{"title":"Digital Cinematography Cameras","description":"\u003clink rel=\"stylesheet\" type=\"text\/css\" media=\"all\" href=\"https:\/\/unitedbroadcast.com\/ubms-style\/category-2.css\"\u003e\r\n\u003cp\u003eBuy Digital cinematography cameras from UBMS Dubai. Digital cinematography are video cameras that capture coverage digitally. UBMS is the distributor of digital movie cameras including Sony, Arri, Canon, and Blackmagic in UAE, GCC, the Middle East \u0026amp; Africa. Different digital cameras output a variety of different acquisition formats. We have the largest collection of trending digital cameras including Arri Alexa, Blackmagic URSA, Blackmagic Pocket Cinema Cameras, Canon Cinema EOS, and Sony CineAlta at affordable prices. You can buy digital cine cameras from either UBMS showroom Dubai or order online. \u003c\/p\u003e","products":[{"product_id":"arri-filter-frame-for-1k-fresnel-compact-hmi-575w","title":"ARRI Filter Frame for 1K Fresnel, Compact HMI 575W","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eARRI Filter Frame for 1K Fresnel, Compact HMI 575W Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eARRI Filter Frame L2.79690.0\u003c\/strong\u003e is a durable and heat-resistant circular frame designed to hold filters for ARRI lighting fixtures such as the ARRI L7-C, L7-T, and L7-D, as well as other compatible models like 1K Fresnel and Compact HMI 575W. With a diameter of 197 mm (7.8 inches), this filter frame is slightly larger than the Fresnel lenses it complements, ensuring proper alignment and functionality when used with ARRI lampheads.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eKey Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHeat-Resistant Design:\u003c\/strong\u003e Constructed to withstand high temperatures generated by professional lighting equipment, ensuring durability and long-term use.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eVersatile Compatibility:\u003c\/strong\u003e Suitable for a range of ARRI lighting fixtures, including the ARRI L7 series (L7-C, L7-T, L7-D) and other models like 1K Fresnel and Compact HMI 575W.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eCustomizable Filter Placement:\u003c\/strong\u003e Allows users to cut and sandwich filters into the frame, providing flexibility for creative lighting effects and color correction.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eEasy Installation:\u003c\/strong\u003e Designed to slide seamlessly into ARRI lamphead accessory holders, making setup quick and hassle-free.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePrecise Sizing:\u003c\/strong\u003e With a diameter of 197 mm, the frame is specifically sized to fit ARRI L7 and T1 series fixtures while maintaining compatibility with other supported models.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eIdeal Use Cases\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eFilm and Television Production:\u003c\/strong\u003e Perfect for controlling light intensity, color temperature, or diffusion on set to achieve the desired mood and aesthetic.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePhotography Studios:\u003c\/strong\u003e Enables photographers to experiment with creative lighting setups by using colored gels or diffusion materials.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLive Events and Theater:\u003c\/strong\u003e Provides precise control over lighting effects for dynamic stage performances or immersive visual experiences.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eIndustrial and Architectural Lighting:\u003c\/strong\u003e Ideal for adjusting light output in environments where specific lighting conditions are required.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eWhy Choose the ARRI Filter Frame?\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eARRI Filter Frame L2.79690.0\u003c\/strong\u003e is an essential accessory for professionals who rely on ARRI lighting equipment. Its heat-resistant construction ensures reliability in demanding environments, while its compatibility with a wide range of fixtures makes it a versatile addition to any lighting kit. Whether you're working on a film set, in a studio, or on location, this filter frame allows you to customize your lighting setup with ease, enhancing both functionality and creativity.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConclusion\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eARRI Filter Frame L2.79690.0\u003c\/strong\u003e is a practical and reliable solution for managing filters on ARRI lighting fixtures. Its robust design, precise sizing, and seamless integration with ARRI lampheads make it an invaluable tool for achieving professional-grade lighting results. By enabling users to easily incorporate filters, this frame empowers lighting designers and cinematographers to bring their creative visions to life with precision and efficiency.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49824361251102,"sku":"L2.79690.0","price":147.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_filter_frame_for_1k_fresnel_compact_hmi_575w_R4Zrx.jpg?v=1749045987"},{"product_id":"sony-pxw-fs7m2k-4k-xdcam-super-35-camcorder-kit","title":"Sony PXW-FS7M2K 4K XDCAM Super 35 Camcorder Kit","description":"\u003cp\u003eThis pairing of a PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots.\u003c\/p\u003e\r\n\u003cp\u003eThe included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePXW-FS7M2 XDCAM Super 35 Camera System\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eExpanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as \"Cinéma Vérité\"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.\u003c\/p\u003e\r\n\u003cp\u003eJust behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSignal Processing\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLocking E-Mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.\u003c\/p\u003e\r\n\u003cp\u003eIt accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eElectronic Variable ND\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBehind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMagnesium Construction\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSmartGrip\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start\/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRedesigned Viewfinder and Mic Holder Mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWith the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.\u003c\/p\u003e\r\n\u003cp\u003eIn addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInternal Recording\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824381108510,"sku":"PXW-FS7M2K","price":37800.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_pxw_fs7m2k_4k_xdcam_super_35_camcorder_kit_AnZVg.jpg?v=1749046408"},{"product_id":"blackmagic-design-ursa-mini-4k-digital-cinema-camera-ef-mount","title":"Blackmagic Design URSA Mini 4K Digital Cinema Camera (EF-Mount)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eBlackmagic Design URSA Mini 4K Digital Cinema Camera (EF-Mount) Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design URSA Mini 4K Digital Cinema Camera (EF-Mount)\u003c\/strong\u003e is a compact and versatile cinema camera designed for professional filmmakers and videographers. Featuring a Super-35mm CMOS sensor, it captures stunning 4K video at up to 60 frames per second, delivering exceptional image quality with rich detail and dynamic range. Whether you're shooting feature films, documentaries, commercials, or music videos, the URSA Mini 4K provides the performance and flexibility needed for high-end productions.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eKey Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eSuper-35mm CMOS Sensor:\u003c\/strong\u003e Captures 4K video with a resolution of 4000 x 2160, offering sharp images and cinematic depth of field.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHigh Frame Rate Recording:\u003c\/strong\u003e Supports recording up to 60 frames per second in 4K, making it ideal for smooth slow-motion footage.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eRaw Recording Options:\u003c\/strong\u003e Offers both compressed and uncompressed raw recording, preserving maximum image quality and post-production flexibility.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eProRes Recording:\u003c\/strong\u003e Includes ready-to-edit ProRes 444 and ProRes 422 formats, ensuring compatibility with popular editing software and streamlined workflows.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003e12G-SDI Output:\u003c\/strong\u003e Provides a single-cable solution for 4K output, simplifying connections to monitors and external recorders.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eTimecode and REF Input:\u003c\/strong\u003e Ensures precise synchronization with other devices in multi-camera setups or studio environments.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eCompact and Lightweight Design:\u003c\/strong\u003e Weighing just 5 pounds and measuring 8.23 x 7.6 x 5.79 inches, the camera is highly portable and easy to handle on set.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eURSA Mini 4K Digital Cinema Camera (EF-Mount)\u003c\/li\u003e\r\n    \u003cli\u003eThumb Screw\u003c\/li\u003e\r\n    \u003cli\u003eLANC Cable\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eIdeal Use Cases\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFeature films and independent productions requiring high-resolution 4K capture.\u003c\/li\u003e\r\n    \u003cli\u003eDocumentaries and ENG\/EFP workflows benefiting from lightweight portability and EF lens compatibility.\u003c\/li\u003e\r\n    \u003cli\u003eCommercial and music video productions demanding professional-grade image quality and creative flexibility.\u003c\/li\u003e\r\n    \u003cli\u003eStudio setups requiring precise timecode and reference synchronization.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eWhy Choose the URSA Mini 4K?\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design URSA Mini 4K\u003c\/strong\u003e is a powerful and versatile cinema camera that combines high-resolution imaging with professional features in a compact form factor. Its ability to record both raw and ProRes formats ensures maximum flexibility for post-production, while its EF lens mount opens up a wide range of lens options for creative control. Whether you're working in the field or in a studio, the URSA Mini 4K delivers outstanding performance and reliability, making it an indispensable tool for filmmakers and content creators.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConclusion\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design URSA Mini 4K Digital Cinema Camera (EF-Mount)\u003c\/strong\u003e is a game-changer for professionals seeking high-quality 4K capture in a portable and user-friendly package. With its advanced sensor, flexible recording options, and robust connectivity, it is well-suited for a wide range of applications, from feature films to live broadcasts. Whether you're capturing cinematic visuals or fast-paced action, the URSA Mini 4K ensures you have the tools you need to bring your vision to life.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49824384352542,"sku":"CINECAMURSAM40K\/EF","price":10993.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_ursa_mini_4k_digital_cinema_camera_ef_mount_cblKj.jpg?v=1749046504"},{"product_id":"sony-alpha-a6100-mirrorless-digital-camera-with-16-50mm-and-55-210mm-lenses","title":"Sony Alpha a6100 Mirrorless Digital Camera with 16-50mm and 55-210mm Lenses","description":"\u003cp\u003ePresenting a versatile feature set in an especially compact design, the Sony a6100 is an APS-C-format mirrorless camera well-suited for stills and video applications. Featuring a 24.2MP CMOS sensor and a BIONZ X processor, capturing high-resolution stills with a broad sensitivity range and low noise is possible. The sensor and processor combination also affords UHD 4K video recording along with quick continuous shooting up to 11 fps for working with moving subjects. Also benefitting fast-paced shooting, Real-time Eye AF and subject tracking capabilities help to ensure sharp focus on a variety of subject types.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComplementing the imaging capabilities, the a6100 features a 1.44m-dot OLED electronic viewfinder for clear eye-level viewing. A rear 3.0\" 921.6k-dot touchscreen LCD is also available and has a 180° tilting design to suit working from high, low, and front-facing angles. Additionally, built-in Wi-Fi and Bluetooth enable wireless sharing of imagery as well as remote camera control from a linked mobile device.\u003c\/p\u003e\r\n\r\n\u003cb\u003e24.2MP Exmor CMOS Sensor\u003c\/b\u003e\r\n\u003cp\u003eA revised APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 51200 for working in low-light conditions. The sensor features a unique design that utilizes thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and BIONZ X processor combination also avails a top continuous shooting rate of 11 fps with AF and AE and permits 14-bit raw file output for a wide tonal and color scale.\u003c\/p\u003e\r\n\r\n\u003cb\u003eUHD 4K Video Recording in XAVC S Format\u003c\/b\u003e\r\n\u003cp\u003eInternal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail, and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.\u003c\/p\u003e\r\n\r\n\u003cb\u003e4D FOCUS\u003c\/b\u003e\r\n\u003cp\u003eCovering nearly the entire sensor area, a powerful 4D FOCUS system incorporates 425 on-chip phase-detection points along with 425 contrast-detection areas for precise focusing in as little as 0.02 seconds. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Real-time Eye AF can be used to base focus on recognized subjects' eyes for portraits (either humans or animals) and is available for both AF-S and AF-C modes. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe apt 4D FOCUS system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to autofocus, the a6100 also features a Peaking MF function to benefit manual focus control by highlighting sharp edges of contrast for a more objective means of acquiring sharp focus.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBody Design and Built-In Wi-Fi\u003c\/b\u003e\r\n\r\n\u003cul class=\"key-ul\"\u003e\r\n\r\n\u003cli\u003eThe SVGA Tru-Finder 1.44m-dot OLED electronic viewfinder offers a bright, high-resolution means for eye-level monitoring.\u003c\/li\u003e\r\n\r\n\u003cli\u003eA 3.0\" 921.6k-dot LCD touchscreen can be tilted 180° upward or 74° downward to suit working from high and low angles. The screen also incorporates White Magic technology with an RGBW pixel structure for increased brightness to support use in daylight conditions.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe touchscreen design avails access to Touch Focus control, for immediate focus point selection, as well as a Touchpad function that lets you smoothly and intuitively select a focus point on the screen while you're looking into the viewfinder.\u003c\/li\u003e\r\n\r\n\u003cli\u003eIntegrated 3.5mm microphone ports afford greater control over audio during video recording.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe included NP-FW50 rechargeable lithium-ion is rated for approximately 420 shots per charge when working with the LCD screen.\u003c\/li\u003e\r\n\r\n\u003cli\u003eIn addition to the battery, the a6100 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e\r\n\r\n\u003cli\u003eBuilt-in Wi-Fi enables the a6100 to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for a one-touch connection between the camera and compatible mobile devices; no complex setup is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\r\n\r\n\u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e\r\n\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003e16-50mm and 55-210mm Lenses\u003c\/b\u003e\r\n\u003cp\u003eIncluded with the camera body is the versatile E PZ 16-50mm f\/3.5-5.6 OSS lens, which offers a 24-75mm equivalent focal length range. This wide to short tele zoom also incorporates power zoom control along with Optical SteadyShot image stabilization to minimize the appearance of camera shake. Bundled with this standard zoom is the E 55-210mm f\/4.5-6.3 OSS lens, which offers a longer 82.5-315mm equivalent focal length range. This lens also features Optical SteadyShot to help realize sharp imagery when shooting handheld.\u003c\/p\u003e\r\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824479412510,"sku":"ILCE6100Y","price":3713.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_a6100_mirrorless_digital_camera_with_16_50mm_and_55_210mm_lenses_4xyK8.jpg?v=1749050070"},{"product_id":"sony-alpha-a7r-ii-dubai-mirrorless-digital-camera-body-only","title":"Sony Alpha Camera  a7R II ILCE7RM2\/B Mirrorless Digital Camera (Body Only)","description":"\u003cp\u003eSony Alpha a7R II Mirrorless Digital Camera\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e42MP Full-Frame Exmor R BSI CMOS Sensor\u003cbr\u003eBIONZ X Image Processor\u003cbr\u003eInternal UHD 4K Video \u0026amp; S-Log2 Gamma\u003cbr\u003e5-Axis SteadyShot INSIDE Stabilization\u003cbr\u003e399 Phase-Detect AF Points \u0026amp; 5 fps Burst\u003cbr\u003e0.5\" 2.36M-Dot XGA OLED Tru-Finder EVF\u003cbr\u003e3.0\" 1,228.8k-Dot Tilting LCD Monitor\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824493928734,"sku":"ILCE7RM2","price":7904.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_camera_a7r_ii_ilce7rm2_b_mirrorless_digital_camera_body_only_TM7iz.jpg?v=1749050869"},{"product_id":"sony-a6100-mirrorless-camera-with-16-15-mm-lens","title":"Sony Alpha a6100 Mirrorless Digital Camera with 16-50mm Lens","description":"\u003cp\u003ePresenting a versatile feature-set in an especially compact design, the Sony a6100 is an APS-C-format mirrorless camera well-suited for stills and video applications. Featuring a 24.2MP CMOS sensor and a BIONZ X processor, capturing high-resolution stills with a broad sensitivity range and low noise is possible. The sensor and processor combination also affords UHD 4K video recording along with quick continuous shooting up to 11 fps for working with moving subjects. Also benefitting fast-paced shooting, Real-time Eye AF and subject tracking capabilities help to ensure sharp focus on a variety of subject types.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComplementing the imaging capabilities, the a6100 features a 1.44m-dot OLED electronic viewfinder for clear eye-level viewing. A rear 3.0\" 921.6k-dot touchscreen LCD is also available and has a 180° tilting design to suit working from high, low, and front-facing angles. Additionally, built-in Wi-Fi and Bluetooth enable wireless sharing of imagery as well as remote camera control from a linked mobile device.\u003c\/p\u003e\r\n\r\n\u003cb\u003e24.2MP Exmor CMOS Sensor\u003c\/b\u003e\r\n\u003cp\u003eA revised APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 51200 for working in low-light conditions. The sensor features a unique design that utilizes thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE and permits 14-bit raw file output for a wide tonal and color scale.\u003c\/p\u003e\r\n\r\n\u003cb\u003eUHD 4K Video Recording in XAVC S Format\u003c\/b\u003e\r\n\u003cp\u003eInternal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.\u003c\/p\u003e\r\n\r\n\u003cb\u003e4D FOCUS\u003c\/b\u003e\r\n\u003cp\u003e Covering nearly the entire sensor area, a powerful 4D FOCUS system incorporates 425 on-chip phase-detection points along with 425 contrast-detection areas for precise focusing in as little as 0.02 seconds. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Real-time Eye AF can be used to base focus on recognized subjects' eyes for portraits (either humans or animals) and is available for both AF-S and AF-C modes. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe apt 4D FOCUS system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to autofocus, the a6100 also features a Peaking MF function to benefit manual focus control by highlighted sharp edges of contrast for a more objective means of acquiring sharp focus.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBody Design and Built-In Wi-Fi\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eThe SVGA Tru-Finder 1.44m-dot OLED electronic viewfinder offers a bright, high-resolution means for eye-level monitoring.\u003c\/li\u003e\r\n\r\n\u003cli\u003eA 3.0\" 921.6k-dot LCD touchscreen can be tilted 180° upward or 74° downward to suit working from high and low angles. The screen also incorporates White Magic technology with an RGBW pixel structure for increased brightness to support use in daylight conditions.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe touchscreen design avails access to Touch Focus control, for immediate focus point selection, as well as a Touchpad function which lets you smoothly and intuitively select a focus point on the screen while you're looking into the viewfinder.\u003c\/li\u003e\r\n\r\n\u003cli\u003eIntegrated 3.5mm microphone ports afford greater control over audio during video recording.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe included NP-FW50 rechargeable lithium-ion is rated for approximately 420 shots per charge when working with the LCD screen.\u003c\/li\u003e\r\n\r\n\u003cli\u003eIn addition to the battery, the a6100 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e\r\n\r\n\u003cli\u003eBuilt-in Wi-Fi enables the a6100 to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\r\n\r\n\u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e\r\n\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003e16-50mm Lens\u003c\/b\u003e\r\n\u003cp\u003eIncluded with the camera body is the versatile E PZ 16-50mm f\/3.5-5.6 OSS lens, which offers a 24-75mm equivalent focal length range. This wide to short tele zoom also incorporates power zoom control along with Optical SteadyShot image stabilization to minimize the appearance of camera shake.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824620970270,"sku":"ILCE6100L","price":2665.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_a6100_mirrorless_digital_camera_with_16_50mm_lens_QkSiD.jpg?v=1749054978"},{"product_id":"arri-alexa-mini","title":"ARRI Alexa Mini","description":"\u003cp\u003eALEXA Mini. More than just a camera. Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eARRI Alexa Mini \u003c\/h4\u003e\r\n\r\n\u003cp\u003eCompact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.\u003c\/p\u003e\r\n\u003cp\u003eThe symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini. Buy ARRI Alexa Mini from UBMS Dubai . If you want to know Alexa Mini price then please click call for price and submit your details . Our sales team will contact you asap .  \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLightweight body with sturdy design\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eStable in harsh environments from -20° to +45°C \/ -4° to +113°F\u003c\/li\u003e\r\n\u003cli\u003eSealed electronics\u003c\/li\u003e\r\n\u003cli\u003eNon-condensing splash and dust-proof\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in motorized FSND filters 0.6, 1.2, 2.1\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBreathtaking image quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\n\u003cli\u003e35 mm format film-style digital camera\u003c\/li\u003e\n\u003cli\u003eNatural skin tones \u003c\/li\u003e\n\u003cli\u003eRecording up to 200fps\u003c\/li\u003e\n\u003cli\u003eHigh Dynamic Range with 14+ stops of exposure latitude\u003c\/li\u003e\n\u003cli\u003eOptional ARRIRAW and 4:3 licenses\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMore than just a camera\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\n\u003cli\u003eAccompanied by a wide range of mechanical and electronic accessories for every use case\u003c\/li\u003e\n\u003cli\u003eWireless connectivities via built-in white coded radio and WiFi interfaces \u003c\/li\u003e\n\u003cli\u003eEasy, rapid, and tool-less transitions between configurations\u003c\/li\u003e\n\u003cli\u003eEvery setup can be adapted individually \u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eHuge variety of lens options\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\n\u003cli\u003eRapidly interchangeable lens mounts\u003c\/li\u003e\n\u003cli\u003ePL or LPL-Mount for cine-style lenses, including those compatible with the ARRI Lens Data System\u003c\/li\u003e\n\u003cli\u003eB4 lens mount permits the use of 2\/3” video-style B4 lenses\u003c\/li\u003e\n\u003cli\u003eEF lens mount provides compatibility with a wide range of stills photography lenses\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eEXT SYNC mode\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\n\u003cli\u003eFor 360° VR, 3D, and VFX applications \u003c\/li\u003e\n\u003cli\u003eSynchronizing up to 15 ALEXA Minis with one master ALEXA Mini\u003c\/li\u003e\n\u003cli\u003ePermitting the entire multicamera setup to be operated as if it was one camera\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eEXT SYNC mode\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\n\u003cli\u003e87 predefined creative color gradings, each in three intensities\u003c\/li\u003e\n\u003cli\u003eMakes on-set look management available to productions of all budgets\u003c\/li\u003e\n\u003cli\u003eHelps to save time on set\u003c\/li\u003e\n\u003cli\u003eAdditionally, all looks can be used as a basic to create new color gradings\u003c\/li\u003e\n\u003cli\u003eAvailable in the ARRI License Shop\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComplementing the ALEXA range\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eCompact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eStrength and agility through state-of-the-art materials\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eTo maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount – also made of titanium – to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage. Arri Alexa Mini is very good in UBMS Showroom. Contact UBMS to  get the best price.