u003eIndependently switchable polarity, multistage limiting, 3-band EQ (pre- or post-fade), and low-cut filtering allow you to tailor each channel for the best tone. Plus, eight channel fader knobs and eight channel trims with LED rings ensure fast mixing on the fly.\u003c\/p\u003e\r\n\r\n\u003cb\u003e16-Channel Dante I\/O\u003c\/b\u003e\r\n\u003cp\u003eA single transformer-balanced RJ45 Ethernet port supports up to 16 channels of Dante\/AES67 I\/O for sending and receiving audio over Ethernet.\u003c\/p\u003e\r\n\r\n\u003cb\u003eTA3 and 3.5mm Aux Inputs\u003c\/b\u003e\r\n\u003cp\u003eDedicated TA3 and 3.5mm connectors are provided for multiple aux input functions. Use them as additional channel inputs or to monitor audio returns from a camera or DSLR.\u003c\/p\u003e\r\n\r\n\u003cb\u003eVersatile Analog and Digital Outputs\u003c\/b\u003e\r\n\u003cp\u003eThe XLR main outputs can function as analog or digital outputs. Assign them to send stereo analog signal at line, -10 dB, or mic level, or set them to route up to four channels of AES3 digital signals. Four X1\/X2\/X3\/X4 TA3 jacks are presented for additional line, -10 dB, or mic-level balanced outputs, and a single X5\/X6 3.5mm mini jack is nearby for an assignable unbalanced output.\u003c\/p\u003e\r\n\r\n\u003cb\u003eHeadphone and Headset Jacks\u003c\/b\u003e\r\n\u003cp\u003eThe 888 features 1\/4\" and 3.5mm stereo headphone outputs and a TA5 headset port, all driven by 400mW per side for high output and compatibility with headphones of any impedance. Selectable and editable headphone presets empower you with fast configuration of the monitoring source, mono\/stereo\/MS mode, and more. With the addition of the dedicated TA3 com return jack, the 888 is capable of coms and slate for professional bidirectional communication with other crew members.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowerful FPGA Processing\u003c\/b\u003e\r\n\u003cp\u003eThe FPGA-based engine boasts a 6-way ARM multiprocessor system that executes 64-bit audio processing precision, letting you have total control of each track's sonic characteristics in real time.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowered via L-Series Batteries or External DC\u003c\/b\u003e\r\n\u003cp\u003eThe 888 supports powering from dual L-Series batteries and external DC power (10 to 18 VDC) via a locking TA4 connector. Intelligent power-down of unused mic preamps and select internal circuits minimizes unnecessary power drain. The 888 has on\/off switchable built-in chargers for convenient charging of your L-Series batteries.\r\n\r\n\u003cb\u003eAccurate Timecode Synchronization\u003c\/b\u003e\r\n\u003c\/p\u003e\u003cp\u003eThe 888's LEMO jack supports 2-pin and 5-pin options for functionality as an input or output for timecode or word clock. Sync to the internal clock, word clock, LTC in, or AES and choose from multiple timecode modes such as free run, auto record, jam sync, and many more. The precision timecode generator's start time and UBits may be specified by the user. The 888 will hold timecode for up to four hours after shutdown.\u003c\/p\u003e\r\n\r\n\u003cb\u003eIdeal for Sound Bag or Camera-Mount Configurations\u003c\/b\u003e\r\n\u003cp\u003eSized like the popular 788T mixer, the rugged, compact, and lightweight 888 is compatible with common setups. With audio and power connections on the side panels, it fits handily in sound bags. Female 1\/4\"-20 threads on the bottom panel support tripod- or camera-mounted arrangements.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowerful Wireless\/Wired External Remote Control\u003c\/b\u003e\r\n\u003cp\u003eControl the 888 remotely from a USB-connected Android device via the SD-Remote app, which generates sound reports and displays high-resolution meters, current timecode, transport buttons, solo\/mute buttons, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor tactile mixing and transport control, connect a Sound Devices CL-12 or a compatible USB MIDI controller such as the Icon Platform M+\/X+\/B+, the Behringer X-Touch, or the Mackie MCU Pro.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFirmware v8.10 Supports GainForward Architecture for A20-Mini\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eThe A20-Mini transmitter introduces GainForward, a new feature that eliminates the need to adjust microphone preamplifier gain at the wireless transmitter. Audio levels from the transmitter are controlled either directly at the mixer’s trim control or at the wireless receiver.\u003c\/li\u003e\r\n\r\n\u003cli\u003eWhen the A10-RX receiving an A20-Mini signal is slotted into an SL-2 or SL-6, the A10-RX Input menu settings are bypassed and all gain, low cut, and limiter activity are performed and controlled by the 833, 888, or Scorpio. Trim gain range is 0 to 60 dB for the 8-Series channel receiving signal from the A20-Mini.\u003c\/li\u003e\r\n\r\n\u003cli\u003eA10-RX Receiver Setup screens show limiter, high-pass filter, and clipping status of the associated 8-Series channel when receiving signal from the A20-Mini.\u003c\/li\u003e\r\n\r\n\u003cli\u003eJam A20-Mini timecode from 8-Series using a standard USB Type-A to USB Type-C cable from Menu \u0026gt; Timecode\/Sync \u0026gt; Jam A20-Mini.\u003c\/li\u003e\r\n\r\n\u003cli\u003eNew SuperSlot menu option “Use Transmitter Names” automatically applies the A10-TX and A20-Mini transmitter names to the associated 8-Series Track Name.\u003c\/li\u003e\r\n\r\n\r\n\u003c\/ul\u003e\r\n\r\n\r\n\r\n","brand":"SOUND DEVICES","offers":[{"title":"Default Title","offer_id":49826178498846,"sku":"888","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sound_devices_888_16_channel_20_track_multitrack_field_recorder_WjXU5.jpg?v=1749107969"},{"product_id":"sound-devices-833-8-channel-12-track-multitrack-field-recorder","title":"Sound Devices 833 8-Channel \/ 12-Track Multitrack Field Recorder","description":"\u003cp\u003eThe 833 is the professional’s tool for mobile and small productions. Like the popular Sound Devices 633, the 833 is small, lightweight, and compact. A tactile interface with dedicated faders, trim knobs, and PFL switches makes this mixer-recorder ideal for run-and-gun bag use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 833 has 6 mic\/line preamplifiers, 8 channels, 12 tracks, 6 analog outputs, and ultra-accurate timecode. Many features have carried over from the premium Sound Devices’ Scorpio, such as Sound Devices’ new preamplifier design, 2 SD card slots, dual L-Mount battery charging and powering, and an internal 256 GB SSD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdditionally, the 833 shares the same processing architecture and multiple FPGAs as the Scorpio. This enables the 833 to be fully routable, and any physical input can be routed to any track. The 833 features both digital and analog inputs and outputs, and has multiple powering options, so it will fit effortlessly into your existing kit.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA built-in three band EQ may be set to either pre- or post-fade for each channel to tackle any problems directly on-set. Enable Dugan Automixing or MixAssist to automatically attenuate unused microphones in multi-microphone applications. Up to 8 channels can be automixed at a time. If you are recording in a noisy environment, enable the optional NoiseAssist or CEDAR sdnx plugins to suppress common background noises instantly on-location.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSimultaneous 12-Track Recording\u003c\/b\u003e\r\n\u003cp\u003eRecord all eight input channels and four buses at the same time in samples rates up to 192 kHz, and even arm or disarm tracks during recording. The 833 utilizes monophonic and polyphonic BWF (Broadcast WAV) files that support embedded timecode and extensive metadata such as track names, file names, and notes. For quick entry of metadata text, you can hook up a USB keyboard.\u003c\/p\u003e\r\n\r\n\u003cb\u003eMultiple Buses with Flexible Routing\u003c\/b\u003e\r\n\u003cp\u003eIn addition to the main stereo bus, the 833 boasts four independent buses for flexible creation of custom mixes. All buses feature configurable source and destination routing as well as linkable limiters. Assign any physical input to any channel, send any channel to any bus, and even virtually \"patch\" sources (physical inputs or internal buses) to physical outputs.\u003c\/p\u003e\r\n\r\n\u003cb\u003e32-Bit A\/D Converters\u003c\/b\u003e\r\n\u003cp\u003eBuilt with precision 32-bit A\/D converters, the 833 ensures audio recordings surpass those of off-the-shelf, IC-based mic preamps. Plus, the vast dynamic range of the 32-bit converters allows you to record at extremely high or low levels without causing distortion or undue noise.\u003c\/p\u003e\r\n\r\n\u003cb\u003eRecords to Three Media\u003c\/b\u003e\r\n\u003cp\u003eThe 833 features an internal 256GB SSD and dual SD card slots. Customizable track-to-media routing means that you can record redundantly to all media or select specific sources for each media.