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVersatile mounting and shooting options\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUncompromised image quality for specialized shots\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe overwhelming advantage of the ALEXA Mini is that it marries such a compact and lightweight form factor with the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry. Combine the Mini with any other ALEXA camera and you will have perfectly matched images, even on anamorphic productions – thanks to the 4:3 sensor and automatic de‑squeeze function. Workflows will also be identical, with options to record ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCost-saving camera and lens metadata\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIntegrated ARRI Lens Data System (LDS) technology brings the added value of frame‑accurate metadata about focus, iris and zoom settings. With these lens settings and exact depth‑of‑field displayed live on wireless hand units, precise adjustments can be made during a shot. The data also allows lens mapping to pre‑marked focus rings and reduces the time and expense involved in achieving complex visual effects in post.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSmall and Excellent\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAn ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith an ALEXA Mini you can literally shoot everywhere with the best image quality. Are you looking for Alexa Mini LF ? Or looking for where to buy Alexa Mini LF ? Please check \u003ca href=\"https:\/\/unitedbroadcast.com\/arri-alexa-mini-lf-camera-body-only.html\"\u003eAlexa Mini LF\u003c\/a\u003e details \u003ca href=\"https:\/\/unitedbroadcast.com\/arri-alexa-mini-lf-camera-body-only.html\"\u003ehere\u003c\/a\u003e . \u003c\/p\u003e\r\n\r\n\u003cstyle\u003e\n   .nem{\n border: 1px solid #9E9E9E;\n    padding: 15px;\n    display: inline-block;\n}\n .nem b{\nCOLOR: #FF5722;\nFONT-SIZE: 15px;\n}\n\u003c\/style\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49824916144414,"sku":"K0.0014799","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_alexa_mini_UOR1v.jpg?v=1749056263"},{"product_id":"sony-venice-cinealta-6k-cinema-camera","title":"Sony Venice CineAlta 6K Cinema Camera","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch4\u003eSony Venice CineAlta 6K Cinema Camera\u003c\/h4\u003e\r\n\u003cp\u003eNext-generation motion picture camera system with forward-thinking full-frame sensor, phenomenal color science and user-friendly operation. \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VENICE is a cinema camera created by and for the cinematographer. VENICE is equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality. VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9x18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9x14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35.\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eSony Venice Price is very good in UBMS Showroom. Come and experience the Sony Venice camera at UBMS showroom and get the best price. Sony’s VENICE motion picture camera, which has been embraced by the production community, will enhance its usability and flexibility with the VENICE Extension System and Version 3.0 firmware updates in early 2019. The lightweight and easy to use tethered extension system allows the camera body to detach from the image sensor block with no degradation in image quality. The image sensor block weighs 4 lbs with PL mount and 3 lbs using the native E-mount, and the cable system can extend from 9 or 18 feet, offering a highly configurable, flexible and portable method of operation. The new Extension System is compatible with existing and new VENICE cameras. A user can quickly configure and freely use VENICE’s image sensor block to capture uncompromising imagery, customizing the camera for specific scenarios in under 3 minutes with one 3mm Allen Wrench allowing for ultimate flexibility onset.  VENICE is a proud member of the Netflix Post Technology Alliance program. VENICE meets the Netflix technical and delivery specifications today, and will continue to do so in the future. Sony is committed to work closely with Netflix to innovate production workflows and support the needs of the global production and postproduction communities.\u003c\/p\u003e\r\n\u003ch4\u003e Main Features\u003c\/h4\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e36x24mm Full-Frame Sensor for cinema\u003c\/li\u003e\r\n\u003cli\u003eSuper35 full height 2x squeeze Anamorphic\u003c\/li\u003e\r\n\u003cli\u003e15+ stops of latitude\u003c\/li\u003e\r\n\u003cli\u003eCan exceed Rec. 2020 colour space\u003c\/li\u003e\r\n\u003cli\u003eSuper35 17:9 and 16:9\u003c\/li\u003e\r\n\u003cli\u003eFeatures high speed readout sensor\u003c\/li\u003e\r\n\u003cli\u003ePL Lens Mount\u003c\/li\u003e\r\n\u003cli\u003eLever Lock Type E-mount\u003c\/li\u003e\r\n\u003cli\u003e6K High Resolution\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch4\u003eReliable partner for creativity\u003c\/h4\u003e\r\n\u003cp\u003eVENICE is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality. If you want to know more details or if you want to  experience  the Sony Venice camera in UAE, then please visit UBMS Dubai Showrrom .\u003c\/p\u003e\r\n\u003cp\u003eProviding a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke \/i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 60 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRemove the PL Mount to reveal a Sony E-Mount with a locking outer ring that allows you to mount your lens and then rotate the ring to secure it, creating a strong mounting system that does not require you to rotate your E-Mount lens when mounting it to the camera. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments. The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera. It features dual SxS card slots that allow you to capture XAVC or HD ProRes in-camera. We can ship Sony Venice to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries .\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003e36 x 24-mm full-frame sensor for cinema\u003c\/h4\u003e\r\n\u003cp\u003eVENICE is equipped with a 36 x 24-mm full-frame image sensor designed specifically for high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.3 x 18.0 mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.3 x 12.8 mm, 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18 mm-height Super35 anamorphic and spherical and full-frame 24 mm-height anamorphic and spherical. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCreative freedom\u003c\/h4\u003e\r\n\u003ch5\u003eFull-frame full-width 36 mm 6K\u003c\/h5\u003e\r\n\r\n\u003cp\u003eIn full-frame, you can use the full 6048 pixel width of the sensor for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.\u003c\/p\u003e\r\n\u003ch5\u003eSuper35 full height 2.0x squeeze anamorphic\u003c\/h5\u003e\r\n\r\n\u003cp\u003eFor anamorphic shooting and production, Super35 full height 2 x squeeze anamorphic is supported.\u003c\/p\u003e\r\n\u003ch5\u003eSuper35 17:9 and 16:9\u003c\/h5\u003e\r\n\r\n\u003cp\u003eThese popular imager sizes are natively supported by VENICE. Current Super 35 mm PL mount lenses can be used.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eAlso available in early 2019 will be the free VENICE Version 3.0 firmware upgrade, which further augments VENICE’s capabilities, incorporating feedback from filmmakers and protecting customers’ investment by allowing the camera to grow with the user. Version 3.0 firmware will add a recording profile within the 16-bit X-OCN (eXtended tonal range Original Camera Negative).\u003c\/p\u003e\r\n\u003ch4\u003eVersion 3.0 Firmware\u003c\/h4\u003e\r\n\u003cp\u003eAdds the following:\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eImager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)\u003c\/li\u003e\r\n\u003cli\u003eSupport for the X-OCN XT recording format\u003c\/li\u003e\r\n\u003cli\u003eCompatibility with Rialto VENICE Extension System\u003c\/li\u003e\r\n\u003cli\u003eDe-squeeze ratios 1.25x, 1.3x, 1.5x, and 1.8x\u003c\/li\u003e\r\n\u003cli\u003eCache rec function\u003c\/li\u003e\r\n\u003cli\u003eAXS Relay rec function\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous format\u003c\/li\u003e\r\n\u003cli\u003eSxS recording folder structure selection\u003c\/li\u003e\r\n\u003cli\u003eSupport for 6G\/12G output SDI\u003c\/li\u003e\r\n\u003cli\u003eImproved imaging assist function\u003c\/li\u003e\r\n\u003cli\u003eSupport for CBK-WA02 Wireless LAN Adapter\u003c\/li\u003e\r\n\u003cli\u003eImproved VF menu operations and Frame Line setting\u003c\/li\u003e\r\n\u003cli\u003eSupport for CDL files\u003c\/li\u003e\r\n\u003cli\u003e 16-bit X-OCN XT profile delivers the highest picture quality at economical data rates with AXS-R7\u003c\/li\u003e\r\n\u003cli\u003eNew imager modes, including 6K 2.39:1 and 5.7K 16:9 for greater shooting flexibility\u003c\/li\u003e\r\n\u003cli\u003e Additional de-squeezed ratios for various anamorphic lenses (x1.25, x1.3, x1.5, x1.8), as requested by filmmakers\u003c\/li\u003e\r\n\u003cli\u003e Cache REC for a maximum 30 sec in X-OCN 4K 17:9 AXS Memory \/ HD MPEG 50 SxS memory, so you don’t miss a shot\u003c\/li\u003e\r\n\u003cli\u003e 6G\/12G-SDI switchable output enabling 4K SDI output\u003c\/li\u003e\r\n\u003cli\u003e Wireless Remote Control with CBK-WA02 for wirelessly controlling and changing key functions and menu settings for increased flexibility\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch4\u003eVersion 3.0 firmware introduces 16-bit X-OCN XT profile \u003c\/h4\u003e\r\n\u003cp\u003eThis new profile, called X-OCN XT, captures the highest quality imagery when using the AXS-R7 portable memory recorder. X-OCN XT is ideal for demanding visual effects work and productions requiring the utmost image quality from VENICE. The new X-OCN XT profile maintains economical file sizes comparable to Sony’s RAW file size, making the workflow affordable and efficient. In comparing X-OCN with Sony’s RAW format, X-OCN has superior reproduction in low light areas and high light areas. In VENICE’s 4K 17:9 imager mode, users will have the flexibility to record three X-OCN profiles (XT, ST, LT) and Sony RAW with V3.0 firmware. (Prior to V3.0 firmware, X-OCN LT, X-OCN ST and Sony RAW are available). UBMS can provide best price and fast delivry for Sony Venice Cinema camera.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eUse Case\u003c\/h4\u003e\r\n\u003cp\u003eThe VENICE is designed to start you off with a basic camera and, through firmware updates and licenses, upgrade it over time. This allows you to upgrade it as your needs grow, instead of having to buy a whole new camera system. Licenses can be permanent upgrades or used for limited periods of time, for those jobs that require more features than you normally use.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSensor\u003c\/h4\u003e\r\n\u003cp\u003eThe sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space—which is larger than the DCI-P3 color space—enabling you to create stunning images with a camera that already exceeds future specs.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFull-Frame Sensor\u003c\/h4\u003e\r\n\u003cp\u003eIn full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1, or large format scope. A firmware upgrade and license are required for full-frame recording.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFast Shutter\u003c\/h4\u003e\r\n\u003cp\u003eThe VENICE features a high-speed readout that minimizes the dreaded \"jello\" camera effect that plagues some CMOS sensor cameras.\u003c\/p\u003e\r\n\r\n\u003ch4\u003ePL Mount\u003c\/h4\u003e\r\n\u003cp\u003eThe VENICE comes with the industry-standard PL lens mount. It is compatible with all Super 35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke \/i Technology. The camera's lens information is recorded as metadata frame by frame.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eE-Mount\u003c\/h4\u003e\r\n\u003cp\u003eRemoving the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount minimizing play. Rotating of the locking collar means that in most cases lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.\r\nThe VENICE records XAVC UHD 4K or HD ProRes internally to its SxS card slots. An optional AXS-R7 on-board recorder will enable 16-bit Raw and X-OCN recording to AXS cards with a future firmware update.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eThere are many Full Frame and Super 35 cine-zoom lenses with PL mounts available for the VENICE from Angenieux, Cooke, Fujinon, Zeiss and many others. While there is an immediate and obvious benefit in shooting with a longer focal length, this might not always be desirable. With lens manufacturing improving the quality and speed of cine-zoom lenses every year, there were already an increasing number of cinematographers who chose to work with high-end cine-zooms, rather than a full set of PLs, prior to the pandemic. More cinematographers again regularly deployed cine-zooms to second units to act as ‘variable’ prime lenses. \u003c\/p\u003e\r\n\u003cp\u003eFor example, with the Fujinon Premista 28-100mm or 80-250mm Full Frame lenses you would have most shooting options fully covered on one or both of the lenses. Even when working Full Frame many cine-zoom lenses are considered largely indistinguishable from fixed focal length glass recording the same shallow depth of focus beloved by the modern cinematographer. Angenieux and Cooke even offer a range of anamorphic cine-zoom lenses. The clear advantage is removing the necessity to swap out lenses as often between shots, with more portable, faster set-ups while respecting that lens choice is personal to the cinematographer based around each lens having its own distinct personality and characteristics and the ideal choice for the production. If you want more details about Venice you can contact UBMS . \u003c\/p\u003e\r\n\r\n\u003cp\u003eMany lens vendors have also adopted Cooke Optics’ \/i Technology that collects lens metadata captured alongside the main media. This allows a continuous remote readout of the precise focus setting, depth of focus and even T stop, which allows both the first AC and DIT to receive valuable recording data without having to approach the camera or take measurements while shooting. (The lens metadata recorded by \/i Technology is also used to support later VFX and DI calibration work and saves valuable time in post.)\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch4\u003eVENICE Remote Operation Cinematography Guide \u003c\/h4\u003e\r\n\u003cp\u003e Soy recently published VENICE Remote Operation Cinematography Guide and it focus on social distancing in film productions specially  suite for the Pandemic situation . This guide covers Sony and third-party products and solutions for the most complete picture of today’s remote operation technology.\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e Remote VENICE Camera Control over Wi-Fi\u003c\/li\u003e\r\n\u003cli\u003eShare and Review Content Fast from Set to Studio\u003c\/li\u003e\r\n\u003cli\u003eWorking with Cine-Zoom Lenses \u003c\/li\u003e\r\n\u003cli\u003eFull Remote Lens, Focus Assist and VENICE Camera Control\u003c\/li\u003e \r\n\u003cli\u003eRF and the Virtual Video Village \u003c\/li\u003e\r\n\u003cli\u003eAffordable Best-in-Class 4K HDR On-Set Monitoring \u003c\/li\u003e\r\n\u003cli\u003eThe Flexible Sony VENICE Extension System\u003c\/li\u003e\r\n\u003cli\u003eRapid Remote Camera Deployment and Tracking\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e To get more information about Sony Venice \u0026amp; VENICE Remote Operation Cinematography Guide , please get in touch with UBMS \u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you are looking for new \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-fx6-full-frame-4k-cinima-camera.html\"\u003eSony FX6 Cinema Camera \u003c\/a\u003e you can find the details \u003ca href=\"https:\/\/unitedbroadcast.com\/sony-fx6-full-frame-4k-cinima-camera.html\"\u003ehere. \u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eModel: MPC-3610\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49824949764382,"sku":"MPC-3610","price":168350.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_venice_cinealta_6k_cinema_camera_hQJ6B.jpg?v=1749056725"},{"product_id":"alexa-sxt-w-basic-camera-set","title":"ALEXA SXT W Basic Camera Set","description":"\u003cp\u003eSXT W - A Fully Wireless Camera. (Mfr # K0.0014994)\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIntegrated wireless video\u003c\/li\u003e\r\n\u003cli\u003eIntegrated WiFi\u003c\/li\u003e\r\n\u003cli\u003eIntegrated ARRI ECS wireless camera\/lens control\u003c\/li\u003e\r\n\u003cli\u003eInterference-free operation between video, WiFi and ECS radios\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49825029128478,"sku":"K0.0014994","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/alexa_sxt_w_basic_camera_set_3ziMq.jpg?v=1749058071"},{"product_id":"canon-cinema-eos-c300-mark-ii-camcorder-body","title":"Canon Cinema EOS C300 Mark II Camcorder Body","description":"\u003cp\u003e \u003cstrong\u003e For special price please call our Toll-Free # 800UBMS (8267)  \u003c\/strong\u003e  \u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eCanon Cinema EOS C300 Mark II Camcorder Body.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"top-section-list\" data-selenium=\"highlightList\"\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eSuper 35mm CMOS Sensor\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003e4K,1920x1080 60\/50i, 23.98\/25p True 24p\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eCanon XF AVC H.264 Codec\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003ePL Lens Mount\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eRotating 4\" LCD Monitor\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003e2 x 3G-SDI Output, 2x XLR Inputs\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003e2 x CFast Card Slots\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eTimecode I\/O, Genlock In \u0026amp; Sync Out\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eCanon Log 3 Gamma\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":49825061110046,"sku":"C300 Mark II EF","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/canon_cinema_eos_c300_mark_ii_camcorder_body_vtLYS.jpg?v=1749058415"},{"product_id":"arri-alexa-lf-basic-camera-set","title":"ARRI ALEXA LF Basic Camera Set","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/rMRJwcmlr54\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eBuilt around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA LF (LPL) camera in this Basic Camera Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality, producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture, and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter, and shorter flange focal depth than the original ARRI PL mount, enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.\u003c\/p\u003e\r\n\u003cp\u003eThe ALEXA SXT LF offers an array of recording format choices in ARRIRAW and ProRes, recording to 1 or 2TB SXR capture drives, or SxS PRO+ 256GB cards. With a base sensitivity of EI 800, 16-bit processing, and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. Frame rates up to 150 fps produce smooth slow motion and enable capture for higher-clarity HFR (High Frame Rate) projects.\u003c\/p\u003e\r\n\u003cp\u003eThe wireless connectivity of the ALEXA SXT W is built into the ALEXA LF, providing Wi-Fi and compatibility with ARRI ECS lens\/camera control systems. One WVR-1 receiver is included in this basic kit, offering wireless video transmission in a range of up to 2000'. An internal filter holder can be used to insert one of eight Large Format Full Spectrum Neutral Density (LF FSND) filters (available separately). Additional ALEXA LF features include compatibility with existing ARRI Look files and workflow, clip playback in both ARRIRAW or ProRes, and 2-channel, 5-pin XLR audio input. This basic ALEXA LF set also includes SXR and SxS media adapters, the EVF-1 electronic viewfinder with a VMB-3 mounting bracket and cable, the CCH-1 center carrying handle, and an SD card for storing\/loading LUTs, SUPs, etc.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLarge Full-Frame Sensor with Three Operating Modes\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eLike the entire ALEXA line, the ALEXA LF combines high resolution with an optimal pixel size for excellent image quality. The ALEXA LF offers a choice of recording in 4448 x 3096 Open Gate, 3840 x 2160 16:9, and 4448 x 1856 2.39:1 anamorphic.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eNative 4K Recording with ALEXA Image Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe ALEXA LF records vivid, nuanced images with natural-looking skin tones in native 4K. Its colorimetry is compatible with HDR (High Dynamic Range) and WCG (Wide Color Gamut) workflows, providing a subtle, immersive look.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eArray of Recording Choices\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eRecording rates (using SXR capture drives) range from 90 fps ARRIRAW to 40 fps ProRes 4444 XQ in LF Open Gate, 90 fps ARRIRAW to 60 fps ProRes 4444 XQ in LF 16:9, and 150 fps ARRIRAW to 60 fps ProRes 4444 XQ in LF 2.39:1 anamorphic. ARRIRAW and ProRes 444 XQ\/4444\/422 HQ\/422 options are available in all three sensor modes.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eA base sensitivity of ASA 800, reduced noise, and a dynamic range of 14+ dovetails with HDR workflows.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eNew LPL Lens Mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe new LPL lens mount, designed specifically for large-format sensors, is integrated into the ALEXA LF. With its wider diameter and shorter flange focal depth than the original ARRI PL mount, LPL-mount lenses can be designed smaller and lighter than earlier large-format optics.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eARRI Signature Primes\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eARRI now offers a range of 16 large-format, LPL-mount Signature Prime lenses, ranging from 12 to 280mm. These separately available lenses display natural skin tones, smooth bokeh, and an organically pleasing look. The Signature Primes feature ARRI's quick and comprehensive LDS-2 lens metadata system, and are constructed with machined magnesium for durability and lighter weights.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCompatible with PL Lenses, ALEXA Accessories \u0026amp; Workflow Tools\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe ALEXA LF camera works with existing ALEXA-compatible lenses, accessories, and workflows. Use your favorite existing ARRI Look files and software tools with the ALEXA LF. A separately available PL-to-LPL mount adapter attaches to any PL-mount lens, both Super 35 or full-frame. 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This built-in wireless system saves build time on set, reduces cable spaghetti, and saves weight on your camera rig.