\u003c\/p\u003e\r\n\r\n\u003cb\u003e8-Channel Dugan Automixing\u003c\/b\u003e\r\n\u003cp\u003eEnable Dugan Automixing to automatically attenuate unused microphones in multi-microphone applications. Up to eight channels can be automixed at a time, and two separate groups can be mixed simultaneously.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSix Mic\/Line Preamps with Independent Phantom Power\u003c\/b\u003e\r\n\u003cp\u003ePassed on from the flagship Scorpio, the 833's Class-A preamps deliver premium amplification with a massive 76 dB of maximum gain and an ultralow noise level of -131 dBV (-129 dBu). Six locking inputs (three XLR and three TA3) with per-channel 12V\/48V phantom power support mic level and +4 dBu line level to accommodate external microphones or balanced outputs from high-end wireless receivers. The first XLR input can alternatively accept AES3 or AES42 digital signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIndependently switchable polarity, multistage limiting, 3-band EQ (pre- or post-fade), and low-cut filtering allow you to tailor each channel for the best tone. Plus, six channel fader knobs and six channel trims with LED rings ensure fast mixing on the fly.\u003c\/p\u003e\r\n\r\n\u003cb\u003e3.5mm Aux Input\u003c\/b\u003e\r\n\u003cp\u003eA single 3.5mm mini jack serves multiple input functions. Use it as an additional channel input or to monitor the audio return from a camera or DSLR.\u003c\/p\u003e\r\n\r\n\u003cb\u003eVersatile Analog and Digital Outputs\u003c\/b\u003e\r\n\u003cp\u003eThe XLR main outputs can function as analog or digital outputs. Assign them to send stereo analog signal at line, -10 dB, or mic level, or set them to route up to four channels of AES3 digital signals. Two X1\/X2 TA3 jacks are presented for additional line, -10 dB, or mic-level balanced outputs, and a single X3\/X4 3.5mm mini jack is nearby for an assignable unbalanced output.\u003c\/p\u003e\r\n\r\n\u003cb\u003eHeadphone and Headset Jacks\u003c\/b\u003e\r\n\u003cp\u003eThe 833 features 1\/4\" and 3.5mm stereo headphone outputs and a TA5 headset port, all driven by 400mW per side for high output and compatibility with headphones of any impedance. Selectable and editable headphone presets empower you with fast configuration of the monitoring source, mono\/stereo\/MS mode, and more. With the addition of the dedicated TA3 com return jack, the 833 is capable of coms and slate for professional bidirectional communication with other crew members.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowerful FPGA Processing\u003c\/b\u003e\r\n\u003cp\u003eThe FPGA-based engine boasts a 6-way ARM multiprocessor system that executes 64-bit audio processing precision, letting you have total control of each track's sonic characteristics in real time.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowered via L-Series Batteries or External DC\u003c\/b\u003e\r\n\u003cp\u003eThe 833 supports powering from dual L-Series batteries and external DC power (10 to 18 VDC) via a locking TA4 connector. Intelligent power-down of unused mic preamps and select internal circuits minimizes unnecessary power drain. The 833 has on\/off switchable built-in chargers for convenient charging of your L-Series batteries.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAccurate Timecode Synchronization\u003c\/b\u003e\r\n\u003cp\u003eThe 833's LEMO jack supports 2-pin and 5-pin options for functionality as an input or output for timecode or word clock. Sync to the internal clock, word clock, LTC in, or AES, and choose from multiple timecode modes such as free run, auto record, jam sync, and many more. The precision timecode generator's start time and UBits may be specified by the user. The 833 will hold timecode for up to four hours after shutdown.\u003c\/p\u003e\r\n\r\n\u003cb\u003eIdeal for Sound Bag or Camera-Mount Configurations\u003c\/b\u003e\r\n\u003cp\u003eSized like the popular 633 mixer, the rugged, compact, and lightweight 833 is compatible with common setups. With all audio and power connections on the side panels, it fits handily in sound bags. Female 1\/4\"-20 threads on the bottom panel supports tripod- or camera-mounted arrangements.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowerful Wireless\/Wired External Remote Control\u003c\/b\u003e\r\n\u003cp\u003eControl the 833 remotely from a USB-connected Android device via the SD-Remote app, which generates sound reports and displays high-resolution meters, current timecode, transport buttons, solo\/mute buttons, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor tactile mixing and transport control, connect a compatible USB MIDI controller such as the Icon Platform M+\/X+\/B+, the Behringer X-Touch, or the Mackie MCU Pro.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFirmware v8.10 Supports GainForward Architecture for A20-Mini\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eThe A20-Mini transmitter introduces GainForward, a new feature that eliminates the need to adjust microphone preamplifier gain at the wireless transmitter. Audio levels from the transmitter are controlled either directly at the mixer’s trim control or at the wireless receiver.\u003c\/li\u003e\r\n\r\n\u003cli\u003eWhen the A10-RX receiving an A20-Mini signal is slotted into an SL-2 or SL-6, the A10-RX Input menu settings are bypassed and all gain, low cut, and limiter activity are performed and controlled by the 833, 888, or Scorpio. Trim gain range is 0 to 60 dB for the 8-Series channel receiving signal from the A20-Mini.\u003c\/li\u003e\r\n\r\n\u003cli\u003eA10-RX Receiver Setup screens show limiter, high-pass filter, and clipping status of the associated 8-Series channel when receiving signal from the A20-Mini.\u003c\/li\u003e\r\n\r\n\u003cli\u003eJam A20-Mini timecode from 8-Series using a standard USB Type-A to USB Type-C cable from Menu \u0026gt; Timecode\/Sync \u0026gt; Jam A20-Mini.\u003c\/li\u003e\r\n\r\n\u003cli\u003eNew SuperSlot menu option “Use Transmitter Names” automatically applies the A10-TX and A20-Mini transmitter names to the associated 8-Series Track Name.\u003c\/li\u003e\r\n\r\n\u003c\/ul\u003e\r\n\r\n\r\n","brand":"SOUND DEVICES","offers":[{"title":"Default Title","offer_id":49826178564382,"sku":"833","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sound_devices_833_8_channel_12_track_multitrack_field_recorder_IZXNh.jpg?v=1749108002"},{"product_id":"sound-devices-mixpre-6-ii-6-channel-8-track-multitrack-32-bit-field-recorder","title":"Sound Devices MixPre-6 II 6-Channel \/ 8-Track Multitrack 32-Bit Field Recorder","description":"\u003cp\u003eIf you record field audio, sound effects, podcasts, voice-overs, music, audio for film, or are just starting your audio journey, the MixPre-6 II is for you! With four crystal-clear, ultra low-noise Kashmir preamps, you can record multiple actors, multiple podcasters, or audio for film with superior quality  – all the way up to a 32-bit float bit depth and a 192 kHz sample rate. This newest generation of Sound Devices’ award-winning MixPre Series has been redesigned for increased performance and an astounding 142 dB of dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYour MixPre-6 II is highly customizable to your needs. Record internally to a compatible SD card on set or stream your podcast over USB to your computer at home. Power with your computer, wall power, or record in the middle of nowhere with AA or Sony L-mount batteries. Adjust limiters, bit depth, sample rates, gain, pan, low-cut, phase inversion and phantom power to your liking. Trigger your camera with the internal timecode generator, or feed timecode in via HDMI or Aux In. The choice is yours!\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessionals love the flexibility of the MixPre Series. Don’t need all those options? Basic mode has you covered.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYour MixPre-6 II is rugged, lightweight, and small, so you can throw it in a bag or mount it to a tripod or camera – or get situated on set with our Wingman App and one of our four supported USB control surfaces. With the superior sound and build quality that you can expect from the industry leader in production audio recording, your MixPre-6 II can capture audio for any application. Our friendly and knowledgeable support team, based in the USA and the UK, is here for all your questions and comments. Our job is to make your job easier.\u003c\/p\u003e\r\n\r\n\u003cb\u003eKashmir Preamps\u003c\/b\u003e\r\n\u003cp\u003eLike the original unit, the MixPre-6 II offers class-A Kashmir mic preamps. All inputs are fully RF-filtered to keep interference out.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAudio Interface Functionality\u003c\/b\u003e\r\n\u003cp\u003eWhen connected to a Mac or Windows computer, the MixPre-6 II can serve as an 8-input \/ 4-output USB audio interface for your favorite audio recording software. The unit will record six tracks in isolation and provide a stereo mix of all six channels to boot. It will operate at sample rates up to 96 kHz.