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eImage Processing\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eInternal: 16-bit linear processing in full ALEXA Wide Gamut\/Log C color space\u003cbr\u003eTarget Output: Log C, Rec 709, or Rec 2 color spaces\u003cbr\u003eSupports ARRI Look File (ALF-2) with CDL values and a 3D LUT\u003cbr\u003e3D LUTs available for SDR, HDR PQ, and HDR HLG\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInternal ND Filter\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eOne of eight available Large-Format Full-Spectrum Neutral Density (LF FSND) filters can be manually inserted in front of the ALEXA LF sensor (ND 0.3 to ND 2.4).\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePlayback\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePlay back your ARRIRAW or ProRes clips from the ALEXA LF.\u003c\/p\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49825161576734,"sku":"K0.0019228","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_alexa_lf_basic_camera_set_2vth4.jpg?v=1749059881"},{"product_id":"blackmagic-pocket-cinema-camera-4k","title":"Blackmagic Pocket Cinema Camera 4K","description":"\u003cp\u003eThe Blackmagic Design Pocket Cinema Camera 4K (BMPCC 4K) features a 4\/3\" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 60 fps in a variety of codecs including CinemaDNG Raw\/Raw 3:1\/Raw 4:1, and various ProRes 422 options. Next generation 4K camera with dual native ISO up to 25,600, full 4\/3 HDR sensor, 13 stops of dynamic range, ProRes or RAW recording to internal SD\/UHS-II and CFast cards, as well as a USB-C expansion port for recording to external drives and more. \r\nBuy blackmagic 4k camera (BMPCC 4K)  from UBMS Dubai . We can provide best price for blackmagic cameras . Either you can shop Blackmagic cameras from our Dubai showroom or order online . \r\n Slow-motion rates up to 120 fps are available in cropped Full HD. Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.  Pocket 4k is available in UBMS showroom. \u003c\/p\u003e\r\n\r\n\u003cp\u003eRecord using the internal CFast 2.0 and SD\/UHS-II card slots, or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5\" touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit. Buy Blackmagic Design Pocket Cinema Camera 4K featuring 4\/3\u0026amp;quot;-Sized HDR Sensor, DCI 4K60, 2.8K80 Raw in 4:3 Anamorphic, Dual Native 400\/3200 ISO \/ up to 25,600, Up to 2.6K 120 Raw for Super16 Lenses, 5\" Touchscreen Display, Active Micro Four Thirds Lens Mount, CFast 2.0 \u0026amp; SD\/UHS-II Card Slots, External Recording via USB Type-C, 13-Stop Dynamic Range, 3D LUT Support, Includes DaVinci Resolve Studio License.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber polycarbonate build provides lightweight strength and durability, and power options include running off a Canon LP-E6 type battery or the included power supply.  With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.\u003c\/p\u003e\r\n\r\n4\/3\" Image Sensor \/ Dual Native ISO\r\n\r\nThe Pocket Cinema Camera 4K uses a 4\/3\" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.\r\n\r\nActive Micro Four Thirds Lens Mount\r\n\r\nUse lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.\r\n\r\nCinemaDNG Raw and ProRes Options\r\n\r\nChoose from CinemaDNG Raw and ProRes 422 files options depending on your project's needs.\r\n\r\n5\" Touchscreen Display\r\n\r\nA large 5\" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.\r\n\r\nCFast 2.0, SD\/UHS-II, and USB Type-C Capture\r\n\r\nInternally record to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.\r\n\r\nFlexible Power Options\r\n\r\nThe Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.\r\n\r\nDaVinci Resolve Studio\r\n\r\nAn activation key for DaVinci Resolve Studio is included with the camera.","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49825224098078,"sku":"CINECAMPOCHDMFT4K","price":4192.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_pocket_cinema_camera_4k_rkfE4.jpg?v=1749060439"},{"product_id":"sony-alpha-a99-ii-dslr-camera-body-only","title":"Sony Alpha a99 II DSLR Camera (Body Only)","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\r\n\u003cdiv class=\"ov-desc\"\u003e\r\n\u003cp class=\"fs16 OpenSans-600-normal product-highlights-header\"\u003e\u003cstrong\u003eSony Alpha a99 II DSLR Camera (Body Only)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"fs16 OpenSans-600-normal product-highlights-header\"\u003e\u003cstrong\u003eKey Features \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"top-section-list\" data-selenium=\"highlightList\"\u003e\r\n\u003cli class=\"top-section-list-item\"\u003e42MP Full-Frame Exmor R BSI CMOS Sensor\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eBIONZ X Image Processor \u0026amp; Front-End LSI\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003e0.5\" 2.36M-Dot XGA OLED Tru-Finder EVF\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eInternal UHD 4K Video \u0026amp; S-Log3 Gamma\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eS\u0026amp;Q Motion in Full HD from 1-120 fps\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eHybrid Phase Detection AF System\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eISO 102400 and 12 fps Shooting with AF\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003e5-Axis SteadyShot INSIDE Stabilization\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003e3.0\" 1,228.8k-Dot Tilting LCD Monitor\u003c\/li\u003e\r\n\u003cli class=\"top-section-list-item\"\u003eBuilt-In Wi-Fi \u0026amp; NFC; 14-Bit Raw Output\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825568456990,"sku":"ILCA-99M2","price":11737.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_a99_ii_dslr_camera_body_only_lrEQz.jpg?v=1749063177"},{"product_id":"sony-pxw-fs7m2-xdcam-super-35-camera-system","title":"Sony PXW-FS7M2 XDCAM Super 35 Camera System","description":"\u003cp\u003e\u003cstrong\u003eFS7 II\u003c\/strong\u003e dramatically improves the experience of shooting with Sony’s ultimate documentary camcorder and is simply one of the world’s most versatile Super 35mm camcorders. A host of enhancements, from an all-new lens mount to world-leading Electronic Auto Variable ND system and enhanced ergonomics, transform the possibilities of what you can do.\u003c\/p\u003e\r\n\u003cp\u003eShoot and move. Handheld, shoulder-mount or suspended from a gimbal. FS7 II delivers the spectacular imagery you expect from Sony.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFreedom to shoot and move with Electronic Auto Variable ND\u003c\/strong\u003e\u003cbr\u003eShooting with FS7 II is a truly liberating experience – shoot and move with no need to worry about changing light conditions, no time wasted fiddling with exposure settings or changing filters.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eE-mount flexibility extended\u003c\/strong\u003e\u003cbr\u003eE-mount offers unsurpassed compatibility with both Sony and third-party lenses. And for FS7 II there’s an all-new lever lock design. Simply put the lens in place and rotate the collar until it locks in place.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHandheld, long form, perfection redefined\u003c\/strong\u003e\u003cbr\u003eYou asked and we delivered: an all-new E-mount lever lock design. Sony’s world-leading variable ND Filter technology integrated for smooth fine-tuning of depth-of-field.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-in electronic variable ND Filters\u003c\/strong\u003e\u003cbr\u003eOriginally developed for the PXW-FS5, Sony’s ground-breaking integration of electronic variable ND Filters into the body of a Super 35mm camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with the FS7 II.FS7 II is your perfect partner for fast-moving shoots in changeable environments.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e4K Super 35 Exmor sensor\u003c\/strong\u003e\u003cbr\u003eWhen it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers ‘bokeh’, the defocused backgrounds made possible by shallow depth of field.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHigh Frame Rates up to 180fps\u003c\/strong\u003e\u003cbr\u003eSlow down time with HFR shooting to reveal the beauty and drama of everyday motion. That’s why the FS7 II provides continuous recording at Full HD at frame rates of up to 180fps.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHandheld comfort takes another leap forward\u003c\/strong\u003e\u003cbr\u003eThe FS7 is renowned for taking handheld shooting to another level. Placed against your chest or shoulder, comfortably steadied by your right hand. The built-in shoulder pad makes for stable shoulder-style shooting, while the curved back sits comfortably against your chest. Now with FS7 II we’ve refined these elements to be even more flexible to you.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEasy to adjust, telescoping arm\u003c\/strong\u003e\u003cbr\u003eEveryone loved the flexibility of the FS7’s ergonomic arm mount, but we’ve gone further with FS7 II’s new mounting positions – so you can hold it even closer to your body – and made it easily adjustable without tools. So it’s even easier to find the perfect set-up to suit your physique and your shooting position.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eErgonomically improved viewfinder\u003c\/strong\u003e\u003cbr\u003eThe mounting arm for the FS7 II’s viewfinder is now even more flexible with independent clamps easily adjusted by hand even while still on your shoulder. The viewfinder itself can be perfectly offset for right-eye or left-eye viewing with a huge range of fore-aft adjustment.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSuperbly rugged\u003c\/strong\u003e\u003cbr\u003eSony designed the FS7 II to the same exacting standards as the FS7 for real-world shooting. The frame is magnesium, for high rigidity and light weight. Buttons, dials and other parts are sealed to prevent dust and water spray from entering. Cooling is an urgent requirement in a high-speed 4K camera.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMulti-Interface (MI) Shoe\u003c\/strong\u003e\u003cbr\u003eThe FS7 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on\/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSupport for four-channel audio input and recording\u003c\/strong\u003e\u003cbr\u003eThe FS7 II supports four-channel audio input and, in applications such as interview, this function enables the simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825699397918,"sku":"PXW-FS7M2","price":27900.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_pxw_fs7m2_xdcam_super_35_camera_system_dkQWA.jpg?v=1749069852"},{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-digital-cinema-camera","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera","description":"\u003cstyle\u003e#html-body [data-pb-style=UO4Y18S]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}\u003c\/style\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"UO4Y18S\"\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eBlackmagic Design URSA Mini Pro 4.6K G2 Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design URSA Mini Pro 4.6K G2\u003c\/strong\u003e is a versatile digital cinema camera designed for professional filmmakers and videographers. Building on the success of its predecessor, the URSA Mini Pro, the G2 model introduces an updated Super 35 4.6K sensor with 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional advanced features. With its robust design, expanded control set, and enhanced functionality, the URSA Mini Pro G2 is ideal for feature films, documentaries, TV productions, commercials, and more.\u003c\/p\u003e\r\n\r\n\u003c\/div\u003e\n\u003cdiv data-content-type=\"video\" data-appearance=\"default\" data-element=\"main\"\u003e\u003cdiv class=\"pagebuilder-video-inner\" data-element=\"inner\"\u003e\u003cdiv class=\"pagebuilder-video-wrapper\" data-element=\"wrapper\"\u003e\u003cdiv class=\"pagebuilder-video-container\"\u003e\u003ciframe frameborder=\"0\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/iFempfciYSU\" data-element=\"video\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cbr\u003e\r\n\u003ch3\u003eKey Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eUpdated Super 35 4.6K Sensor:\u003c\/strong\u003e Captures cinematic images with 15 stops of dynamic range at 3200 ISO, delivering exceptional image quality with subtle gradients and lifelike colors.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHigh Frame Rate Recording:\u003c\/strong\u003e Supports 4.6K footage at up to 120 fps, 4K DCI at up to 150 fps, and 1080p HD at up to 300 fps for capturing fast-action scenes in stunning detail.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-In ND Filters:\u003c\/strong\u003e Features a four-position ND filter wheel with clear, 2-, 4-, and 6-stop options, allowing precise control over exposure while maintaining consistent image quality and minimal color shift.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eExternal Camera Controls:\u003c\/strong\u003e Includes tactile physical controls for quick access to essential settings such as exposure, slow\/fast motion, focus assist, and more.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eMonochrome LCD Status Display:\u003c\/strong\u003e Provides real-time shooting data, including timecode, frame rate, aperture, white balance, ISO, battery status, and audio levels.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDual CFast 2.0 and SD Card Slots:\u003c\/strong\u003e Offers flexible media options, enabling recording of high-bandwidth raw footage on CFast 2.0 cards or cost-effective formats like ProRes on SD cards.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C Expansion Port:\u003c\/strong\u003e Allows direct recording to external drives, providing additional flexibility for long shoots or high-resolution workflows.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eUser-Interchangeable Lens Mounts:\u003c\/strong\u003e Comes with an EF mount by default, but supports optional F (Nikon), PL, and B4 mounts, making it adaptable to various lenses and workflows.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eAdvanced Image Processing\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 leverages Blackmagic Design's Generation 4 Color Science, ensuring accurate skin tones and lifelike colors that rival cameras costing significantly more. It supports both \u003cstrong\u003eBlackmagic RAW\u003c\/strong\u003e and \u003cstrong\u003eProRes\u003c\/strong\u003e recording formats:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eBlackmagic RAW:\u003c\/strong\u003e Captures film-like dynamic range and color tonality, preserving maximum post-production flexibility. Compression levels of up to 12:1 are available to balance file size and quality.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eProRes Formats:\u003c\/strong\u003e Includes industry-standard Apple ProRes files in multiple variations (444 and 422 chroma subsampling) for ready-to-edit footage. Options include \"Film\" mode for grading flexibility and \"Video\" mode for a polished look straight out of the camera.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eProfessional Connections\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 is equipped with a comprehensive array of I\/O ports, ensuring seamless integration into any production setup:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003e12G-SDI Output:\u003c\/strong\u003e Handles up to 2160p60 using a single BNC cable, switching to 6G-SDI or HD-SDI depending on the shooting format.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eHD-SDI Monitoring Output:\u003c\/strong\u003e Perfect for connecting viewfinders or on-set monitors.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eBalanced XLR Audio Inputs:\u003c\/strong\u003e Provide professional-grade audio recording with switchable 48V phantom power for microphones.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLANC Inputs, Timecode In, Reference Input:\u003c\/strong\u003e Enable synchronization and remote control capabilities.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eErgonomic Design and Flexibility\u003c\/h3\u003e\r\n\u003cp\u003eWeighing just over five pounds, the magnesium alloy body ensures durability without compromising portability. The camera's compact handheld design makes it suitable for a wide range of applications, from studio-style setups to run-and-gun documentary work. Optional accessories, such as the VCT shoulder pad, side handgrip, and broadcast battery plate, enhance comfort and usability during extended shoots.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTouchscreen Control and Monitoring\u003c\/h3\u003e\r\n\u003cp\u003eA fold-out 4-inch capacitive touchscreen LCD provides intuitive navigation through menus and settings. Users can monitor timecode, scopes, audio levels, and focus peaking directly on the screen, as well as add shot metadata using the onscreen keyboard.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAudio Recording\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 includes built-in stereo microphones for capturing natural location sound, along with two XLR inputs for connecting professional microphones. Physical knobs allow for quick adjustments, while onscreen audio meters ensure precise monitoring.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIncluded Software\u003c\/h3\u003e\r\n\u003cp\u003eEach URSA Mini Pro G2 comes with a DaVinci Resolve USB dongle, unlocking the full feature set of this powerful editing, color grading, and finishing software. DaVinci Resolve is optimized to handle the 12-bit log raw images produced by the camera, ensuring maximum creative control in post-production.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIdeal Use Cases\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFeature films requiring high dynamic range and cinematic quality.\u003c\/li\u003e\r\n    \u003cli\u003eDocumentaries and ENG\/EFP workflows benefiting from lightweight portability and interchangeable lens mounts.\u003c\/li\u003e\r\n    \u003cli\u003eTV and commercial productions demanding high frame rates and resolution flexibility.\u003c\/li\u003e\r\n    \u003cli\u003eMusic videos and creative projects leveraging advanced color science and RAW recording capabilities.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eConclusion\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design URSA Mini Pro 4.6K G2\u003c\/strong\u003e is a powerhouse digital cinema camera that combines cutting-edge technology with user-friendly features. Its ability to capture high-quality RAW footage, support multiple recording formats, and integrate seamlessly into professional workflows makes it an indispensable tool for filmmakers and content creators. Whether you're shooting a Hollywood blockbuster, a corporate video, or a documentary, the URSA Mini Pro G2 delivers the performance, versatility, and reliability needed to bring your vision to life.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49825701921054,"sku":"CINEURSAMUPRO46KG2","price":25131.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_ursa_mini_pro_4_6k_g2_digital_cinema_camera_dTB9C.jpg?v=1749069884"},{"product_id":"arri-alexa-mini-lf-camera-body-only","title":"ARRI ALEXA Mini LF Camera (Body Only)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch4\u003eLarge-format sensor in an ALEXA Mini body\u003c\/h4\u003e\r\n\u003cp\u003eCombining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system. Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA Mini LF is designed for use with ARRI's LPL lens mount, available separately, which has been optimized for large-format capture and is compatible with all PL-mount lenses with the use of a separately available PL-to-LPL adapter. A wider diameter and shorter flange focal depth than the original ARRI PL mount enable LPL-mount lenses to be smaller and lighter than earlier large-format optics. Buy Arri Alexa mini LF from UBMS video lighting in Dubai.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ALEXA Mini LF is a hybrid of the ALEXA Mini and the ALEXA LF, as it retains the same LF sensor but has the form factor of the Mini. The new exterior has a left-side media bay with two rows of connectors on the back and a slot to insert 1TB Codex media. It also features six user buttons, three more than the Mini, to configure to your preference. It also features extra 12 and 24V power outputs and a black burst\/tri-level input. The audio input connector is now 6-pin, so it doesn't conflict with the 5-pin timecode port.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Mini LF offers an array of recording format choices in MXF ARRIRAW and MXF ProRes, recording to 1TB Codex capture drives. With a base sensitivity of EI 800, 16-bit processing, and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. Frame rates up to 90 fps produce smooth slow motion and enable capture for higher-clarity HFR (High Frame Rate) projects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn internal Large-Format Full-Spectrum Neutral Density (LF FSND) filter system features 0.6, 1.2, and 1.8 filters. Additional ALEXA Mini LF features include compatibility with existing ARRI Look files and workflow, clip playback in both MXF ARRIRAW or MXF ProRes, and 2-channel, 6-pin XLR audio input.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eLarge Full-Frame Sensor with Three Operating Modes\u003c\/h4\u003e\r\n\u003cp\u003eLike the entire ALEXA line, the ALEXA Mini LF combines high resolution with an optimal pixel size for excellent image quality. The ALEXA LF offers a choice of recording in 4448 x 3096 Open Gate, 3840 x 2160 16:9, and 4448 x 1856 2.39:1 anamorphic.\u003c\/p\u003e\r\n\u003ch4\u003eNative 4K Recording with ALEXA Image Quality\u003c\/h4\u003e\r\n\u003cp\u003eThe ALEXA Mini LF records vivid, nuanced images with natural-looking skin tones in native 4K. Its colorimetry is compatible with HDR (High Dynamic Range) and WCG (Wide Color Gamut) workflows, providing a subtle, immersive look.\u003c\/p\u003e\r\n\u003ch4\u003eArray of Recording Choices\u003c\/h4\u003e\r\n\u003cp\u003eRecording rates (using Codex capture drives): Up to 40 fps in MXF ARRIRAW to 40 fps in MXF ProRes 4444 XQ in LF Open Gate; 90 fps in MXF ARRIRAW to 60 fps in MXF ProRes 4444 XQ in LF 16:9; and 60 fps in MXF ARRIRAW to 60 fps in MXF ProRes 4444 XQ in LF 2.39:1 anamorphic. MXF ARRIRAW and MXF ProRes 444 XQ\/4444\/422 HQ\/422 options are available in all three sensor modes.\u003c\/p\u003e\r\n\u003ch4\u003eWide Exposure Latitude\u003c\/h4\u003e\r\n\u003cp\u003eA base sensitivity of ASA 800, reduced noise, and a dynamic range of 14+ dovetails with HDR workflows.\u003c\/p\u003e\r\n\u003ch4\u003eNew LPL Lens Mount\u003c\/h4\u003e\r\n\u003cp\u003eThe LPL lens mount, designed specifically for large-format sensors, is available separately. With its wider diameter and shorter flange focal depth than the original ARRI PL mount, LPL-mount lenses can be designed smaller and lighter than earlier large-format optics.\u003c\/p\u003e\r\n\u003ch4\u003eARRI Signature Primes\u003c\/h4\u003e\r\n\u003cp\u003eARRI now offers a range of 16 large-format, LPL-mount Signature Prime lenses, ranging from 12 to 280mm. These separately available lenses display natural skin tones, smooth bokeh, and an organically pleasing look. The Signature Primes feature ARRI's quick and comprehensive LDS-2 lens metadata system and are constructed with machined magnesium for durability and lighter weights.\u003c\/p\u003e\r\n\u003ch4\u003eCompatible with PL Lenses, ALEXA Mini Accessories, and Workflow Tools\u003c\/h4\u003e\r\n\u003cp\u003eThe ALEXA Mini LF camera works with most existing ALEXA Mini-compatible lenses, accessories, and workflows. Use your favorite existing ARRI Look files and software tools with the ALEXA Mini LF. A separately available PL-to-LPL mount adapter attaches to any PL-mount lens, both Super 35 or full-frame. The ALEXA Mini LF transmits data from LDS-2, LDS-1, or \/i (Cooke) lens data systems.\u003c\/p\u003e\r\n\u003ch4\u003eImage Processing\u003c\/h4\u003e\r\n\u003cp\u003eInternal: 16-bit linear processing in full ALEXA Wide Gamut\/Log C color space\u003cbr\u003e\r\nTarget Output: Log C, Rec 709, or Rec 2020 color spaces\u003cbr\u003e\r\nSupports ARRI Look File (ALF-2) with CDL values and a 3D LUT\u003cbr\u003e\r\n3D LUTs available for SDR, HDR PQ, and HDR HLG\u003c\/p\u003e\r\n\u003ch4\u003eInternal ND Filter\u003c\/h4\u003e\r\n\u003cp\u003eBuilt-in Large-Format Full-Spectrum Neutral Density (LF FSND) filters can be changed between ND 0.6, 1.2, and 1.8.\u003c\/p\u003e\r\n\u003ch4\u003ePlayback\u003c\/h4\u003e\r\n\u003cp\u003ePlay back your MXF ARRIRAW or MXF ProRes clips from the ALEXA Mini LF.