\u003c\/p\u003e\r\n\u003cp\u003eThe unit can send a complete 32-bit float audio signal over USB when connected to a Mac computer running macOS Catalina (version 10.15 or later).\u003c\/p\u003e\r\n\r\n\u003cb\u003eUSB Audio Input\u003c\/b\u003e\r\n\u003cp\u003eStream up to four tracks into the unit over USB, using the MixPre-6 II as a recorder from your host device. If you're a musician, you can utilize this feature to record a stereo mix from your host DAW as a backing track for further standalone recording.\u003c\/p\u003e\r\n\r\n\u003cb\u003eA Cornucopia of Connections\u003c\/b\u003e\r\n\u003cp\u003eFor inputs, you'll find four XLR-1\/4\" combo jacks and a 3.5mm auxiliary input. Audio output connections are handled over 3.5mm jacks. Timecode I\/O is made possible via 3.5mm connections, though you also have the option of HDMI for inputting timecode.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAdjust on the Fly\u003c\/b\u003e\r\n\u003cp\u003eAdjust the limiters, change the bit-depth, shift panning, delay, and polarity in the stereo mix, and filter out extraneous bass rumble with low-cut filters. Whether you record to an SD card or to your computer over USB, the MixPre-6 II can be customized to your needs.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBuilt-In Timecode Generator \u0026amp; Bluetooth Control\u003c\/b\u003e\r\n\u003cp\u003eThanks to the device's timecode generator, you can even trigger recording from the camera. With built-in Bluetooth, you can control the unit over the Wingman app, available from Sound Devices. This app displays high-resolution meters, current timecode, transport buttons, and more.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAmbisonics Integration\u003c\/b\u003e\r\n\u003cp\u003eUpon installation of the Ambisonics plug-in (available separately from the Sound Devices plug-in store), field recordists, game developers, and VR content creators will appreciate the support for simultaneous multiformat recording (AmbiX, FuMa, LR Stereo, and LR Binaural), real-time binaural\/stereo monitoring, and A- to B-Format conversion.\u003c\/p\u003e\r\n\r\n\u003cb\u003eTransport and Mounting Options\u003c\/b\u003e\r\n\u003cp\u003eThe MixPre-6 II is rugged, lightweight, and relatively compact, so you can throw it in a bag or mount it to a tripod or camera.\u003c\/p\u003e\r\n\r\n\u003cb\u003eKey Features at a Glance\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eKashmir microphone preamps with 48V phantom power\u003c\/li\u003e\r\n\u003cli\u003eInternal timecode generator\u003c\/li\u003e\r\n\u003cli\u003eSample rates up to 192 kHz\u003c\/li\u003e\r\n\u003cli\u003eBit depths up to 32-bit float\u003c\/li\u003e\r\n\u003cli\u003eAdjustable limiters\u003c\/li\u003e\r\n\u003cli\u003eSD card recording and reading\u003c\/li\u003e\r\n\u003cli\u003eBackup to USB drive\u003c\/li\u003e\r\n\u003cli\u003e10 seconds of pre-roll at 48 kHz\u003c\/li\u003e\r\n\u003cli\u003eUSB control surface support\u003c\/li\u003e\r\n\u003cli\u003eCustomize with plugins\u003c\/li\u003e\r\n\u003cli\u003eAdd low cut, high pass, delay, polarity invert, and panning\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous recording, mixing, and USB audio streaming\u003c\/li\u003e\r\n\u003cli\u003eTrigger record via timecode or HDMI timecode\u003c\/li\u003e\r\n\u003cli\u003eBluetooth for wireless control via Wingman app\u003c\/li\u003e\r\n\u003cli\u003eBasic, Advanced, and custom modes\u003c\/li\u003e\r\n\u003cli\u003eHigh-fidelity headphone amplifier\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n","brand":"SOUND DEVICES","offers":[{"title":"Default Title","offer_id":49826178695454,"sku":"MIXPRE-6 II","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sound_devices_mixpre_6_ii_6_channel_8_track_multitrack_32_bit_field_recorder_rob1B.jpg?v=1749108037"},{"product_id":"sound-devices-mixpre-3-ii-3-channel-5-track-multitrack-32-bit-field-recorder","title":"Sound Devices MixPre-3 II 3-Channel \/ 5-Track Multitrack 32-Bit Field Recorder","description":"\u003cp\u003eIf you record field audio, sound effects, podcasts, voice-overs, music, audio for film, or are just starting your audio journey, the MixPre-3 II is for you! With three crystal-clear, ultra low-noise Kashmir preamps, you can record multiple actors, multiple podcasters, or audio for small productions with superior quality – all the way up to a 32-bit float bit depth and a 192 kHz sample rate. This newest generation of Sound Devices’ award-winning MixPre Series has been redesigned for increased performance and an astounding 142 dB of dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYour MixPre-3 II is highly customizable to your needs. Record internally to a compatible SD card on set or stream your podcast over USB to your computer at home. Power with your computer, wall power, or record in the middle of nowhere with AA or Sony L-mount batteries. Adjust limiters, bit depth, sample rates, gain, pan, low-cut, phase inversion and phantom power to your liking. Trigger your camera with the internal timecode generator, or feed timecode in via HDMI or Aux In. The choice is yours!