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eALEXA Mini LF SUP 6.0.22\u003c\/h3\u003e\r\n\u003cp\u003eARRI is releasing ALEXA Mini LF Software Update Package (SUP) 6.0.22, an update to the production software for the ALEXA Mini LF. This update improves general system stability and changes the Compact Drive status indicator LED behavior.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eUpdating\u003c\/h4\u003e\r\n\r\n\u003cp\u003eFor all ALEXA Mini LF owners we very strongly recommend updating to Mini LF SUP 6.0.22. However, we do not recommend installing a new SUP in the middle of a production. ALEXA Mini LF SUP 6.0.22 can be installed on all previously shipped ALEXA Mini LF cameras and we recommend updating from SUP 6.0.21 to 6.0.22. If your camera is not running Mini LF SUP 6.0.21, please update it to 6.0.21 before updating to 6.0.22. Please read through the release notes before you update the camera. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eDowndating\u003c\/h4\u003e\r\n\r\n\u003cp\u003eWhile it is possible to downgrade ALEXA Mini LF cameras to previous SUP versions from this version, we strongly recommend against this, since this SUP includes important bug fixes and significantly enhances stability. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eRegistration\u003c\/h4\u003e\r\n\r\n\u003cp\u003eIf you have not done so already, please make sure you register your camera using our online customer registration. Your registration ensures that you receive information about future software updates as soon as they are available. If you register your new camera within one month of purchase, you will get a six-month extended warranty for free.\u003c\/p\u003e\r\n\r\n\u003cstyle\u003e\n   .nem{\n border: 1px solid #9E9E9E;\n    padding: 15px;\n    display: inline-block;\n}\n .nem b{\nCOLOR: #FF5722;\nFONT-SIZE: 15px;\n}\n\u003c\/style\u003e\n\u003c\/div\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49825712832798,"sku":"K1.0024074","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_alexa_mini_lf_camera_body_only_3UWGt.jpg?v=1749070828"},{"product_id":"arri-alexa-mini-lf-ready-to-shoot-v-mount-set-lpl","title":"ARRI ALEXA Mini LF Ready to Shoot V-Mount Set (LPL)","description":"\u003cp\u003e\u003cstrong\u003eARRI ALEXA Mini LF Ready to Shoot V-Mount Set (LPL)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBest overall image quality in large format\u003c\/li\u003e\r\n\u003cli\u003eLarge-Format 4448 x 3096 Sensor\u003c\/li\u003e\r\n\u003cli\u003eLower noise with higher usable sensitivity\u003c\/li\u003e\r\n\u003cli\u003eHighest dynamic range of any production camera\u003c\/li\u003e\r\n\u003cli\u003eNative 4K Recording in ARRIRAW \u0026amp; ProRes\u003c\/li\u003e\r\n\u003cli\u003eARRI color science for natural skin tones, easy color correction and clean VFX\u003c\/li\u003e\r\n\u003cli\u003ePerfect for High Dynamic Range (HDR) and Wide Color Gamut (WCG) displays\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49825714471198,"sku":"K0.0024313","price":392333.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_alexa_mini_lf_ready_to_shoot_v_mount_set_lpl_YCrUX.jpg?v=1749070868"},{"product_id":"arri-alexa-mini-lf-ready-to-shoot-gold-mount-set-lpl","title":"ARRI ALEXA Mini LF Ready to Shoot Gold Mount Set (LPL)","description":"\u003cp\u003e\u003cstrong\u003eARRI ALEXA Mini LF Ready to Shoot Gold Mount Set (LPL)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBest overall image quality in large format\u003c\/li\u003e\r\n\u003cli\u003eLarge-Format 4448 x 3096 Sensor\u003c\/li\u003e\r\n\u003cli\u003eLower noise with higher usable sensitivity\u003c\/li\u003e\r\n\u003cli\u003eHighest dynamic range of any production camera\u003c\/li\u003e\r\n\u003cli\u003eNative 4K Recording in ARRIRAW \u0026amp; ProRes\u003c\/li\u003e\r\n\u003cli\u003eARRI color science for natural skin tones, easy color correction and clean VFX\u003c\/li\u003e\r\n\u003cli\u003ePerfect for High Dynamic Range (HDR) and Wide Color Gamut (WCG) displays\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49825714569502,"sku":"K0.0024312","price":392333.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_alexa_mini_lf_ready_to_shoot_gold_mount_set_lpl_KFkTs.jpg?v=1749070904"},{"product_id":"arri-alexa-mini-lf-and-lens-mount-set-lpl","title":"ARRI ALEXA Mini LF and Lens Mount Set (LPL)","description":"\u003cp\u003e\u003cstrong\u003eARRI ALEXA Mini LF and Lens Mount Set (LPL)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBuilt around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA Mini LF (LPL) camera in this Lens Mount Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter and shorter flange focal depth than the original ARRI PL mount enable LPL-mount lenses to be smaller and lighter than earlier large-format optics. Looking for Arii camera ? . Please contact UBMS Dubai. We can provide best price and fast delivery for all Arri cameras . \u003c\/p\u003e\r\n\r\n\u003ch4\u003e Alexa Mini LF Sensors\u003c\/h4\u003e\r\n\u003cp\u003eArri Mini Alexa LF uses the same sensor as the ALEXA LF. This is the ALEV 3 A2X sensor, which has the same photosite size and type as ARRI Super 35 digital cameras. The ALEV 3 A2X has 4448 x 3096 photosites (yes, it is therefore a 4.5K sensor) and measures 36.70 x 25.54 mm \/ 1.444 x 1.005\" and requires a 44.71 mm \/ 1.760\" image circle.\u003c\/p\u003e  \r\n\r\n\u003ch4\u003eAlexa Mini LF Size \u0026amp; Weight\u003c\/h4\u003e\r\n\u003cp\u003eThe ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini , except for the media bay on the camera left side. The ALEXA Mini LF camera body with an LPL lens mount weighs 2.6 Kg\/5.7 lbs. The ALEXA Mini LF MVF-2 viewfinder weighs 800 g\/1.7 lbs.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eInput Voltage \u0026amp; Power Draw\u003c\/h4\u003e\r\n\u003cp\u003eThe ALEXA Mini LF has an input voltage range from 11 V to 34 V. Therefore, it can be easily powered by any 12 V on-board battery as well as by a 24 V on-board battery. The ALEXA Mini LF has a power draw slightly higher than the ALEXA Mini, at around 65 W when recording ARRIRAW at 24 fps with the MVF-2 viewfinder connected. Electronic accessories will, of course, increase power draw.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eRecording Media\u003c\/h4\u003e\r\n\u003cp\u003eThe ALEXA Mini LF uses the new, small and cost-effective Codex Compact Drive 1 TB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Compact Drive has been specifically designed for the small form factor of the ALEXA Mini LF, using new flash technology in a miniaturized tough enclosure. The ALEXA Mini LF accepts Compact Drives directly, without the need for an adapter. ALEXA LF or ALEXA SXT W do not support the Compact Drive.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBoth ARRIRAW and Apple ProRes recording can utilize the drive's full recording capacity of 960 GB. The drive will be formatted by the ALEXA Mini LF in the UDF format for ARRIRAW and ProRes. Therefore, both ARRIRAW and ProRes can be recorded onto the same media without reformatting or switching drives. The drive offers sustained write rates of up to 8 Gb\/s. We will also use this drive for future cameras.\u003c\/p\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49825714667806,"sku":"K0.0024310","price":318307.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_alexa_mini_lf_and_lens_mount_set_lpl_rXSAL.jpg?v=1749070939"},{"product_id":"sony-alpha-a7r-iv-mirrorless-digital-camera-body-only","title":"Sony Alpha a7R IV Mirrorless Digital Camera (Body Only)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY a7R IV 35 mm Full-Frame Camera with 61.0 MP\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"vbox br-15\"\u003e\u003ciframe width=\"1252\" height=\"704\" src=\"https:\/\/www.youtube.com\/embed\/mcxH3ksHt_I\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e\u003cstrong\u003eReaching the peak of resolution: 61.0 MP12 full-frame CMOS sensor\u003c\/strong\u003e\u003cbr\u003eSony's newly developed 35 mm full-frame back-illuminated CMOS sensor with 61.0 megapixels12 enables the full-frame mirrorless α7R IV to attain expressive prowess once expected only in conventional medium-format cameras. Thanks to this mirrorless design, absence of mechanical mirror shock can maximize resolution without negative effect on image quality. The α7R IV realizes the level of image quality that surpasses the expectation for conventional full-frame cameras especially in the low- to mid-sensitivity range. Sony’s proprietary technology achieves superb high resolution while assuring low noise and high sensitivity.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe enhanced image processing engine makes the most of the CMOS sensor\u003c\/strong\u003e\u003cbr\u003eTo match the excellence of the new image sensor, the high-speed BIONZ X image processing engine is also further enhanced to faithfully reproduce details and reduce noise significantly. Noise that tends to occur due to heightened pixel count is minimized for high image quality, especially in the standard ISO sensitivity range up to ISO 32000. 13 Wide 15-stop dynamic range14 at low ISO sensitivity (for stills) delivers smoother reproduction of gradations from shadow to highlight. Moreover, the α7R IV’s inherited color reproduction in still pictures — acclaimed in the latest α series — captures skin color in portraits and vivid color of flowers for natural α7R IV depiction.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe a7R IV aka 7RM4 Features maximizing superb 61.0 MP12 resolution\u003c\/strong\u003e\u003cbr\u003eThe α7R IV’s extremely high image 61.0-megapixel resolution performance is maximized by other α7R IV advantages, one of which is 5-axis optical in-body image stabilization with optimized algorithms to achieve up to a 5.5-stop15 shutter speed advantage. Another outstanding feature is the electronic shutter allowing silent, vibration-free shooting. Additionally, the α7R IV incorporates an internal damper structure to absorb the impact of shutter motion for minimum shutter vibration. Many features in the α7R IV serve for realizing sharply resolved imaging.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e5.76-million-dot UXGA OLED Tru-Finder\u003c\/strong\u003e\u003cbr\u003eNewly featured in the α7R IV, this 5.76-million-dot electronic viewfinder provides high-precision, high-brightness and high-contrast visibility, reproducing fine detail with 1.6 times higher resolution than α7R III. \"High Display Quality\" mode draws on the effective 61.0 MP (approx.) image sensor to suppress moiré and jaggies for highly precise and natural images on the viewfinder; 120\/100fps18 of \"High\" finder frame rate mode shows smoother motion, so it’s simpler to trace moving subjects. Fluorine coating makes it easier to remove dirt or a fingerprint from the lens, for more comfortable viewing in inclement weather and better concentration on shooting. [1] Ultra-XGA OLED Tru-Finder [2] Quad-VGA OLED Tru-Finder\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWide, fast, and steadfast AF evolution\u003c\/strong\u003e\u003cbr\u003eThanks to increased coverage and density of AF points and enhanced algorithm for tracking moving subjects, overall AF performance has evolved to provide steadfast, accurate tracking of complex subject motion and speed changes. The α7R IV’s Fast Hybrid AF system combines high-speed, highly trackable phase-detection and high-precision contrast-detection autofocusing, even for shooting venues as dimly lit as EV-319. 567-point phase-detection AF and 425-point contrast-detection AF provide wider image area coverage20 of 99.7% height and 74.0% width. In addition, this remarkable AF system provides as rapid a response as α7R III, despite mass data handling due to the extremely high-resolution CMOS sensor, even in dim shooting venues.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e14-bit RAW output for natural gradations\u003c\/strong\u003e\u003cbr\u003eThe α7R IV supports compressed and uncompressed 14-bit RAW output for smoother, more natural gradations that contribute to higher overall image quality. Taking advantage of even higher 16-bit processing in the imaging engine, front-end LSI and the enhanced BIONZ X image processor make 14-bit RAW16 output available even when shooting in silent or continuous mode17. [1] Image sensor [2] The latest high-speed front-end LSI [3] 16-bit image processing\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUp to 68 images in continuous shooting\u003c\/strong\u003e\u003cbr\u003eProfessional photographers need to achieve consistent shooting without interruption. With 1.5x greater buffer memory, system speed, and UHS-II support, the α7R IV can capture up to approx. 68 images22 in a continuous burst at 10fps23. With APS-C shooting mode, approximately three times more photos can be shot than with full-frame shooting mode. Fn menu\/menu display access, setting changes, and review playback can occur during data writing. A countdown of the number of still images remaining to be written to memory is on display during playback.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAnti-flicker shooting 24\u003c\/strong\u003e\u003cbr\u003eFlicker from fluorescent and other artificial lighting is automatically detected and shutter action is timed to minimize the effect of flicker on still images. This suppresses exposure and color anomalies at the top and bottom of images shot at high shutter speeds, as well as exposure and color inconsistency between continuous shots, so you can take images indoors with more confidence.\u003cbr\u003eExceptional high-speed 10fps burst shooting with AF\/AE tracking\u003cbr\u003eDespite a high resolution of 61.0 MP12, an ingenious algorithm enables efficient processing for high-speed continuous shooting of up to 10fps21 with AF\/AE tracking through a mechanical shutter. It is also possible to shoot continuously at up to 8fps in live-view mode, with minimal display time lag for capturing fast-moving subjects. After a full-frame image is cropped down to APS-C size or if APS-C shooting mode is chosen, you can still get 26.2 MP high-resolution images. This is a great advantage for wild animal photographers who rely on cropping after capturing images of quickly moving animals\/birds from afar.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnhanced Real-time Eye AF (human eye) delivers more successful portraiture\u003c\/strong\u003e\u003cbr\u003eReal-time Eye AF works in tandem with Real-time Tracking technology, based on the latest evolutionary advances in artificial intelligence, for highly efficient portrait shooting. This progressive system detects and processes face and eye data in real time, and stays locked onto the eye of the subject with unprecedented precision. When \"Face\/Eye Priority in AF\" is ON, Eye AF (AF-C\/AF-S\/AF-A mode) can be activated not only through a custom key assignment, but also by half-pressing the shutter button or pressing the AF-ON button. This function now allows you to choose a particular eye — left or right, in advance or during shooting. Real-time Eye AF supports movie shooting in addition to stills.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShooting for more professional lengths\u003c\/strong\u003e\u003cbr\u003eThe α7R IV employs the large-capacity NP-FZ100 battery just like α7R III. Due to a more energy-efficient circuit design, the α7R IV matches α7R III usage level longevity, despite the higher resolution of the α7R IV image sensor and EVF. An optional Vertical Grip (VG-C4EM) can hold two batteries and an optional Multi Battery Adaptor Kit (NPA-MQZ1K) can hold up to four batteries for even longer hours of shooting. In addition to using such optional accessories, USB Type-C™ and Multi\/Micro USB ports allow external mobile batteries to power the camera for further extended recording.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual media slots, both supporting UHS-II\u003c\/strong\u003e\u003cbr\u003eThe α7R IV provides two media slots for SD cards, both SLOT 1 and SLOT 2 are now compatible with UHS-I and UHS-II for fast mass-volume data writing. Two cards in the slots can be used to simultaneously record or relay record data, separate RAW data from JPEG data, or stills from movies, and copy data from one card to the other. A slide lock structure prevents the memory card cover from being opened unintentionally.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFocal-plane phase-detection AF supports A-mount lenses27\u003c\/strong\u003e\u003cbr\u003ePhase-detection AF can operate even when an A-mount lens is attached to the α7R IV via an LA-EA3 Mount Adaptor. The 567-point focal-plane phase-detection AF system provides wide-area coverage, fast response, and high-performance tracking even if an A-mount lens is attached.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking holds the focus on tracked subjects\u003c\/strong\u003e\u003cbr\u003eWith this technology, accurate focus is maintained automatically while the shutter button is half-pressed. You can select a subject as you intend, rely on the α7R IV, and concentrate on your composition since the camera takes care of subject tracking. A newly adopted Real-time Tracking algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information while AI technology detects a subject’s face and eye in real time. Available for both stills and movies.\u003cbr\u003eReal-time Eye AF for Animals reliably tracks wild animals and pets25\u003cbr\u003eAdvanced AI-based subject recognition in Sony’s Real-time Eye AF includes a new algorithm supporting animal tracking for fast, precise, automatic detection and tracking of an animal’s eye. This new capability will greatly increase your success rate when shooting pictures of animals in the wild or beloved pets at home, situations where accurate focus has been a challenge. 26 All AF-C, AF-S, and AF-A focus modes are supported.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWireless PC Remote function\u003c\/strong\u003e\u003cbr\u003eUsing the α7R IV alone, you can operate newly supported wireless PC Remote functions via Wi-Fi (2.4 GHz\/5 GHz selectable28) to remotely control camera settings or send captured images to the camera while shooting. This cable-free setting allows maximum shooting freedom in indoor and outdoor shooting sessions. Moreover, the α7R IV also provides PC Remote functions via USB 3.2 Gen 1 compatible USB Type-C™ port, for image data transfer at time of tether-priority shooting. Even large-sized RAW images can be transferred smoothly and checked via PC immediately.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePixel Shift Multi Shooting31 newly supports compositing a picture from 16 pixel-shifted images\u003c\/strong\u003e\u003cbr\u003eA different dimension of resolution opens with Pixel Shift Multi Shooting. The α7R IV now supports image compositing from 16 pixel-shifted images in addition to previously available compositing from four images. Applying advanced image stabilization control, this renewed feature precisely shifts the sensor in half-pixel increments four times and in one-pixel increments four times alternately, to capture a total of 16 pixel-shifted images. These are composited by PC31 into one high-precision image of approx. 240.8 million pixels (19,008 x 12,672) from original data that holds the equivalent of approx. 963.2 million pixels to achieve overwhelming resolution in a single picture.32 Still images of architecture and art are captured in true-to-life detail, texture, color, mood, setting, and 3D-like realism, recreating hues with minimal moiré or color artifacts, and even reproducing atmosphere and surroundings with breathtaking fidelity for unprecedented accuracy in real-life imagination.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVersatile flash compatibility\u003c\/strong\u003e\u003cbr\u003eThe α7R IV has a sync terminal, so non-dedicated flash units and cables with standard sync terminals can be connected for convenient synchronization with studio flash units, etc. Release time lag when shooting with flash is minimized for smooth, responsive flash photography. Continuous flash shooting at up to 10fps offers advanced capture capability.29 To enhance versatility further, slow sync and rear curtain sync can be selected when shooting with wireless off-camera flash.30\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRedesigned controls for confident and comfortable operation\u003c\/strong\u003e\u003cbr\u003eA new multi-selector lets you shift point of focus quickly and intuitively to avoid missing moving subjects. The surface texture is changed to enhance button response for easier and more confident operation, in reply to pro users’ requests. In addition, the AF-ON button is enlarged and optimized for easier access, with an adjusted click feeling and location. Furthermore, the new Exposure Compensation Dial Lock Button locks or unlocks alternately at each press and prevents accidental turning when set to lock position. These improvements enhance your concentration on shutter release to \"capture the moment\" instantly.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eReliable durability and weather resistance33 in tough situations\u003c\/strong\u003e\u003cbr\u003eThe α7R IV brings you further enhanced body durability, with full use of lightweight, high-rigidity magnesium alloy for covers and internal frame, keeping the camera highly rigid and light. In response to pro opinions, enhanced sealing is applied to the battery cover, terminal cover and all joints in the chassis. A double-sealed sliding mechanism replaces the hinge to the media compartment lid for better moisture resistance.33 Routes to dust and moisture entry have been re-examined, and a cushion around the lens mount has been added to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVarious touch operations for operational freedom\u003c\/strong\u003e\u003cbr\u003eTouch Focus enables you to simply touch the monitor screen to specify a desired subject near frame edges. Touchpad focus point control allows you to drag the focus frame to any point with a fingertip while using the viewfinder. Touch Tracking34 makes it easy to initiate subject tracking in stills and movies. Double-tap for a magnified view. Also, α7R IV response speed of Touchpad operation is approx. 1.5 times faster than the α7R III.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncreased Fast Hybrid AF speed and precision for smoother, more stable movie AF\u003c\/strong\u003e\u003cbr\u003eFaster, more precise Fast Hybrid AF achieves smoother, more stable autofocus in movie recording. This greatly reduces the need for focus operation when the camera is used on a gimbal or in assistance-free movie shooting. A new Touch Tracking function is also available in movie recording, allowing you to simply touch an aimed subject on the monitor to initiate tracking. Swift AF-S operation is activated when the shutter button is pressed halfway (or AF-ON button is pressed), for simplifying movie-making in \"must succeed\" situations including weddings and documentaries.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMaking true-to-life high-resolution 4K movies 35\u003c\/strong\u003e\u003cbr\u003eFor high-resolution 4K movies with great detail but minimal moiré and jaggies, Super 35 mm mode36 condenses approximately 2.4 times37the data required for 4K movies (QFHD: 3840 x 2160). Advanced α7R IV processing records 4K movies with enhanced reproduction of skin color and smoother gradations. In addition to S-Log3 and S-Log2 gamma curves, the α7R IV offers HLG (Hybrid Log-Gamma)38 picture profile for instant HDR workflow, supporting a wide range of HDR movie production needs. The α7R IV incorporates XAVC S recording format for 4K35 and enables high-quality images at high bitrates of up to 100 Mbps. [1] High flexibility to fine-tune images as desired (Color grading required) [2] Instant and high-quality image (Color grading not required)\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSmart collaboration with mobile devices and accessories\u003c\/strong\u003e\u003cbr\u003eEven after the camera power is off, still and movie files stored on an SD memory card inserted in the camera can be transferred via Wi-Fi connection if you set it up in advance.40You can operate the Imaging Edge Mobile app41 installed on your mobile that is paired with the camera to select necessary images.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825749860638,"sku":"ILCE-7RM4","price":9473.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_alpha_a7r_iv_mirrorless_digital_camera_body_only_7oEG2.jpg?v=1749073597"},{"product_id":"sony-rx100-vii-compact-camera","title":"Sony RX100 VII  Compact Camera","description":"\u003ch3\u003eBroad zoom range and superior speed performance\u003c\/h3\u003e\r\n\u003cp class=\"mid\"\u003eInside its compact body the RX100 VII is packed with everything it takes to deliver gorgeous images. The 24–200 mm2 zoom lens is complemented by 0.02-sec.3 super fast AF, new Real-time Tracking and Real-time Eye AF, plus enhanced image stabilization and an external microphone jack for high-quality movie shooting.