\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessionals love the flexibility of the MixPre Series. Don’t need all those options? Basic mode has you covered.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYour MixPre-3 II is rugged, lightweight, and small, so you can throw it in a bag or mount it to a tripod or camera – or get situated on set with our Wingman App and one of our four supported USB control surfaces. With the superior sound and build quality that you can expect from the industry leader in production audio recording, your MixPre-3 II can capture audio for any application. Our friendly and knowledgeable support team, based in the USA and the UK, is here for all your questions and comments. Our job is to make your job easier. Looking for Sound Devices  shop in Dubai , visit UBMS Dubai showroom. We can provide best price and fast delivery for all Sound devices products.\u003c\/p\u003e\r\n\r\n\u003cb\u003eKashmir Preamps\u003c\/b\u003e\r\n\u003cp\u003eLike the original unit, the MixPre-3 II offers class-A Kashmir mic preamps. All inputs are fully RF-filtered to keep interference out.\u003c\/p\u003e\r\n\r\n\u003cb\u003eOn-Board Mixing\u003c\/b\u003e\r\n\u003cp\u003eCreate a mix using the built-in 3x2 portable mixer.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAudio Interface Functionality\u003c\/b\u003e\r\n\u003cp\u003eWhen connected to a Mac or Windows computer, the MixPre-3 II can serve as a 5-input \/ 2-output USB audio interface for your favorite audio recording software. The unit will record three tracks in isolation and provide a stereo mix of all three to boot. You can stream audio at sample rates up to 96 kHz.\u003c\/p\u003e\r\n\u003cp\u003eThe unit can send a complete 32-bit float audio signal over USB when connected to a Mac computer running macOS Catalina (version 10.15 or later).\u003c\/p\u003e\r\n\r\n\u003cb\u003eUSB Audio Input\u003c\/b\u003e\r\n\u003cp\u003eStream up to two tracks into the unit over USB, using the MixPre-3 II as a recorder from your host device. If you're a musician, you can utilize this feature to record a stereo mix from your host DAW as a backing track for further standalone recording.\u003c\/p\u003e\r\n\r\n\u003cb\u003eConnections\u003c\/b\u003e\r\n\u003cp\u003eFor inputs, you'll find three XLR jacks. Headphone output connections are handled over a 3.5mm jack, and stereo line outputs can be secured over a dedicated stereo 3.5mm jack. Timecode I\/O is made possible via 3.5mm connections, though you also have the option of HDMI for inputting timecode.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAdjust on the Fly\u003c\/b\u003e\r\n\u003cp\u003eAdjust the limiters, change the bit depth, shift panning and polarity in the stereo mix, and filter out extraneous bass rumble with low-cut filters. Whether you record to an SD card or to your computer over USB, the MixPre-3 II can be customized to your needs.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBuilt-In Timecode Generator \u0026amp; Bluetooth Control\u003c\/b\u003e\r\n\u003cp\u003eThanks to the device's timecode generator, you can even trigger recording from the camera. With built-in Bluetooth, you can control the unit over the Wingman app, available from Sound Devices. This app displays high-resolution meters, current timecode, transport buttons, and more.\u003c\/p\u003e\r\n\r\n\u003cb\u003eTransport and Mounting Options\u003c\/b\u003e\r\n\u003cp\u003eThe MixPre-3 II is rugged, lightweight, and relatively compact, so you can throw it in a bag or mount it to a tripod or camera.