\r\n\u003c\/p\u003e\r\n\u003cp class=\"mid\"\u003e\r\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/RX100_VII_Compact_Camera_1_1.png?v=1748072118\" alt=\"\"\u003e\r\n\u003c\/p\u003e\u003cbr\u003e\r\n\u003ch4\u003eBroad zoom capability in a compact body\u003c\/h4\u003e\r\n\u003cp class=\"mid\"\u003eThe high-magnification 24–200 mm2 zoom lens delivers superb image quality. Engineered to achieve maximum resolution and clarity across the entire zoom range, it brings remarkable telephoto capability to a pocket-size package, vastly expanding your options for creative expression.\u003c\/p\u003e\u003cbr\u003e\r\n\u003cp class=\"mid\"\u003e\r\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/RX100_VII_Compact_Camera_2_1.png?v=1748072124\" alt=\"\"\u003e\r\n\u003c\/p\u003e\r\n\u003ch4\u003eReal-time Tracking for moving subjects \u003c\/h4\u003e\r\n\u003cp class=\"mid\"\u003eReal-time Tracking uses subject-recognition algorithms (AI)8 that draw on color, pattern (brightness), subject distance (depth) and face\/eye information to track your subjects wherever they move. Maintaining a constant, steady focus on a moving subject helps you capture every important moment of action as it happens, whether you're taking stills or movies.\u003c\/p\u003e\u003cbr\u003e\r\n \u003cstyle\u003e\n.map-responsive{\n    overflow:hidden;\n    padding-bottom:56.25%;\n    position:relative;\n    height:0;\n    border: 2px solid #d6d6d6;\n}\n.map-responsive iframe{\n    left:0;\n    top:0;\n    height:100%;\n    width:100%;\n    position:absolute;\n}\n\u003c\/style\u003e\r\n\r\n\r\n\u003ch4\u003eHigh-resolution 4K HDR (HLG) recording and stable AF \u003c\/h4\u003e\r\n\u003cp class=\"mid\"\u003eThe camera supports internal 4K (QFHD:3840×2160) movie recording13 14 with full pixel readout and no pixel binning. Smooth, stable AF is the result of enhanced AF algorithms, and Real-time Tracking and Real-time Eye AF (human) are also now available for movies. With HLG (Hybrid Log-Gamma) capability you can enjoy HDR images simply by connecting the camera to an HDR (HLG) compatible Sony TV via a USB cable. \u003c\/p\u003e\u003cbr\u003e\r\n\r\n\r\n\u003ch4\u003eAdvanced features for creators and vloggers \u003c\/h4\u003e\r\n\u003cp class=\"mid\"\u003eStep up your vlogging with the go-anywhere RX100 VII. New Touch Tracking for movies gives you fast, easy autofocus you can rely on, while Real-time Eye AF (human) ensures precise focus. Even when you're walking, image stabilization \"Active\" mode produces smooth 4K video and, with a tilting selfie screen and external mic input, both framing and audio are stress-free.\u003c\/p\u003e\u003cbr\u003e\r\n\r\n\u003cp class=\"mid\"\u003e\r\n\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49825753399582,"sku":"DSC-RX100M7","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_rx100_vii_compact_camera_tlkgC.jpg?v=1749073668"},{"product_id":"canon-eos-1d-x-mark-iii-dslr-camera","title":"Canon EOS-1D X Mark III DSLR Camera","description":"\u003ch4\u003ePhotography, without limits.\u003c\/h4\u003e\r\n\u003cp\u003eWhen conditions are tough, the light is poor but the pressure’s on, the EOS-1D X Mark III lets you capture winning images before the competition. It’s the ultimate creative toolkit, with superb low-light performance, deep learning AF and 5.5K Raw video.  Support both uncropped and cropped 4K recording. Buy Canon EOS-1D X Mark III DSLR Camera from UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether you shoot sports, wildlife or photojournalism, this EOS-1D X Mark III kit lets you capture fast, fleeting moments with image quality that defies expectations – even in low light. The EOS-1D X Mark III uses deep-learning AI to adapt to different situations, while continuous shooting at 20 fps (16 fps when using the camera’s viewfinder) catches more moments more often. Filmmakers will enjoy shooting DCI 4K\/60p video and RAW video at 5.5K resolution. SanDisk’s Extreme PRO® CFexpress™ Card ensures you catch all the action with read speeds of up to 1,500 MB\/s and write speeds of 800 MB\/s¹.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBenefits\u003c\/h4\u003e\r\n\u003cul class=\"key-ul\"\u003e\r\n\u003cli\u003eShoot superb images even in the poorest of conditions, thanks to a new 20.1 megapixel CMOS full-frame sensor and DIGIC X image processor that provide ISO 100-102,400 sensitivity (expandable to ISO 50-819,200)\u003c\/li\u003e\r\n\r\n\u003cli\u003eCapture more moments more often, shooting bursts of up to 1,000 images at up to 20 fps in Live View mode and 16 fps when using the camera’s optical viewfinder. Dual slots for CFexpress™ cards allow incredibly fast data transfer speeds\u003c\/li\u003e\r\n\r\n\u003cli\u003eWhen shooting fast-action, the camera’s deep-learning AF system recognises athletes’ heads even if their faces are covered with helmets or goggles. It keeps erratic wildlife and street subjects in sharp focus too\u003c\/li\u003e\r\n\r\n\u003cli\u003e191 AF points, 155 of which are cross-type, provide fast, accurate focusing when using the camera’s viewfinder. 525 focusing zones operate in Live View mode, with our renowned Dual Pixel CMOS AF system\u003c\/li\u003e\r\n\r\n\u003cli\u003eFilmmakers can capture full-frame 4K\/60p using the full width of the camera’s sensor, or even 5.5K RAW video. Canon Log makes it simple to colour-grade footage and integrate it into existing editing workflows\u003c\/li\u003e\r\n\r\n\u003cli\u003eWhen shooting at stadiums equipped with wired ethernet connections, the EOS-1D X Mark III allows images to be transmitted to secure FTP servers more quickly than ever. Network and server settings can be stored separately for instant recall\u003c\/li\u003e\r\n\r\n\r\n\u003cli\u003eSmart devices work hand-in-hand with the EOS-1D X Mark III thanks to the camera’s built-in Bluetooth and Wi-Fi connectivity. An optional WFT-E9 Wi-Fi transmitter enhances range with 802.11ac MIMO connectivity\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe built-in GPS is compatible with many global satellites and automatically adds geotag information including longitude, latitude and Coordinated Universal Time, allowing agencies and photographers to identify where images were taken\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe EOS-1D X Mark III feels like an extension of your hands, your eyes and your creative mind. Controls fall instinctively under thumbs and fingers. The new Smart Controller lets you select focus points quickly and intuitively\u003c\/li\u003e\r\n\r\n\u003cli\u003eShoot confidently whatever the conditions throw at you. Weather-proof seals protect against dust, moisture and freezing temperature. A magnesium-alloy body is built to withstand the rigors of professional use\u003c\/li\u003e\r\n\r\n\r\n\u003cli\u003eExperience high speed consistent recording with up to 1,500 MB\/s read speed and up to 800 MB\/s write speed with the Extreme PRO® CFexpress™ Card, and enjoy smooth RAW 4K video performance²\u003c\/li\u003e\n\u003c\/ul\u003e\r\n\r\n","brand":"Canon","offers":[{"title":"Default Title","offer_id":49825907179806,"sku":"CAE1DX3","price":27500.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/canon_eos_1d_x_mark_iii_dslr_camera_jSsCZ.jpg?v=1749082318"},{"product_id":"canon-eos-c300-mark-iii-digital-cinema-camera-body-ef-lens-mount","title":"Canon EOS C300 Mark III Body Only","description":"\r\n\u003ch2 class=\"product-h2\"\u003eCanon EOS C300 Mark III Body Only\u003c\/h2\u003e\r\n\r\n\u003cp\u003eDiscover Canon EOS C300 Mark III that features a 4K Super 35mm DGO sensor, 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF. The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II. New 4K Super 35mm CMOS sensor for breath-taking image quality. Highly Versatile Cinema EOS System The next generation EOS C300 Mark III incorporates Canon's newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II. Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user. Buy Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) from UBMS Dubai . We can provide best price for camera \u0026amp; free shipping inside UAE . Buy Canon EOS C300 Mark III from UBMS Dubai Showroom or order online .  \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed. Canon EOS C300 Mark III is available in UBMS Dubai.  EOS C300  is one of the best canon cine  camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C100 Mark II also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection. Shop Canon EOS C300 Mark III in Dubai, UAE from UBMS.  We can ship Canon EOS C300 Mark III  to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) \u0026amp;  African Countries .\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera features up to 12G-SDI output over a single BNC cable, timecode I\/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3\" rotating touchscreen LCD unit with full controls, grip, and thumb rest. Get more information about Canon EOS C300 Mark III from UBMS Dubai. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eHighly configurable and modular design\u003c\/h4\u003e\r\n\u003cp\u003eOptional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExtension Unit 1 (EU-V1) offers multi-camera support with a Genlock interface, while Extension Unit 2 (EU-V2) adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Canon professional cameras is available in UBMS Dubai showroom.  \u003c\/p\u003e\r\n\r\n\u003ch4\u003eVarious mount and lens options\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke \/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCanon Super 35 Dual Gain Output (DGO) Sensor\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III features Canon's next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas. Discover Canon EOS C300 Mark III that features a 4K Super 35mm DGO sensor, 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF. You can visit UBMS Dubai showroom and get more information about Canon EOS C300 Mark III.  Best price guaranteed for Canon EOS C300 Mark III. \u003c\/p\u003e\r\n\u003ch4\u003eDIG!C DV7 Image Processor\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III features Canon's DIG!C DV7 image processor that takes the extensive raw information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eMultiple recording formats support broadcast workflows\u003c\/h4\u003e\r\n\u003cp\u003eDual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10\/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/h4\u003e\r\n\u003cp\u003eThe Cinema EOS C300 Mark III features Canon's Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003c\/p\u003e\r\n\u003ch4\u003eHigh Frame Rate; 4K 120p and 2K CROP 180p\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.\u003c\/p\u003e\r\n\u003ch4\u003eCanon Log 2 and 3 Gamma\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor users looking for most of the benefits of Log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e\r\n\u003ch4\u003eModular Design\u003c\/h4\u003e\r\n\u003cp\u003eA new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone.\u003c\/p\u003e\r\n\u003ch4\u003eCanon Cinema RAW Light and XF-AVC Recordin\u003c\/h4\u003e\r\n\u003cp\u003eThanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1\/3 to 1\/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the conventional Intra-based XF-AVC codecs, a 4:2:2 10-bit Long GOP-based codec has been added with consideration for a balance of quality and data rates. This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. This new lightweight codec makes it easier for users to reduce media costs and work with cloud-based infrastructures.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K and 2K image data to be recorded internally onto CFexpress cards in workflow-efficient file sizes using advanced video compression. Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120 fps and 2K up to 180 fps.\u003c\/p\u003e\r\n\u003ch4\u003eLM-V2 4.3\" LCD Touchscreen Monitor\u003c\/h4\u003e\r\n\u003cp\u003eThe LM-V2 4.3\" LCD Monitor is an easy-to-view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interface to make it easy to access and change camera settings.\u003c\/p\u003e\r\n\u003ch4\u003e4-Channel Audio Recording\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera's internal microphone, mini mic port, and XLR ports can be assigned to the four different audio channels. With the Expansion Unit EU-V2, a total of four XLR ports are supported. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera.\u003c\/p\u003e\r\n\u003ch4\u003eSupport for Custom User LUTs\u003c\/h4\u003e\r\n\u003cp\u003eUsers can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD, and viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.\u003c\/p\u003e\r\n\u003ch4\u003eUser-Interchangeable Lens Mounts\u003c\/h4\u003e\r\n\u003cp\u003eUser-interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter. The EOS C300 Mark III ships with an EF mount that can be user-swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.\u003c\/p\u003e\r\n\u003ch4\u003eAnamorphic Lens Support\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. Users can achieve the wide cinematic looks, oval bokeh, and striking flares particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.\u003c\/p\u003e\r\n\u003ch4\u003eProxy Recording\u003c\/h4\u003e\r\n\u003cp\u003eHigher resolution, greater bit depths, and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon's powerful high-speed DIGIC DV7 image processor makes it possible for the EOS C300 Mark III to simultaneously record 2K Proxy files. Cinema RAW Light can be recorded to the internal CFexpress card, while an XF-AVC 2K 4:2:0 8-bit proxy can be recorded directly to an internal SD card. The C300 Mark III can also apply LUTs to Proxy recording.\u003c\/p\u003e\r\n\u003ch4\u003eElectronic Image Stabilization\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.\u003c\/p\u003e\r\n\u003ch4\u003e12G-SDI Support\u003c\/h4\u003e\r\n\u003cp\u003eSupport for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.\u003c\/p\u003e\r\n\u003ch4\u003eRC-V100 Support and LANC Compatible\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS-422) in both expansion unit EU-V1 and EU-V2. Through these connectors, the EOS C300 Mark III can be completely remote-operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.\u003c\/p\u003e\r\n\r\n\r\n\r\n","brand":"Canon","offers":[{"title":"Default Title","offer_id":49825915371806,"sku":"CAC3003EF","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/canon_eos_c300_mark_iii_body_only_xKYkJ.jpg?v=1749083321"},{"product_id":"blackmagic-ursa-mini-pro-12k","title":"Blackmagic URSA Mini Pro 12K (PL)","description":"\u003ch3\u003eBlackmagic Design URSA Mini Pro, the digital film camera with professional broadcast camera features and controls.\u003c\/h3\u003e\r\n\r\n\u003ch4\u003eIntroducing the World’s Most Advanced Digital Film Camera!\u003c\/h4\u003e\r\n\u003cp\u003eBlackmagic URSA Mini Pro 12K (BM12K) is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body.  Looking for Blackmagic URSA Mini Pro 12K price in Dubai, contact UBMS . The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS‑II SD card recorders, a SuperSpeed USB‑C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more! Order Blackmagic URSA Mini Pro 12K from UBMS Dubai. We can provide best price and fast shipping for  URSA Mini Pro 12K. \u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro 12K (BM 12K) comes with a PL mount, and URSA Mini Pro 4.6K G2 and URSA Mini Pro 4.6K come with an EF mount. You can change the lens mount on all URSA Mini Pro cameras to accept other lens types. For more information on the interchangeable lens mount, see the ‘interchangeable lens mount’ section. Looking for Blackmagic 12k camera ? contact UBMS we can provide all balckmagic camera for best price and fast delivery . \u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro is easy to recognize by the additional control buttons and LCD status screen on the left side of the chassis, as well as the ND filters near the lens mount. URSA Mini Pro 4.6K G2 also features an orange ‘G2 4.6K’ icon on the front above the lens mount and an orange ‘G2’ icon on the left side of the external control panel. Naturally, the additional control buttons will\r\nmean that you have different options for controlling your camera and changing settings. On the side of URSA Mini Pro 12K’s external control panel is a ‘12K’ icon and ‘HDR’ icon. The rear panel of URSA Mini Pro 12K has the headphone socket on the top right corner above the SDI ports, and a USB-C port is located in the bottom right corner below the 12V power connector. Blackmagic USRA Mini Pro 12K is available in UBMS Dubai Showroom. \u003c\/p\u003e\r\n\r\n\u003cb\u003e Main Features\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e12,288 x 6480 12K Super35 sensor\u003c\/li\u003e\r\n\u003cli\u003e14 stops of dynamic range\u003c\/li\u003e\r\n\u003cli\u003e80MP per frame; new color science\u003c\/li\u003e\r\n\u003cli\u003e12K images at up to 60 fps, 8K and DCI 4K up to 110 fps\u003c\/li\u003e\r\n\u003cli\u003e8K and 4K anamorphic: up to 140 fps, Super16 4K to 220 fps\u003c\/li\u003e\r\n\u003cli\u003eFlexible Blackmagic Raw recording options\u003c\/li\u003e\r\n\u003cli\u003eDual CFast and UHS-II SD card recorders\u003c\/li\u003e\r\n\u003cli\u003eRaw compression levels up to 18:1\u003c\/li\u003e\r\n\u003cli\u003eSuperSpeed USB Type-C expansion port for external recording\u003c\/li\u003e\r\n\u003cli\u003eMetadata support and timecode clock\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch4\u003eCamera 7.0 Update\u003c\/h4\u003e\r\n\u003cp\u003eBlackmagic Camera 7.0 Update brings new features and functionality for Blackmagic URSA Mini Pro 12K and Blackmagic URSA Viewfinder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNew features for Blackmagic URSA Mini Pro 12K\u003c\/p\u003e\r\n\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eIncrease 12K 2.4:1 maximum frame rate to 75 fps \u003c\/li\u003e\r\n\u003cli\u003eIncrease 8K DCI, 16:9 \u0026amp; 6:5 Anamorphic to 120 fps\u003c\/li\u003e\r\n\u003cli\u003eIncrease 4K DCI, 16:9 \u0026amp; 6:5 Anamorphic to 120 fps \u003c\/li\u003e\r\n\u003cli\u003eIncrease 8K 2.4:1 \u0026amp; 4K 2.4:1 to 160 fps \u003c\/li\u003e\r\n\u003cli\u003eIncrease 4K Super 16 to 240 fps \u003c\/li\u003e\r\n\u003cli\u003eAdds Blackmagic RAW stills capture support \u003c\/li\u003e\r\n\u003cli\u003eAdds broadcast lens connector support\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e For more details about price and availability of Blackmagic URSA Mini Pro you can contact UBMS \u003c\/p\u003e\r\n\u003ch4\u003eDigital Film, Extreme Resolution\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience. Discover the Blackmagic 12k camera from UBMS Dubai showroom.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCinematic Super 35 12K Sensor\u003c\/h4\u003e\r\n\u003cp\u003eThe Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics. URSA Mini 12K is available in UBMS showroom now. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eShoot in 12K, Edit on a Laptop\u003c\/h4\u003e\r\n\u003cp\u003eThe URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBlackmagic RAW Fueled Image Capture\u003c\/h4\u003e\r\n\u003cp\u003eOnly Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eOptimized for Fast Flexible Post Production\u003c\/h4\u003e\r\n\u003cp\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K. Shop URSA Mini Pro 12K from UBMS Dubai Showroom. We are providing free shipping inside UAE . \u003c\/p\u003e\r\n\r\n\u003ch4\u003eGeneration 5 Color Science\u003c\/h4\u003e\r\n\u003cp\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFull Resolution at Higher Frame Rates\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHigh Band Width Recording\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With \"Record RAW on 2 Cards\" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB\/s to 2 CFast cards, or an impressive 500MB\/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB\/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 110 fps!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eEasy to Use Blackmagic OS\u003c\/h4\u003e\r\n\u003cp\u003eWith advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eRevolutionary Lightweight, Portable Design\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4\" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eInterchangeable Lens Mounts\u003c\/h4\u003e\r\n\u003cp\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBuilt in Precision ND Filters\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eUSB-C for Direct Recording to External Disks\u003c\/h4\u003e\r\n\u003cp\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb\/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb\/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHigh Resolution Monitoring and Camera Control\u003c\/h4\u003e\r\n\u003cp\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a \"heads up display\" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDigital Slate for Fast Metadata Entry\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFull Size, Durable Connections that Work with Standard Cables\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera\u003c\/p\u003e\r\n\r\n\u003ch4\u003eWireless Bluetooth Camera Control\u003c\/h4\u003e\r\n\u003cp\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eIncludes DaVinci Resolve Studio\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eOptional Shoulder Mount Kit\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro cameras include multiple ¼ inch mount points on the bottom so you can attach them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eHigh Resolution Viewfinder for Accurate Focus\u003c\/h4\u003e\r\n\r\n\u003cp\u003eThe optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. You get a high resolution 1920 x 1080 color OLED display with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. As well as a clean feed of the image you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built in tally light!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eBlackmagic URSA Mini Recorder\u003c\/h4\u003e\r\n\u003cp\u003eThe new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro between the camera and the battery. It’s controlled via the USB‑C so you don’t have to worry about manually starting or stopping the SSD recorder.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCompatible with Industry Standard Batteries and Power\u003c\/h4\u003e\r\n\u003cp\u003eURSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.\u003c\/p\u003e\r\n\r\n\r\n\r\n","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49825952760094,"sku":"CINEURSAMUPRO12K","price":26971.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_ursa_mini_pro_12k_pl_IZHEw.jpg?v=1749085450"},{"product_id":"red-digital-cinema-komodo-6k-digital-cinema-camera-canon-rf","title":"RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF)","description":"\u003cp\u003eKOMODO is a compact cinema camera featuring RED’s unparalleled image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor. Check out the specs \u0026amp; features  of  the new RED Komodo camera. \u003c\/p\u003e\r\n\r\n\u003cp\u003eKOMODO 6K is the latest breakthrough product in RED's long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera. It features RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario. ​KOMODO  is a cube-shaped camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. KOMODO also has a DC IN power port and can also be powered using two Canon BP style batteries. Buy RED KOMODO 6K from UBMS Duabi. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn-Camera Language Support: English, Chinese, Japanese, German, Spanish, French​​\u003c\/p\u003e\r\n\r\n\u003cp\u003eNOTE: The KOMODO 6K has an adaptable RF lens mount. KOMODO requires a lens mount adapter, i.e. RF to EF, RF to PL, in order to shoot.​ RF to EF Mechanical Adapter included with camera.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eGlobal Shutter\u003c\/h4\u003e\r\n\u003cp\u003eCapture every movement, burst, and flash without sacrificing an ounce of dynamic range or overall image quality. \u003c\/p\u003e\r\n\u003ch4\u003eMovement\u003c\/h4\u003e\r\n\u003cp\u003eCapture fast-moving action like it’s meant to be captured. No blurred or curved lines. Just perfect pixels in every shot. \u003c\/p\u003e\r\n\u003ch4\u003eDynamic Range\u003c\/h4\u003e\r\n\u003cp\u003eKOMODO stays true to RED’s reputation and heritage of unrivaled dynamic range. Capture every  detail from the most cinematic shots.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFlash\u003c\/h4\u003e\r\n\u003cp\u003eThe KOMODO 6K sensor isn't phased by quick bursts of light like strobes or lightning, so users never have to compromise getting the shot they want. \u003c\/p\u003e\r\n\r\n\u003ch4\u003eVFX\u003c\/h4\u003e\r\n\u003cp\u003eNo rolling shutter artifacts means less time fixing footage for camera tracking\/match-move. Saving valuable time and money in post-production and VFX.\u003c\/p\u003e\r\n\r\n\u003ch4\u003e6K S35 Sensor\u003c\/h4\u003e\r\n\u003cp\u003e6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160\r\n\r\n\u003c\/p\u003e\u003ch4\u003eVERSATILE LENS MOUNT\u003c\/h4\u003e\r\n\u003cp\u003eKOMODO’S RF MOUNT PROVIDES TREMENDOUS FLEXIBILITY AND COMPATIBILITY WITH A WIDE ARRAY OF EF AND PL LENSES AND THE ABILITY TO LEVERAGE ADAPTERS W\/ INTERNAL ND FILTERS.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eCFast Recording\u003c\/h4\u003e\r\n\u003cp\u003eCapture at rates up to 280 MB\/s on RED PRO or qualified third-party CFast 2.0 cards\u003c\/p\u003e\r\n\r\n\u003ch4\u003eREDCODE RAW\u003c\/h4\u003e\r\n\u003cp\u003eThe robust REDCODE RAW file format offers the versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eApple ProRes Formats\u003c\/h4\u003e\r\n\u003cp\u003eFor proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K)\u003c\/p\u003e\r\n\r\n\u003ch4\u003eColor Management\u003c\/h4\u003e\r\n\u003cp\u003eSupports 3D LUTs and RED color science\u003c\/p\u003e\r\n\r\n\u003ch4\u003eTouchscreen Display\u003c\/h4\u003e\r\n\u003cp\u003eIntegrated 2.9\" touchscreen LCD display for video preview and camera control\u003c\/p\u003e\r\n\r\n\r\n","brand":"Red","offers":[{"title":"Default Title","offer_id":49826008793374,"sku":"710-0333","price":25690.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/red_digital_cinema_komodo_6k_digital_cinema_camera_canon_rf_4gGVu.jpg?v=1749088832"},{"product_id":"io-industries-8k-sdi","title":"IO Industries 8k SDI","description":"\u003cb\u003eSMALL 8K\/UHDTV2\/4K\/UHD VIDEO CAMERA\u003c\/b\u003e\r\n\u003cp\u003eThe 8KSDI is a compact 8K\/UHDTV2 video camera with professional 10-bit SDI output.  It can be used as a point-of-view (POV) camera for sports broadcasting and other live events, or when combined with an SDI video recorder, the 8KSDI can be used for specialty video production and cinematography.  It can comfortably fit in tight locations where larger cameras are impractical.  With an interchangeable lens mount, a variety of lenses can be used depending on how wide or narrow of a view is needed.  Multiple cameras can be precisely synchronized together for immersive virtual reality capture systems.  Low-latency video output via 4x12G-SDI enables plug-and-play connection to a variety of monitors, signal extenders, recorders, and other infrastructure.\u003c\/p\u003e\r\n\r\n\u003cb\u003eADVANCED GLOBAL SHUTTER SENSOR\u003c\/b\u003e\r\n\u003cp\u003eThe CMOS image sensor used in the 8KSDI camera features advanced global shutter capability.  Global shutter means all pixels across the sensor capture light during the same period of time.  In contrast, sensors which use a rolling shutter technique will stagger the start of exposure throughout the rows of the image.  This leads to motion artifacts in fast-moving scenes, as well as uneven frame illumination if bright flashes occur partway through the exposure period.  Traditionally, sensors designed with global shutter capability showed a tradeoff of higher noise and lower dynamic range, but the Super 35 sensor in the 8KSDI has a modern global shutter pixel design with optimizations to provide low noise and high dynamic range.  This allows the 8KSDI to be used across a wide variety of lighting conditions.\u003c\/p\u003e\r\n\r\n\u003cb\u003eINTERCHANGEABLE LENSES\u003c\/b\u003e\r\n\u003cp\u003eThe 8KSDI features an interchangeable lens mount, with options of either F-mount or Active EF-mount.  This allows easy connection to hundreds of standard lenses available today.  The flexibility to easily swap between fisheye, portrait, zoom, telephoto and many other kinds of lenses adds to the versatility of the 8KSDI camera, in comparison to other cameras with integrated non-removable lenses.  The F-mount is a passive, mechanical-only mount requiring manually-adjustable F-mount lenses.  The Active EF-mount electronically controls any attached EF-mount lenses, providing remote control over iris and focus.\u003c\/p\u003e\r\n\r\n\u003cb\u003eMULTI-FORMAT SDI VIDEO OUTPUT\u003c\/b\u003e\r\n\u003cp\u003eWith four SDI outputs on HD-BNC connectors, the 8KSDI provides a range of options to connect to either 8K\/UHDTV2-compatible or 4K\/UHD-compatible equipment.  The highest-resolution output formats are UHDTV2 (7680x4320) and DCI 8K (8192x4320), at rates from 23.98 to 60.0 fps.  For applications not yet needing 8K resolution, an in-camera scaling mode enables 4K\/UHD output at up to 60fps via single-link 12G\/6G-SDI.  This highly-detailed 4K\/UHD output mode exceeds the measured resolution of 4K cameras with native 4K image sensors.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePACKED WITH FEATURES\u003c\/b\u003e\r\n\u003cp\u003e The 8KSDI can be set up quickly using intelligent features like auto white balance and automatic exposure, but unlike other POV cameras, these features can be easily disabled to allow manual fine-tuning of the exposure and color processing performed by the camera.  The 8KSDI has coarse and fine exposure (shutter) controls, white balance and black balance controls with saturation adjustment, color temperature presets and a 3x3 color correction matrix.  Look up tables (LUTs) with standard and high dynamic range gamma options, knee function and master pedestal are also standard.  Lastly, image enhancement and denoise controls enable fine details to be displayed at their best.\u003c\/p\u003e\r\n\r\n\u003cb\u003eEASY TO USE, EASY TO INTEGRATE\u003c\/b\u003e\r\n\u003cp\u003eThe 8KSDI is controlled through a two-wire RS485 serial connection.  Operators can use a handheld remote control for quick camera adjustments through the on-screen menu.  For live broadcast environments, 3rd-party remote control panels (RCPs) are available as well, allowing quick adjustments of paint and shading functions.  PC-based control is possible through a USB-RS485 adapter and an easy-to-use software utility provided with the camera.  Or, for complete systems integration, the full camera control protocol is straight-forward and fully documented for developers to incorporate into other control systems.\u003c\/p\u003e\r\n\r\n\u003cb\u003eMULTI-CAMERA SYNCHRONIZATION\u003c\/b\u003e\r\n\u003cp\u003eShutter synchronization is critical for multi-camera applications such as stereoscopic 3D, VR-360, or even volumetric video capture.  As well, in live broadcast facilities, cameras need to be able to follow a master sync reference in order to allow cuts\/fades between cameras.  Otherwise, cameras must be paired with frame synchronizers which can add to the total video delay.  The 8KSDI accepts an HD tri-level sync signal through a dedicated HD-BNC input.  If this signal is distributed to multiple cameras, microsecond-level shutter synchronization between the cameras can be achieved.\u003c\/p\u003e\r\n\r\n\r\n","brand":"IO Industries","offers":[{"title":"Default Title","offer_id":49826059354398,"sku":"8KSDI","price":34626.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/io_industries_8k_sdi_QplBU.jpg?v=1749093962"},{"product_id":"blackmagic-design-studio-camera-4k-pro","title":"Blackmagic Design Studio Camera 4K Pro","description":"\u003cp\u003eAdd a powerful studio camera to your 4K broadcast with the Blackmagic Design Studio Camera 4K Pro. This updated compact and lightweight broadcast camera is designed for live production and provides a variety of options to record and broadcast your video. New features added to the Studio model include a lighter carbon fiber body, up to 25,600 ISO, 13 stops of dynamic range, a bigger tally light, HDMI output with camera control, 12G-SDI input and output, talkback within SDI, two USB Type-C ports for recording and control, a standard 5-pin broadcast headset jack, a speaker, built-in dual microphones, a 7\" HDR LCD, a redesigned sun hood, and 10G Ethernet. Blackmagic 4K Pro is available in UBMS Dubai showroom.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera offers UHD resolutions at frame rates up to 3840 x 2160p60. It is light for frequent travel, setup, and breakdown, yet durable for use in the field. It has a bright 7\" capacitive touchscreen display that allows you to control all the settings right from the screen, and it features a 1920 x 1200 resolution, high-brightness HDR support for use in sunlight, and it has a detachable sun hood that was redesigned to fold down over the display for storage and protection. There are brightness, contrast, iris, and focus peaking control knobs on the sides of the display, and you can also program the F1-3 buttons on the side. The camera also features DaVinci Resolve built-in, so you can control the camera's color and brightness settings right from a computer when it's paired with a compatible ATEM switcher. UBMS can provide best price for all Blackmagic Camera 4K.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Studio 4K Pro also provides features you'd expect to find in larger studio cameras, such as a large tally indicator with customizable number decals, talkback, a 5-pin broadcast headset plug, dual XLR audio input with phantom power, and 12G-SDI inputs\/outputs. This camera also features HDMI output, and its new 10G Ethernet is an enormous pipe to use when broadcasting 4K video. You can even unplug all the HDMI and SDI cabling and utilize the 10G Ethernet to send all the video and data to a companion converter or switcher, which can even provide PoE to the camera, so you only need one cable. Its Micro Four Thirds lens mount allows you to utilize a wide range of professional photography lenses, and you can also control the lens remotely, broadcast style, with the optional Zoom Demand and Focus Demand lens controllers. Blackmagic Camera 4K Pro is a new camera from Blackmagic.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo power the camera, you can use PoE with a compatible switcher or the separately available Blackmagic Studio Converter, or you can use the included DC power adapter with a locking plug. It also has a standard 4-pin XLR power input for external sources to provide redundant power. Looking for price of Blackmagic Design Studio Camera 4K Pro, UBMS can provide best price and fast delivery.\u003c\/p\u003e\r\n\r\n\u003cb\u003eCompact and Lightweight Design\u003c\/b\u003e\r\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they're not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it's a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there are knobs for brightness, contrast, and focus peaking. Plus, a tripod mount with 15mm LWS rod ports and mounting plate is included for fast setup. UBMS Shop have largest collection of Blackmagic cameras in UAE. \u003c\/p\u003e\r\n\r\n\u003cb\u003eExceptional Low-Light Performance\u003c\/b\u003e\r\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. This means the higher the ISO the more gain can be added, so it's possible to shoot in natural light, or even at night. The Blackmagic Studio Camera features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\r\n\r\n\u003cb\u003eCinematic Images in Live Production\u003c\/b\u003e\r\n\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160, which is great for both HD and Ultra HD work. Plus, all models support from 23.98 up to 60 fps.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAffordable Photographic Lenses\u003c\/b\u003e\r\n\u003cp\u003eWith the popular MFT lens mount, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust the lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFrame Shots with Large 7\" Viewfinder\u003c\/b\u003e\r\n\u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePhysical and Touchscreen Controls\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs, as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. The three function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the menus. The touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBuilt-In Tally for On-Air Status\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e\r\n\r\n\u003cb\u003eCommunicate with the Director via Talkback\u003c\/b\u003e\r\nUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\r\n\r\n\u003cb\u003ePowerful Broadcast Connections\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control, and record trigger, so are perfect for ATEM Mini switchers. You also get headphone and mic connections and two USB Type-C expansion ports. The advanced Blackmagic Studio Camera 4K Pro model is designed for broadcast workflows, so it has 12G-SDI, 10G-Base-T Ethernet, talkback, and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so setup is much faster. That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable, so it's much lower cost.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFour Ways to Connect\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI so are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 4K Pro has 12G-SDI, so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\r\n\r\n\u003cb\u003eGet Low-Cost Camera Control via SDI\u003c\/b\u003e\r\n\u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally, and lens control, and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means is that the camera operator is free to focus on framing shots.\u003c\/p\u003e\r\n\r\n\u003cb\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/b\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 4K Pro model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e\r\n\r\n\u003cb\u003eUSB Expansion Port for Accessories\u003c\/b\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\r\n\r\nBlackmagic RAW Quality\r\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed and add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem, so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003c\/p\u003e\r\n\r\n\u003cb\u003eIncludes Built-in Microphones\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras include built-in microphones, so you get sound included in the design, making setup much faster. Plus, the built-in microphones are shock and wind resistant, so you get great sound even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones, as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\r\n\r\n\u003cb\u003eMonitor Program Video\u003c\/b\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus, the built-in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowered by Blackmagic OS\u003c\/b\u003e\r\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSupports 3D LUTs for Film Looks\u003c\/b\u003e\r\n\u003cp\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic RAW files, so they can be used in later post-production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\r\n\r\n\u003cb\u003eLocalized in 11 Popular Languages\u003c\/b\u003e\r\n\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 11 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowers from DC or 10G Ethernet\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras have lots of different power options. All models have a common 12 VDC locking power connector, so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 4K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/p\u003e\r\n\r\n\u003cb\u003eOptional Accessories\u003c\/b\u003e\r\n\u003cp\u003eYou can utilize the Focus and Zoom demands to remotely control your lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e\r\n\r\n","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826167914782,"sku":"CINSTUDMFT-G24PDF","price":7562.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_studio_camera_4k_pro_NmnDR.jpg?v=1749106445"},{"product_id":"blackmagic-design-studio-camera-4k-plus","title":"Blackmagic Design Studio Camera 4K Plus","description":"\u003cp\u003eAdd a powerful studio camera to your 4K broadcast when using an ATEM Mini with the Blackmagic Design Studio Camera 4K Plus. This updated compact and lightweight broadcast camera is designed for live production and provides a variety of options to record and broadcast your video, and it's designed to be used with the ATEM Mini switcher. This camera is similar to the Studio Camera 4K Pro model but it has pared down inputs, so you can control all the camera outputs using a separately available ATEM Mini video switcher. The main features added to the Studio 4K Plus model include a lighter carbon fiber body, up to 25,600 ISO, 13 stops of dynamic range, a bigger tally light, HDMI output, two USB Type-C ports for recording and control, built-in dual microphones, a 7\" HDR LCD, and a redesigned sun hood.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera offers UHD resolutions at frame rates up to 3840 x 2160p60. It is light for frequent travel, setup, and breakdown, yet durable for use in the field. It has a bright 7\" capacitive touchscreen display that allows you to control all the settings right from the screen, and it features a 1920 x 1200 resolution, and it has a detachable sun hood that was redesigned to fold down over the display for storage and protection. There are brightness, contrast, iris, and focus peaking control knobs on the sides of the display, and you can also program the F1-3 buttons on the side. The camera also features DaVinci Resolve built-in, so you can control the camera's color and brightness settings right from a computer when it's paired with a compatible ATEM switcher.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts Micro Four Thirds lens mount allows you to utilize a wide range of professional lenses, and you can also control the lens remotely with the optional Zoom Demand and Focus Demand lens controllers. To power the camera, it has a standard locking DC power input for external power sources.\u003c\/p\u003e\r\n\r\n\u003cb\u003eCompact and Lightweight Design\u003c\/b\u003e\r\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they're not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it's a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there are knobs for brightness, contrast, and focus peaking. Plus, a tripod mount with 15mm LWS rod ports and mounting plate is included for fast setup.\u003c\/p\u003e\r\n\r\n\u003cb\u003eExceptional Low-Light Performance\u003c\/b\u003e\r\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. This means the higher the ISO the more gain can be added, so it's possible to shoot in natural light, or even at night. The Blackmagic Studio Camera features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera.\u003c\/p\u003e\r\n\r\n\u003cb\u003eCinematic Images in Live Production\u003c\/b\u003e\r\n\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160, which is great for both HD and UHD work. Plus, all models support from 23.98 up to 60 fps.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAffordable Photographic Lenses\u003c\/b\u003e\r\n\u003cp\u003eWith the popular MFT lens mount, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses have incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust the lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFrame Shots with Large 7\" Viewfinder\u003c\/b\u003e\r\n\u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePhysical and Touchscreen Controls\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs, as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. The three function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the menus. The touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBuilt-In Tally for On-Air Status\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard (on SDI cameras) used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowerful Broadcast Connections\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control, and record trigger, so are perfect for ATEM Mini switchers. You also get headphone and mic connections and two USB Type-C expansion ports.\u003c\/p\u003e\r\n\r\n\u003cb\u003eGet Low-Cost Camera Control via HDMI\u003c\/b\u003e\r\n\u003cp\u003eATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003c\/p\u003e\r\n\r\n\u003cb\u003eUSB Expansion Port for Accessories\u003c\/b\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBlackmagic RAW Quality\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed and add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem, so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003c\/p\u003e\r\n\r\n\u003cb\u003eIncludes Built-In Microphones\u003c\/b\u003e\r\n\u003cp\u003eBlackmagic Studio Cameras include built-in microphones, so you get sound included in the design, making the setup much faster. Plus, the built-in microphones are shock and wind resistant, so you get great sound even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones, as well as a 3.5mm headphone jack.\u003c\/p\u003e\r\n\r\n\u003cb\u003eMonitor Program Video\u003c\/b\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus, the built-in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePowered by Blackmagic OS\u003c\/b\u003e\r\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSupports 3D LUTs for Film Looks\u003c\/b\u003e\r\n\u003cp\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic RAW files, so they can be used in later post-production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\r\n\r\n\u003cb\u003eLocalized in 11 Popular Languages\u003c\/b\u003e\r\n\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 11 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\r\n\r\n\u003cb\u003eOptional Accessories\u003c\/b\u003e\r\n\u003cp\u003eYou can utilize the Focus and Zoom demands to remotely control your lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e\r\n\r\n","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826169159966,"sku":"CINSTUDMFT\/G24PDD","price":5465.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_studio_camera_4k_plus_hjgfa.jpg?v=1749106549"},{"product_id":"sony-cyber-shot-dsc-rx100-va-digital-camera","title":"Sony Cyber-shot DSC-RX100M5 VA Digital Camera","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cp\u003eTweaking an already stellar pocket-sized camera, the Cyber-shot DSC-RX100 VA Digital Camera from Sony improves the existing RX100 V by increasing the buffer size to 233 images, reducing display lag time in the electronic viewfinder, and adding several small features over other aspects of the camera. With the 20.1MP 1\" Exmor RS BSI CMOS sensor, the RX100 VA can output detailed images at sensitivities up to ISO 12800. The Fast Hybrid AF system has 315 focal-plane phase-detection points that cover 65% of the image area of the sensor and can achieve focus in as little as 0.05 seconds. That autofocus system is also capable of tracking subjects across the frame, even while shooting at high speeds. Sony's BIONZ X processor enables continuous shooting up to 24 fps with the aforementioned buffer size of 233 JPEG images and improved High Frame Rate recording times.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLike the RX100 V, the RX100 VA can shoot HD video at 960 fps in High Frame Rate Mode and UHD 4K video at 30\/24 fps. But a new feature of the RX100 VA is dual video recording, where the camera simultaneously records two video files at once. Also carried over from the RX100 V is Gamma Display Assist, which provides a more contrasty image while using a flat S-Log2 gamma, and the Photo Capture mode for pulling 8.29MP stills from your movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe RX100 VA keeps the same physical design as the RX100 V to keep compatibility with all accessories. A Zeiss Vario-Sonnar T* lens still graces the front of the camera with an equivalent zoom range of 24-70mm and a fast f\/1.8-2.8 maximum aperture that provides incredible flexibility in a wide range of shooting scenarios. A pop-up 0.39\" 2.36m-dot OLED Tru-Finder EVF and 3.0\" 1.23m-dot tilting LCD give you crystal clear previews of what you're shooting. The RX100 VA also keeps the same lens control ring, built-in ND filter, and customizable buttons as its predecessor. 