\u003c\/p\u003e\r\n\r\n\u003cb\u003eKey Features at a Glance\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eKashmir microphone preamps with 48V phantom power\u003c\/li\u003e\r\n\u003cli\u003eInternal timecode generator\u003c\/li\u003e\r\n\u003cli\u003eSample rates up to 192 kHz\u003c\/li\u003e\r\n\u003cli\u003eBit depths up to 32-bit float\u003c\/li\u003e\r\n\u003cli\u003eAdjustable limiters\u003c\/li\u003e\r\n\u003cli\u003eSD card recording and reading\u003c\/li\u003e\r\n\u003cli\u003eBackup to USB drive\u003c\/li\u003e\r\n\u003cli\u003e10 seconds of pre-roll at 48 kHz\u003c\/li\u003e\r\n\u003cli\u003eUSB control surface support\u003c\/li\u003e\r\n\u003cli\u003eCustomize with plugins\u003c\/li\u003e\r\n\u003cli\u003eAdd low cut, high pass, delay, polarity invert, and panning\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous recording, mixing, and USB audio streaming\u003c\/li\u003e\r\n\u003cli\u003eTrigger record via timecode or HDMI timecode\u003c\/li\u003e\r\n\u003cli\u003eBluetooth for wireless control via Wingman app\u003c\/li\u003e\r\n\u003cli\u003eBasic, advanced, and custom modes\u003c\/li\u003e\r\n\u003cli\u003eHigh-fidelity headphone amplifier\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n","brand":"SOUND DEVICES","offers":[{"title":"Default Title","offer_id":49826178793758,"sku":"MIXPRE-3 II","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sound_devices_mixpre_3_ii_3_channel_5_track_multitrack_32_bit_field_recorder_YNr5F.jpg?v=1749108070"},{"product_id":"audio-ltd-a10-tx-us-wireless-transmitter-and-recorder-a-470-to-548-mhz","title":"Sound Devices A10-TX-US Wireless Transmitter and Recorder (A: 470 to 548 MHz)","description":"\u003cp\u003eThe A10-TX-US transmitter is the heart of the A10 Digital Wireless Systems for the U.S. The core of the A10-TX-US transmitter is its low-noise, high-dynamic-range analog input. It accepts signals from low-level lavalier microphones to balanced line-level. The 3-pin LEMO input offers analogue limiters, 5 volt bias for lavalier microphones, as well as 12 and 48 volt phantom power for balanced microphones.\u003c\/p\u003e\r\n\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eLow-noise, studio-grade balanced input for microphones and line level inputs with analogue limiter and 48 V phantom power\u003c\/li\u003e\r\n\u003cli\u003eAll-digital RF modulation for full bandwidth, ultra-low distortion, and high dynamic range\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in Bluetooth® to remotely control the A10-TX from an Android or iOS device using the A10-TX Remote app\u003c\/li\u003e\r\n\u003cli\u003ePowered by two AA (LR6) batteries\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe wireless boom has become a requirement for many productions. The A10-TX-US is the first digital wireless transmitter that accepts either lavalier microphones or a phantom-powered balanced microphones. With the A10-TX-US mounted on the boom pole a user gains numerous advantages, including:\u003c\/p\u003e\r\n\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e1\/4-wave antenna in free-space for maximum RF radiating efficiency,\u003c\/li\u003e\r\n\u003cli\u003eThe flexibility to mount the transmitter at the top, bottom, or clipped to a boom operator’s belt,\u003c\/li\u003e\r\n\u003cli\u003eA true balanced input with superior noise rejection and immunity to induced RF interference,\u003c\/li\u003e\r\n\u003cli\u003eIntegrated digital recorder with precision timecode generator (for Mic \/ Line-level operations),\u003c\/li\u003e\r\n\u003cli\u003eConvenient Bluetooth control\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in 12 or 48 V phantom power with a full 10 mA supply,\u003c\/li\u003e\r\n\u003cli\u003eOne unit which accepts lavaliers, balanced microphones, and line-level camera hop signals.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n","brand":"SOUND DEVICES","offers":[{"title":"Default Title","offer_id":49826179449118,"sku":"A10-TX-US","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sound_devices_a10_tx_us_wireless_transmitter_and_recorder_a_470_to_548_mhz_lJ5ph.jpg?v=1749108137"},{"product_id":"zoom-f6-6-input-14-track-multitrack-field-recorder","title":"Zoom F6 6-Input \/ 14-Track Multitrack Field Recorder","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eZoom F6 Overview\u003c\/h2\u003e\r\n\u003cp\u003eZoom F6, is an ultra-compact, multitrack field recorder with 32-bit float technology for distortion-free dynamic range, and up to 14 tracks of simultaneous recording for professional and enthusiast applications on set and in the field. \u003c\/p\u003e\r\n\u003cp\u003eSlide it in a sound bag, sling it over your shoulder, or mount it to a camera; the F6 packs quantity and quality into a rugged frame that's more than ready for filmmaking, production\/location sound mixing, sound effects recording, and electronic news gathering (ENG).\u003c\/p\u003e\r\n\u003cp\u003eFrom the large, informative color display and user-friendly controls to the flexible powering options and precision timecode functionality, the F6 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F6 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F6 will always enhance your workflow, be it simple, complex, or always changing. You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.\u003c\/p\u003e\r\n\r\n\r\n\u003c\/div\u003e","brand":"ZOOM","offers":[{"title":"Default Title","offer_id":49827500720414,"sku":"ZF6","price":1950.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/zf6-a.jpg?v=1749103922"},{"product_id":"blackmagic-design-hyperdeck-extreme-4k-hdr","title":"Blackmagic Design HyperDeck Extreme 4K HDR","description":"\u003cp\u003e\nThe Blackmagic HyperDeck Extreme 4K HDR is a professional‑grade recording and playback deck designed to bring broadcast‑level performance to live production, post workflows, and digital signage environments. Featuring support for UHD 4K recording and HDR formats, this unit combines modern codec flexibility with a familiar deck form factor. It delivers stunning image quality with H.265 and ProRes recording options while providing intuitive control via its large capacitive touchscreen interface.\n\u003c\/p\u003e\n\n\u003cp\u003e\nBuilt to handle a wide range of video formats, the HyperDeck Extreme 4K HDR supports SD, HD, and Ultra HD up to 2160p60, making it ideal for capturing, mastering, and distributing content in demanding professional settings. The unit’s comprehensive input\/output array includes 12G‑SDI, HDMI 2.0, and legacy analog connections, ensuring compatibility with a broad range of sources and workflows. Two CFast media cards allow for seamless recording and card swapping during extended sessions.\n\u003c\/p\u003e\n\n\u003cp\u003e\nEquipped for modern networking, the Extreme 4K HDR includes 10G Ethernet for fast media transfers and remote control via the HyperDeck Ethernet Protocol. It also supports RS‑422 broadcast deck control, allowing integration with legacy broadcast systems. Whether used as a master recorder, clip player, or live ISO recorder, this HyperDeck model blends cutting‑edge features with dependable performance for creative professionals.\n\u003c\/p\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":50645041774878,"sku":"HYPERD\/RSTEX4KHDR","price":12567.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/1650366327_1702196.jpg?v=1771924149"},{"product_id":"blackmagic-design-hyperdeck-shuttle-4k-pro-2tb","title":"Blackmagic Design HyperDeck Shuttle 4K Pro (2TB)","description":"\u003cp\u003e\nThe Blackmagic Design HyperDeck Shuttle 4K Pro (2TB) is a professional desktop recorder and player for broadcast, live production, and post workflows. It features a large 7″ touchscreen LCD with intuitive controls, a 2TB internal M.2 SSD for high-resolution recording, and traditional transport buttons for precise clip navigation.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe recorder supports ProRes, DNx, H.264, and H.265 codecs, working seamlessly with editing software such as DaVinci Resolve, Adobe Premiere Pro, and Avid Media Composer. Video can be recorded to internal storage, SD cards, or USB‑C disks. The built-in teleprompter and 10G Ethernet allow script display, remote control, and fast file transfer over networks.\n\u003c\/p\u003e\n\n\u003cp\u003e\nConnectivity includes 12G‑SDI and HDMI 2.0 I\/O, reference inputs, RS‑422 remote control, and headphone monitoring. 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Its built-in 5-inch touchscreen provides intuitive control, live monitoring, and professional tools such as waveform, vectorscope, and histogram for precise exposure and color management.\u003c\/p\u003e\n\n\u003cp\u003eWith timecode support, genlock capability, and multiple control interfaces, the HDR-90 integrates seamlessly into professional broadcast workflows, delivering reliable and high-quality recording performance.\u003c\/p\u003e","brand":"Datavideo","offers":[{"title":"Default Title","offer_id":51382503833886,"sku":"HDR-90","price":10912.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/85fa7676259854ef9d1b3916.jpg?v=1776837735"},{"product_id":"datavideo-hd-8-channel-portable-video-streaming-studio","title":"DataVideo HD 8-Channel Portable Video Streaming Studio","description":"\u003cp\u003eThe Datavideo HS-2600 is a powerful all-in-one HD portable video streaming studio designed for professional live production and broadcasting. 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