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This version of the EOS C700 FF Digital Cinema Camera comes with Canon's EF lens mount with a positive-locking mechanism, minimizing play found in traditional spring-loaded, bayonet-style mounts. With a physical resolution exceeding that of DCI 4K and a dynamic range of approximately 15 stops, the EOS C700 FF Digital Cinema Camera is ready for today's 4K and HDR productions. The full-frame sensor and triple DIGIC DV 5 image processors enables full-frame capture at 30p and 4K cropped capture at up to 72 fps to the CFast 2.0 card slots using the XF-AVC codec. Both relay and simultaneous recording is possible, and you can even record in ProRes on one CFast card, while simultaneously recording to XF-AVC on another CFast card. Raw recording is also possible in full frame at up to 60 fps, 4K Super35 crop up to 72 fps, and 2K Super16 crop up to 168 fps using an optional clip-on Codex Digital Recorder.\u003c\/p\u003e\r\n\u003cp\u003eWhile the EOS C700 FF Digital Cinema Camera is a fairly advanced piece of equipment, Canon has implemented a familiar user interface. Most basic functions can be accessed through the six buttons surrounding the screen. More advanced settings can be found using the simple selection dial and set buttons. I\/O options for nearly any application can be found on the camera's side panel. Video, audio, control, and power inputs and outputs are available for implementations ranging from ENG-style run-and-gun to high-budget cinema productions. The camera supports ACES, and features selectable gamma and log shooting modes. While the camera is a production powerhouse all on its own, its modular design lets the user customize the form factor to fit their use case. The rectangular body has enough real estate to be shoulder-mounted for handheld shooting or secured to a dovetail on professional grip equipment with ease.\u003c\/p\u003e\r\n\u003ch3\u003eRecording Features\u003c\/h3\u003e\r\n\u003cp\u003e\u003cb\u003eHigh Frame Rate Support\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eSlow down the action with high frame rates. Crop in on the sensor for 2K frame rates up to 168 fps. With the separately available Codex Digital raw recorder, frame rates of up to 60 fps full frame can be captured using the entire sensor in Raw.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eInternal ProRes Recording\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe inclusion of Apple's ProRes codec inside the EOS C700 FF Digital Cinema Camera enables shooters who require a quick turnaround to go direct-to-edit on many NLEs without any transcoding necessary. In 4K, the 422 HQ flavor is implemented and is supported up to 30 fps. In 2K mode, 10-bit 422, 10-bit 422 HQ, and 12-bit 4444 can be used. High frame rate recording is supported up to 168 fps using the 10-bit 422 flavor combined with the 2K center crop. All formats are conveniently recorded directly to the CFast 2.0 cards.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eInternal XF-AVC Recording\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eRecording to CFast 2.0 cards using the XF-AVC-coded enables capturing at 4K full frame at up to 60 fps. You can also capture 2K\/FHD at up to 60 fps. Switching to a Super35 crop enables 4K capture at up to 72 fps, and if you select a Super16 crop you can capture at up to 168 fps to CFast 2.0 cards. For Proxy file recording you can record proxy files in XF-AVC from 1.5 to 9 Mb\/s to a built-in SD card slot.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eRaw Recording\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eBy removing the battery mount on the rear of the camera, and using the included bracket, a Codex Digital raw recorder can be installed using the included bracket. 12-bit DCI 4K raw files will be recorded onto separately available Codex Digital Capture Drives and will be instantly compatible with the robust Codex Digital workflow.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eHLG\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe EOS C700 FF Digital Cinema Camera features the option to output HDR formats conforming to ITU-R BT.2100 over the monitor input, to assist in HDR production. ITU-R BT.2100 allows compatible monitors to simulate the HDR look of the final piece allowing for easier lighting and other technical decisions on set during the acquisition process.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eLUT\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe EOS C700 FF Digital Cinema Camera supports User LUTs. Users can customize their own LUTs and load them on the camera for viewing and recording.\u003c\/p\u003e\r\n\u003ch3\u003eMonitoring Features\u003c\/h3\u003e\r\n\u003cp\u003e\u003cb\u003eHDR\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf using monitors compatible with the SMPTE ST 2084 standard, you can connect to the monitor via SDI or HDMI outputs for vibrant images with enhanced dynamic range visibility over standard monitoring solutions. The separately available EVF-V70 OLED viewfinder has HDR simulation via a LUT that resembles the SMPTE ST 2084 standard for HDR preview monitoring in-camera.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eSurrounding Area\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe viewfinder and monitoring outputs display a translucent area around the image that is being recorded. Having that area lets the operator see what's happening outside the recorded frame.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eACES Support\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe EOS C700 FF Digital Cinema Camera supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C700 FF can be imported directly into the ACES compatible systems. Additionally, video output from the camera can be monitored by selecting the ACES Proxy. Aces Proxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and color choices made on set are accurately reproduced in post.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eAnamorphic De-Squeeze\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eAnamorphic lenses enable one-of-a-kind visual expression and are supported on the C700. When outputted to EVF or monitor outputs, the image is stretched to 2.39:1 after de-squeezing. Magnification factor can be set to OFF\/2x\/1.33x to match the anamorphic optics in use.\u003c\/p\u003e\r\n\u003ch3\u003eGeneral Features\u003c\/h3\u003e\r\n\u003cp\u003e\u003cb\u003eCanon Log\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eFollowing in the tradition of the EOS C series cameras, the EOS C700 FF Digital Cinema Camera offers Canon Log, Canon Log 2, and Canon Log 3 curves for recording.\u003cbr\u003e Canon Log 2 emphasizes post-production grading, and maintains higher tonality in dark areas compared to the original Canon Log. With this curve, up to 15 stops of dynamic range can be realized in a single frame. Canon Log 3 uses a gamma designed to simplify grading by tightening dark areas and adjusting gradation, making it a gamma that makes noise less noticeable and widens dynamic range while retaining Canon Log's ease of use.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eDual Pixel CMOS AF\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eWith phase-detection pixels covering 80% of the sensor area, quickly achieving accurate focus with compatible EF lenses is as simple as selecting an area and have the camera automatically focus on it. Face detection will lock the focus on a face inside the frame and track it as it moves through the frame. Different faces inside the frame are selectable. To ensure that focus is smooth, sensitivity can be adjusted in the menu.\u003c\/p\u003e\r\n\u003cp\u003eAnother function of Dual Pixel AF is Dual Pixel Focus Guide, especially for manual focus confirmation. Select an area inside the frame and the UI will show if the lens is front or back focused from that point. 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Deeper settings can be accessed using the dial, set key, as well as familiar home and back buttons.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eND Filters\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eDual motorized filter wheels hold 2-, 4-, and 6-stop ND filters. When the camera is set to expanded ISO, the camera will combine the filter wheels to allow 8- and 10-stop settings.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eIP Streaming Support\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eIP streaming support lets users stream video online in real-time as they shoot. The C700 can connect with compatible IP decoders, IP streaming software and other devices, either through the on-board Ethernet connection or with a separately available Wi-Fi adapter, to enable live streaming to video websites or news programs within an existing video production and editing workflow, such as at a broadcast station.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":49826223718686,"sku":"3042C002","price":121000.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/canon_eos_c700_full_frame_cinema_camera_cinema_locking_ef_mount_Wi5oT.jpg?v=1749110525"},{"product_id":"blackmagic-design-ursa-broadcast-g2-camera","title":"Blackmagic Design URSA Broadcast G2 Camera","description":"\u003cp\u003eThe new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible! Buy Blackmagic Design URSA Broadcast G2 Camera from UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003cp\u003e Blackmagic URSA Broadcast G2 (CINEURSAMWC6KG2), a next generation professional broadcast camera with 6K digital film sensor that brings digital film quality to both traditional and online broadcasters. The advanced 6144 x 3456 digital film sensor provides exceptional low light performance with dual gain ISO of up to +36dB as well as 13 stops of dynamic range. Blackmagic URSA Broadcast G2 also includes H.265 and Blackmagic RAW file formats, Blackmagic generation 5 color science, as well as a USB-C expansion port for external disk recording, and more! Looking for price of URSA Broadcast G2, UBMS can provide best price and fast delivery for Blackmagic URSA Broadcast G2.\u003c\/p\u003e\r\n\r\n\r\n\u003ch4\u003eBroadcast Production Camera\u003c\/h4\u003e\r\n\u003cp\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eLive Studio Camera\u003c\/h4\u003e\r\n\u003cp\u003eURSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eDigital Cinema Camera\u003c\/h4\u003e\r\n\u003cp\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera. Buy CINEURSAMWC6KG from UBMS Dubai.\u003c\/p\u003e\r\n\u003ch4\u003eDigital Film Quality for Broadcast\u003c\/h4\u003e\r\n\r\n\u003cp\u003eThe large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality!\u003c\/p\u003e\r\n\r\n\u003ch4\u003eLow-Light Performance\u003c\/h4\u003e\r\n\u003cp\u003eThe new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.\u003c\/p\u003e\r\n\u003ch4\u003eCompatible with B4 Broadcast Lenses\u003c\/h4\u003e\r\n\u003cp\u003eThe URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera's sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera's controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.\u003c\/p\u003e\r\n\u003ch4\u003eBuilt-In Optical ND Filters\u003c\/h4\u003e\r\n\u003cp\u003eURSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 1\/4, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angles in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus, the filter status on the LCD can be displayed as a fraction, number, or stop reduction.\u003c\/p\u003e\r\n\u003ch4\u003eCommon Media and File Formats\u003c\/h4\u003e\r\n\u003cp\u003eURSA Broadcast is designed to work with standard file formats used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus. you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.\u003c\/p\u003e\r\n\u003ch4\u003eDual Media Slots for Nonstop Recording\u003c\/h4\u003e\r\n\u003cp\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus, with dual media slots, URSA Broadcast gives you nonstop recording. When a card is full, recording automatically continues onto the next card, so you can swap a full card while recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.\u003c\/p\u003e\r\n\u003ch4\u003eUSB Type-C for Recording Direct to External Media Disks\u003c\/h4\u003e\r\n\u003cp\u003eThe Blackmagic URSA Broadcast G2 features a high-speed USB Type-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus, the USB port will power the disk that's plugged in. You can even plug in optional focus and zoom demands to allow full lens control.\u003c\/p\u003e\r\n\u003ch4\u003eStrong and Lightweight Magnesium Design\u003c\/h4\u003e\r\n\u003cp\u003eURSA Broadcast G2 features a super-strong, lightweight magnesium alloy body that's perfectly balanced and designed to be comfortable to use all day. It features familiar, externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB Type-C, and an industry-standard 4-pin XLR broadcast 12 VDC connection.\u003c\/p\u003e\r\n\u003ch4\u003eBuilt-In LCD with Touch Controls\u003c\/h4\u003e\r\n\u003cp\u003eWith a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Behind the LCD, there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the on-screen menus.\u003c\/p\u003e\r\n\u003ch4\u003eExternal Status Display\u003c\/h4\u003e\r\n\u003cp\u003eThe status display is a high-visibility LCD screen designed to be easily seen, even in bright light. The status display shows record, locked, and reference timecodes, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you are shooting in dimly lit locations and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.\u003c\/p\u003e\r\n\u003ch4\u003eProgram Video Monitoring\u003c\/h4\u003e\r\n\u003cp\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature, as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.\u003c\/p\u003e\r\n\u003ch4\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/h4\u003e\r\n\u003cp\u003eDigital film cameras shoot logarithmic color space to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor, they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17- and 33-point 3D LUT files or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more.\u003c\/p\u003e\r\n","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826231681310,"sku":"CINEURSAMWC6KG2","price":17719.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_ursa_broadcast_g2_camera_sy1ER.jpg?v=1749111423"},{"product_id":"sony-venice-2-digital-motion-picture-camera-6k","title":"Sony VENICE 2 Digital Motion Picture Camera (6K)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cp\u003eFeaturing internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500\/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke \/i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSensor\u003c\/b\u003e\r\n\u003cp\u003eThe VENICE 2 allows you to work in a color space, sensitivity, and resolution that you have become accustomed to, as it uses the same sensor as the original VENICE camera. This allows to seamlessly intercut the footage between the two, making for an obvious A\/B camera setup. Plus, the optional 8.6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility.\u003c\/p\u003e\r\n\r\n\u003cb\u003eInternal Recording\u003c\/b\u003e\r\n\u003cp\u003eFree yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.\u003c\/p\u003e\r\n\r\n\u003cb\u003eNew VENICE 2 Functions\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003e4K output with LUT applied\u003c\/li\u003e\r\n\r\n\u003cli\u003eImproved 3D LUT processing to improve picture quality\u003c\/li\u003e\r\n\r\n\u003cli\u003eEI changes directly applied to S-Log3 outputs\u003c\/li\u003e\r\n\r\n\u003cli\u003eEthernet connector position changed to camera assistant side\u003c\/li\u003e\r\n\r\n\u003cli\u003eLemo 2-pin 12V output connector\u003c\/li\u003e\r\n\r\n\u003cli\u003eInternal scratch track microphone installed\u003c\/li\u003e\r\n\r\n\u003cli\u003eZoom to Fit Monitoring: Crops the viewing outputs (VF\/SDI\/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing\u003c\/li\u003e\r\n\r\n\u003cli\u003eLUT\/ART\/CDL file import via Ethernet\/Wi-Fi\u003c\/li\u003e\r\n\r\n\u003cli\u003eASC-CDL values control via Ethernet\/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata\u003c\/li\u003e\r\n\r\n\u003cli\u003eVENICE 2 supports control from an RM\/RCP panel that can be used with broadcast camcorders and system cameras; when connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003eFunctions from VENICE\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eImager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)\u003c\/li\u003e\r\n\u003cli\u003eSupport for the X-OCN XT recording format\u003c\/li\u003e\r\n\u003cli\u003eCompatibility with Rialto VENICE Extension System\u003c\/li\u003e\r\n\u003cli\u003eDe-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x\u003c\/li\u003e\r\n\u003cli\u003eCache rec function\u003c\/li\u003e\r\n\u003cli\u003eAXS Relay rec function\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous format\u003c\/li\u003e\r\n\u003cli\u003eSxS recording folder structure selection\u003c\/li\u003e\r\n\u003cli\u003eSupport for 6G\/12G output SDI\u003c\/li\u003e\r\n\u003cli\u003eImproved imaging assist function\u003c\/li\u003e\r\n\u003cli\u003eSupport for CBK-WA02 Wireless LAN Adapter\u003c\/li\u003e\r\n\u003cli\u003eImproved VF menu operations and Frame Line setting\u003c\/li\u003e\r\n\u003cli\u003eSupport for CDL files\u003c\/li\u003e\r\n\u003cli\u003e5.7K at 16:9 up to 72 fps\u003c\/li\u003e\r\n\u003cli\u003e4K at 6:5 up to 72 fps\u003c\/li\u003e\r\n\u003cli\u003e3.8K at 16:9 up to 110 fps\u003c\/li\u003e\r\n\u003cli\u003e3D LUT viewable in the viewfinder\u003c\/li\u003e\r\n\u003cli\u003eART (Advanced Rendering Transform) file imports\u003c\/li\u003e\r\n\u003cli\u003eUpdated switching for SDI 1-4 3G-SDI level A\/B\u003c\/li\u003e\r\n\u003cli\u003eAddition of second user frame line of 9:16 and 1:1 preset\u003c\/li\u003e\r\n\u003cli\u003eRecord beep and alarm volume adjust\u003c\/li\u003e\r\n\u003cli\u003eAbility to maintain CamID+Reel# when loading ALL file\u003c\/li\u003e\r\n\u003cli\u003eDisplaying of Genlock and TC lock status on OSD\u003c\/li\u003e\r\n\u003cli\u003eSetting of de-squeeze on\/off via the USER button\u003c\/li\u003e\r\n\u003cli\u003eUpdated RCP Call function\u003c\/li\u003e\r\n\u003cli\u003eRecord gyro information in metadata\u003c\/li\u003e\r\n\u003cli\u003eSupport for ZEISS eXtended Data from FUJINON Premista-series lenses\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003eSensor\u003c\/b\u003e\r\n\u003cp\u003eThe sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space, which is larger than the DCI-P3 color space, enabling you to create stunning images with a camera that already exceeds future specs.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFull-Frame Sensor\u003c\/b\u003e\r\n\u003cp\u003eIn full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1 or large-format scope. A firmware upgrade and license are required for full-frame recording. It also supports Super35 for 17:9 or 16:9 images.\u003c\/p\u003e\r\n\r\n\u003cb\u003eBuilt-In ND Filters\u003c\/b\u003e\r\n\u003cp\u003eThe servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1\/2 = 1 stop) to 2.4 (1\/256 = 8 stops). The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in underwater housings.\u003c\/p\u003e\r\n\r\n\u003cb\u003eDual-Base ISO Sensor\u003c\/b\u003e\r\n\u003cp\u003eThe 6K VENICE features dual-base ISO, which offers Base ISO2500 in addition to Base ISO500. The High Base ISO2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 5+ stops over to 10 stops under 18% Middle Gray, for a total of 15+ stops.\u003c\/p\u003e\r\n\r\n\u003cb\u003eNo Jello Effect\u003c\/b\u003e\r\n\u003cp\u003eThe high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.\u003c\/p\u003e\r\n\r\n\u003cb\u003ePL Mount\u003c\/b\u003e\r\n\u003cp\u003eThe VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke \/i Technology. The camera's lens information is recorded as metadata frame by frame.\u003c\/p\u003e\r\n\r\n\u003cb\u003eE-Mount\u003c\/b\u003e\r\n\u003cp\u003eRemoving the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.\u003c\/p\u003e\r\n\r\n\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49826235973918,"sku":"MPC-3626 VENICE 2-6K","price":203044.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_venice_2_digital_motion_picture_camera_6k_2VGE1.jpg?v=1749092200"},{"product_id":"io-industries-4ksdimini-m-color-camera-gs-sensor-mft-mount","title":"IO INDUSTRIES 4KSDIMINI-M - COLOR CAMERA, GS SENSOR, MFT-MOUNT","description":"\u003cb\u003eIO Industries Color Camera, GS sensor, MFT-Mount\u003c\/b\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is a compact light-weight 4K video camera with professional 10-bit SDI output.  It can be used as a point-of-view (POV) camera for live events and sports broadcasting, fitting in tight locations where larger cameras are impractical.  Or, combined with an SDI video recorder, the 4KSDI-Mini can be used for specialty digital cinematography and feature production use.  Following in the footsteps of the IO Industries 4KSDI camera, the 4KSDI-Mini brings enhanced picture quality, a smaller form factor, and single-cable 4K60p video via 12G-SDI.  All together, this camera makes it easier to bring new angles of 4K video to the world, enhancing multi-camera productions of all kinds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo 4KSDI-Mini models are available to choose from.  Both offer the same internal features and the same variety of 4K\/UHD or 2K\/HD output formats, but they incorporate different CMOS sensor types.  The standard 4KSDI-Mini features a 1\"-format Sony CMOS sensor with global shutter capability, making it best for applications involving fast motion or rapid movement of the camera.  The 4KSDI-Mini RS features a 2\/3\"-format Sony CMOS sensor with rolling shutter, which is better suited for stationary camera or limited-movement applications.  The picture quality and sensitivity on both models is similar, so the choice between the models comes down to which is suited best for the application.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is available with either a C-mount or a passive Micro Four Thirds (MFT) mount, which allows easy interchangeability between hundreds of compact lenses available today.  This flexibility to easily swap between fisheye, portrait, zoom, telephoto and many other kinds of lenses adds to the versatility of the 4KSDI-Mini.  C-mount lenses can be very compact and are typically manually-adjusted lenses, though remotely-controlled motorized models are available.  MFT mount is commonly used with compact photo cameras, and a broad range of compatible lenses are available, including low-distortion fisheye lenses.  Adapters to convert the C-mount or MFT-mount to other lens mounts are available, such as B4, PL, Nikon F, Canon EF, and more.  An active C-mount to EF-mount adapter is also available, allowing EF-mount lenses to be attached to the C-mount camera models, giving remote control ability of the focus and aperture settings of that lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith four SDI outputs on HD-BNC connectors, the 4KSDI-Mini provides a range of options to connect to legacy and future 4K video equipment.  The primary output format is selectable between UHD and DCI 4K, at rates from 23.98 to 60.0 fps.  If the SDI link configuration is set to single-link 12G\/6G-SDI or dual-link 3G-SDI, the first two SDI outputs carry the primary signal.  A secondary signal is available on the third SDI output, showing a scaled copy of the primary signal in HD or 2K format.  The secondary signal is helpful for monitoring or even recording the primary signal in another format.  Also, the on-screen menu can be shown on both primary and secondary, or only the secondary output, leaving the primary output \"always clean\".  The SDI link configuration may also be set to quad-link 3G-SDI for connections with earlier 4K-compatible equipment, however no secondary output is available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is controlled through a two-wire RS485 serial connection.  Operators can use a handheld remote control for quick camera adjustments through the on-screen menu.  For live broadcast environments, 3rd-party remote control panels (RCPs) are available as well, allowing quick adjustments of paint and shading functions.  PC-based control is possible through a USB-RS485 adapter and an easy-to-use software utility provided with the camera.  Or, for complete systems integration, the full camera control protocol is straight-forward and fully documented for developers to incorporate into other control systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter synchronization is critical for multi-camera applications such as stereoscopic 3D, VR-360, or even volumetric video capture.  As well, in live broadcast facilities, cameras need to be able to slave to a master sync reference in order to allow cuts\/fades between cameras.  Otherwise, cameras must be paired with frame synchronizers which can add to the total video delay.  The 4KSDI-Mini accepts an HD tri-level sync signal through a dedicated HD-BNC input.  If this signal is distributed to multiple cameras, microsecond-level shutter synchronization between the cameras can be achieved.\u003c\/p\u003e","brand":"IO Industries","offers":[{"title":"Default Title","offer_id":49826237186334,"sku":"4KSDIMINI-M","price":13069.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/io_industries_4ksdimini_m_color_camera_gs_sensor_mft_mount_Zjgc1.jpg?v=1749092387"},{"product_id":"io-industries-4ksdiminimkit-camera-and-accessory-kit","title":"IO INDUSTRIES 4KSDIMINIMKIT - CAMERA AND ACCESSORY KIT","description":"\u003cb\u003eIO Industries Camera and Accessory Kit\u003c\/b\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is a compact light-weight 4K video camera with professional 10-bit SDI output.  It can be used as a point-of-view (POV) camera for live events and sports broadcasting, fitting in tight locations where larger cameras are impractical.  Or, combined with an SDI video recorder, the 4KSDI-Mini can be used for specialty digital cinematography and feature production use.  Following in the footsteps of the IO Industries 4KSDI camera, the 4KSDI-Mini brings enhanced picture quality, a smaller form factor, and single-cable 4K60p video via 12G-SDI.  All together, this camera makes it easier to bring new angles of 4K video to the world, enhancing multi-camera productions of all kinds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo 4KSDI-Mini models are available to choose from.  Both offer the same internal features and the same variety of 4K\/UHD or 2K\/HD output formats, but they incorporate different CMOS sensor types.  The standard 4KSDI-Mini features a 1\"-format Sony CMOS sensor with global shutter capability, making it best for applications involving fast motion or rapid movement of the camera.  The 4KSDI-Mini RS features a 2\/3\"-format Sony CMOS sensor with rolling shutter, which is better suited for stationary camera or limited-movement applications.  The picture quality and sensitivity on both models is similar, so the choice between the models comes down to which is suited best for the application.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is available with either a C-mount or a passive Micro Four Thirds (MFT) mount, which allows easy interchangeability between hundreds of compact lenses available today.  This flexibility to easily swap between fisheye, portrait, zoom, telephoto and many other kinds of lenses adds to the versatility of the 4KSDI-Mini.  C-mount lenses can be very compact and are typically manually-adjusted lenses, though remotely-controlled motorized models are available.  MFT mount is commonly used with compact photo cameras, and a broad range of compatible lenses are available, including low-distortion fisheye lenses.  Adapters to convert the C-mount or MFT-mount to other lens mounts are available, such as B4, PL, Nikon F, Canon EF, and more.  An active C-mount to EF-mount adapter is also available, allowing EF-mount lenses to be attached to the C-mount camera models, giving remote control ability of the focus and aperture settings of that lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith four SDI outputs on HD-BNC connectors, the 4KSDI-Mini provides a range of options to connect to legacy and future 4K video equipment.  The primary output format is selectable between UHD and DCI 4K, at rates from 23.98 to 60.0 fps.  If the SDI link configuration is set to single-link 12G\/6G-SDI or dual-link 3G-SDI, the first two SDI outputs carry the primary signal.  A secondary signal is available on the third SDI output, showing a scaled copy of the primary signal in HD or 2K format.  The secondary signal is helpful for monitoring or even recording the primary signal in another format.  Also, the on-screen menu can be shown on both primary and secondary, or only the secondary output, leaving the primary output \"always clean\".  The SDI link configuration may also be set to quad-link 3G-SDI for connections with earlier 4K-compatible equipment, however no secondary output is available. get the best price for IOI cameras from UBMS Dubai.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is controlled through a two-wire RS485 serial connection.  Operators can use a handheld remote control for quick camera adjustments through the on-screen menu.  For live broadcast environments, 3rd-party remote control panels (RCPs) are available as well, allowing quick adjustments of paint and shading functions.  PC-based control is possible through a USB-RS485 adapter and an easy-to-use software utility provided with the camera.  Or, for complete systems integration, the full camera control protocol is straight-forward and fully documented for developers to incorporate into other control systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter synchronization is critical for multi-camera applications such as stereoscopic 3D, VR-360, or even volumetric video capture.  As well, in live broadcast facilities, cameras need to be able to slave to a master sync reference in order to allow cuts\/fades between cameras.  Otherwise, cameras must be paired with frame synchronizers which can add to the total video delay.  The 4KSDI-Mini accepts an HD tri-level sync signal through a dedicated HD-BNC input.  If this signal is distributed to multiple cameras, microsecond-level shutter synchronization between the cameras can be achieved.\u003c\/p\u003e\r\n","brand":"IO Industries","offers":[{"title":"Default Title","offer_id":49826237776158,"sku":"4KSDIMINIMKIT","price":15211.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/io_industries_4ksdiminimkit_camera_and_accessory_kit_WESNb.jpg?v=1749092421"},{"product_id":"io-industries-4ksdiminirs-m-color-camera-rs-sensor-mft-mount","title":"IO INDUSTRIES 4KSDIMINIRS-M - COLOR CAMERA, RS SENSOR, MFT-MOUNT","description":"\u003cb\u003eIO Industries Color Camera, RS Sensor, MFT-Mount\u003c\/b\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is a compact light-weight 4K video camera with professional 10-bit SDI output.  It can be used as a point-of-view (POV) camera for live events and sports broadcasting, fitting in tight locations where larger cameras are impractical.  Or, combined with an SDI video recorder, the 4KSDI-Mini can be used for specialty digital cinematography and feature production use.  Following in the footsteps of the IO Industries 4KSDI camera, the 4KSDI-Mini brings enhanced picture quality, a smaller form factor, and single-cable 4K60p video via 12G-SDI.  All together, this camera makes it easier to bring new angles of 4K video to the world, enhancing multi-camera productions of all kinds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo 4KSDI-Mini models are available to choose from.  Both offer the same internal features and the same variety of 4K\/UHD or 2K\/HD output formats, but they incorporate different CMOS sensor types.  The standard 4KSDI-Mini features a 1\"-format Sony CMOS sensor with global shutter capability, making it best for applications involving fast motion or rapid movement of the camera.  The 4KSDI-Mini RS features a 2\/3\"-format Sony CMOS sensor with rolling shutter, which is better suited for stationary camera or limited-movement applications.  The picture quality and sensitivity on both models is similar, so the choice between the models comes down to which is suited best for the application.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is available with either a C-mount or a passive Micro Four Thirds (MFT) mount, which allows easy interchangeability between hundreds of compact lenses available today.  This flexibility to easily swap between fisheye, portrait, zoom, telephoto and many other kinds of lenses adds to the versatility of the 4KSDI-Mini.  C-mount lenses can be very compact and are typically manually-adjusted lenses, though remotely-controlled motorized models are available.  MFT mount is commonly used with compact photo cameras, and a broad range of compatible lenses are available, including low-distortion fisheye lenses.  Adapters to convert the C-mount or MFT-mount to other lens mounts are available, such as B4, PL, Nikon F, Canon EF, and more.  An active C-mount to EF-mount adapter is also available, allowing EF-mount lenses to be attached to the C-mount camera models, giving remote control ability of the focus and aperture settings of that lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith four SDI outputs on HD-BNC connectors, the 4KSDI-Mini provides a range of options to connect to legacy and future 4K video equipment.  The primary output format is selectable between UHD and DCI 4K, at rates from 23.98 to 60.0 fps.  If the SDI link configuration is set to single-link 12G\/6G-SDI or dual-link 3G-SDI, the first two SDI outputs carry the primary signal.  A secondary signal is available on the third SDI output, showing a scaled copy of the primary signal in HD or 2K format.  The secondary signal is helpful for monitoring or even recording the primary signal in another format.  Also, the on-screen menu can be shown on both primary and secondary, or only the secondary output, leaving the primary output \"always clean\".  The SDI link configuration may also be set to quad-link 3G-SDI for connections with earlier 4K-compatible equipment, however no secondary output is available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is controlled through a two-wire RS485 serial connection.  Operators can use a handheld remote control for quick camera adjustments through the on-screen menu.  For live broadcast environments, 3rd-party remote control panels (RCPs) are available as well, allowing quick adjustments of paint and shading functions.  PC-based control is possible through a USB-RS485 adapter and an easy-to-use software utility provided with the camera.  Or, for complete systems integration, the full camera control protocol is straight-forward and fully documented for developers to incorporate into other control systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter synchronization is critical for multi-camera applications such as stereoscopic 3D, VR-360, or even volumetric video capture.  As well, in live broadcast facilities, cameras need to be able to slave to a master sync reference in order to allow cuts\/fades between cameras.  Otherwise, cameras must be paired with frame synchronizers which can add to the total video delay.  The 4KSDI-Mini accepts an HD tri-level sync signal through a dedicated HD-BNC input.  If this signal is distributed to multiple cameras, microsecond-level shutter synchronization between the cameras can be achieved.\u003c\/p\u003e","brand":"IO Industries","offers":[{"title":"Default Title","offer_id":49826238005534,"sku":"4KSDIMINIRS-M","price":9360.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/io_industries_4ksdiminirs_m_color_camera_rs_sensor_mft_mount_IYnLo.jpg?v=1749092450"},{"product_id":"io-industries-4ksdiminirsmkit-camera-and-accessory-kit","title":"IO INDUSTRIES 4KSDIMINIRSMKIT - CAMERA AND ACCESSORY KIT","description":"\u003cb\u003eIO Industries Camera and Accessory Kit\u003c\/b\u003e\r\n\u003cp\u003eThe 4KSDI-Mini is a compact light-weight 4K video camera with professional 10-bit SDI output.  It can be used as a point-of-view (POV) camera for live events and sports broadcasting, fitting in tight locations where larger cameras are impractical.  Or, combined with an SDI video recorder, the 4KSDI-Mini can be used for specialty digital cinematography and feature production use.  Following in the footsteps of the IO Industries 4KSDI camera, the 4KSDI-Mini brings enhanced picture quality, a smaller form factor, and single-cable 4K60p video via 12G-SDI.  All together, this camera makes it easier to bring new angles of 4K video to the world, enhancing multi-camera productions of all kinds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo 4KSDI-Mini models are available to choose from.  Both offer the same internal features and the same variety of 4K\/UHD or 2K\/HD output formats, but they incorporate different CMOS sensor types.  The standard 4KSDI-Mini features a 1\"-format Sony CMOS sensor with global shutter capability, making it best for applications involving fast motion or rapid movement of the camera.  The 4KSDI-Mini RS features a 2\/3\"-format Sony CMOS sensor with rolling shutter, which is better suited for stationary camera or limited-movement applications.  The picture quality and sensitivity on both models is similar, so the choice between the models comes down to which is suited best for the application.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is available with either a C-mount or a passive Micro Four Thirds (MFT) mount, which allows easy interchangeability between hundreds of compact lenses available today.  This flexibility to easily swap between fisheye, portrait, zoom, telephoto and many other kinds of lenses adds to the versatility of the 4KSDI-Mini.  C-mount lenses can be very compact and are typically manually-adjusted lenses, though remotely-controlled motorized models are available.  MFT mount is commonly used with compact photo cameras, and a broad range of compatible lenses are available, including low-distortion fisheye lenses.  Adapters to convert the C-mount or MFT-mount to other lens mounts are available, such as B4, PL, Nikon F, Canon EF, and more.  An active C-mount to EF-mount adapter is also available, allowing EF-mount lenses to be attached to the C-mount camera models, giving remote control ability of the focus and aperture settings of that lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith four SDI outputs on HD-BNC connectors, the 4KSDI-Mini provides a range of options to connect to legacy and future 4K video equipment.  The primary output format is selectable between UHD and DCI 4K, at rates from 23.98 to 60.0 fps.  If the SDI link configuration is set to single-link 12G\/6G-SDI or dual-link 3G-SDI, the first two SDI outputs carry the primary signal.  A secondary signal is available on the third SDI output, showing a scaled copy of the primary signal in HD or 2K format.  The secondary signal is helpful for monitoring or even recording the primary signal in another format.  Also, the on-screen menu can be shown on both primary and secondary, or only the secondary output, leaving the primary output \"always clean\".  The SDI link configuration may also be set to quad-link 3G-SDI for connections with earlier 4K-compatible equipment, however no secondary output is available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4KSDI-Mini is controlled through a two-wire RS485 serial connection.  Operators can use a handheld remote control for quick camera adjustments through the on-screen menu.  For live broadcast environments, 3rd-party remote control panels (RCPs) are available as well, allowing quick adjustments of paint and shading functions.  PC-based control is possible through a USB-RS485 adapter and an easy-to-use software utility provided with the camera.  Or, for complete systems integration, the full camera control protocol is straight-forward and fully documented for developers to incorporate into other control systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter synchronization is critical for multi-camera applications such as stereoscopic 3D, VR-360, or even volumetric video capture.  As well, in live broadcast facilities, cameras need to be able to slave to a master sync reference in order to allow cuts\/fades between cameras.  Otherwise, cameras must be paired with frame synchronizers which can add to the total video delay.  The 4KSDI-Mini accepts an HD tri-level sync signal through a dedicated HD-BNC input.  If this signal is distributed to multiple cameras, microsecond-level shutter synchronization between the cameras can be achieved.\u003c\/p\u003e","brand":"IO Industries","offers":[{"title":"Default Title","offer_id":49826238267678,"sku":"4KSDIMINIRSMKIT","price":11502.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/io_industries_4ksdiminirsmkit_camera_and_accessory_kit_cdt0I.jpg?v=1749092482"},{"product_id":"arri-alexa-35-body-arri-pl-mount-set-lbus","title":"ARRI ALEXA 35 Body \u0026 ARRI PL Mount Set (LBUS)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cp\u003eThe ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports.\u003c\/p\u003e\r\n\r\n\u003cb\u003eSuper35 ARRI ALEV 4 CMOS Sensor\u003c\/b\u003e\r\n\u003cp\u003eKey to the ALEXA 35's amazing image quality is a new Super35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35's wide dynamic range can also be a boon when tweaking your images in post.\u003c\/p\u003e\r\n\r\n\u003cb\u003eVideo Recording Formats\u003c\/b\u003e\r\n\u003cp\u003eIn-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.\u003c\/p\u003e\r\n\r\n\u003cb\u003eStray Light Suppression\u003c\/b\u003e\r\n\u003cp\u003eStray-light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to deliver the full contrast range from your choice of lenses while eliminating any grayish tones.\u003c\/p\u003e\r\n\r\n\u003cb\u003eHigh ISO Camera\u003c\/b\u003e\r\n\u003cp\u003eWith an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.\u003c\/p\u003e\r\n\r\n\u003cb\u003eREVEAL Color Science\u003c\/b\u003e\r\n\u003cp\u003eCreated with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.\u003c\/p\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eA new debayering algorithm combines with the ALEXA 35's impressive processing power to create cleaner-edged images that are perfect for compositing work.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe AWG4 camera color space is larger than Rec. 2020 but bypasses \"virtual\" colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.\u003c\/li\u003e\r\n\r\n\u003cli\u003eA new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.\u003c\/li\u003e\r\n\r\n\u003cli\u003eNew LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.\u003c\/li\u003e\r\n\r\n\u003cli\u003eThe ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003eVersatile Lens Choices\u003c\/b\u003e\r\n\u003cp\u003eThis PL Mount Set comes with an LBUS PL mount, providing compatibility with a wide array of cine-style lenses. Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super35, and large format options. The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFull Feature Set in a Compact Form\u003c\/b\u003e\r\n\u003cp\u003eAt 8 x 6 x 5.8\", the ALEXA 35's compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.\u003c\/p\u003e\r\n\r\n\u003cb\u003eInterfaces\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eLeft display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display \"screensaver\", creating a quick visual reminder for any stop compensation needed.\u003c\/li\u003e\r\n\r\n\u003cli\u003eConnectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5\/3\/6\/12G-SDI outputs with a return option on the second one, timecode in\/out, and both 12 and 24V accessory output ports.\u003c\/li\u003e\r\n\r\n\u003cli\u003eEthernet: An Ethernet port offers real-time streaming of metadata for use in mixed reality productions (MRP).\u003c\/li\u003e\r\n\r\n\u003cli\u003eAudio: The ALEXA 35 audio options include two internal microphones like the ALEXA Mini LF, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003eDedicated Accessories\u003c\/b\u003e\r\n\u003cul class=\"key-ul-in\"\u003e\r\n\u003cli\u003eAccessories in this PL Mount Set include the BUD-1 Balance Utility Dovetail and a B-Mount Battery Adapter.\u003c\/li\u003e\r\n\u003cli\u003eSeparately available electronic accessory options include the Multi Viewfinder MVF-2, the PDM-1 power distribution module, and the AEM-1 audio extension module with one AES3\/AES42 and two mic\/line mini-XLR inputs.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003e24V B-Mount Battery Power\u003c\/b\u003e\r\n\u003cp\u003eThe 24V ALEXA 35 camera can be powered using the included ARRI B-Mount battery adapter and separately available batteries. The versatile B-Mount system can also power both 12 and 24V accessories, saving you the weight and space required when using two separate batteries. Third-party adapters from Anton Bauer, Hawk-Woods, and CORE SWX can be used with compatible 26V batteries. The separately available PDM-1 Power Distribution Module can be used to add seven more accessory power ports.\u003c\/p\u003e\r\n\r\n\u003cb\u003eARRI Tools and Apps\u003c\/b\u003e\r\n\u003cp\u003eMake both capture and post-production easier with the range of free tools, apps, and tutorials found on the ARRI website. Use the Camera Companion app for single or multicamera remote control, the ARRIRAW HDE Transcoder for reducing ARRIRAW file sizes, and the ARRI Reference tool to create and look at files, for SDR and HDR conversions, and to export Apple ProRes, OpenEXR, and TIFF files.\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":49826268119326,"sku":"K0.0042900","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/arri_alexa_35_body_arri_pl_mount_set_lbus_AOuLZ_741b7d4c-3a79-4d16-8090-d1a5db4e36db.jpg?v=1749094362"},{"product_id":"blackmagic-pocket-cinema-camera-6k-g2-body-only","title":"Blackmagic Pocket Cinema Camera 6K G2 - Body Only","description":"\u003cp\u003eBlackmagic Pocket Cinema Camera 6K G2 Body Only - EF Mount, 6144 x 3456 Super 35 Sensor . Blackmagic Pocket Cinema Camera 6K G2\u003cbr\u003e\r\nFeaturing a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K G2 lets you use EF photographic lenses to create cinematic images with shallower depth of field. It also has an adjustable tilt LCD, viewfinder mount, mini XLR audio inputs and a NP-F570 style battery.\u003c\/p\u003e\r\n\r\n\u003cb\u003eFocus\u003c\/b\u003e\r\n\u003cp\u003eBlack magic design.  Blackmagic Pocket Cinema Camera 6K G2 Auto focus available using compatible lenses.\u003c\/p\u003e\r\n\r\n\u003cb\u003eIris Control\u003c\/b\u003e\r\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e\r\n\r\n\u003cb\u003eScreen Dimensions\u003c\/b\u003e\r\n\u003cp\u003e5” 1920 x 1080.\u003c\/p\u003e\r\n\r\n\u003cb\u003eScreen Type\u003c\/b\u003e\r\n\u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e\r\n\r\n\u003cb\u003eMetadata Support\u003c\/b\u003e\r\n\u003cp\u003eAutomatically populated lens data from electronic EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/p\u003e\r\n\r\n\u003cb\u003eControls\u003c\/b\u003e\r\n\u003cp\u003eBlack magic camera. The Blackmagic Pocket Cinema Camera 6K G2 Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x IRIS Button, 1 x Focus Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.\u003c\/p\u003e\r\n\r\n\u003cb\u003eTimecode Clock\u003c\/b\u003e\r\n\u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/p\u003e\r\n\r\n\u003cb\u003eTotal Video Outputs\u003c\/b\u003e\r\n\u003cp\u003e1 x HDMI up to 1080p60\u003c\/p\u003e\r\n\r\n\u003cb\u003eAnalog Audio Inputs\u003c\/b\u003e\r\n\u003cp\u003e2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll audio inputs can also be used for Timecode input.\u003c\/p\u003e\r\n\r\n\u003cb\u003eAnalog Audio Outputs\u003c\/b\u003e\r\n\u003cp\u003e1 x 3.5mm headphone jack.\u003c\/p\u003e\r\n\r\n\u003cb\u003eComputer Interface\u003c\/b\u003e\r\n\u003cp\u003eUSB Type-C for external drive recording, PTP camera control and software updates.\u003c\/p\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826271363358,"sku":"CINECAMPOCHDEF6K2","price":8350.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_pocket_cinema_camera_6k_g2_body_only_Uj0fe.jpg?v=1749094706"},{"product_id":"sony-zv-1f-vlogging-camera-black","title":"Sony ZV-1F Vlogging Camera (Black)","description":"\u003cstyle\u003e#html-body [data-pb-style=SMEHEMG]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}\u003c\/style\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"SMEHEMG\"\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eSony ZV-1F Vlogging Camera (Black) Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eSony ZV-1F Vlogging Camera (Black)\u003c\/strong\u003e is a pocket-sized powerhouse specifically designed for vloggers and online content creators. Featuring a large 1\" sensor and a 20mm-equivalent wide-angle lens, this camera allows you to capture expansive group selfies and stunning background scenery with ease, even from arm's length. Its compact and lightweight design makes it perfect for on-the-go shooting, while its intuitive features like the flip-out 3.0\" touchscreen, directional 3-capsule microphone, and real-time Eye AF ensure professional-quality results without the complexity. With creative tools like the Product Showcase setting, Background Defocus function, and Soft Skin Effect, the ZV-1F empowers creators to produce engaging and polished content effortlessly.\u003c\/p\u003e\r\n\r\n\u003c\/div\u003e\n\u003cdiv data-content-type=\"video\" data-appearance=\"default\" data-element=\"main\"\u003e\u003cdiv class=\"pagebuilder-video-inner\" data-element=\"inner\"\u003e\u003cdiv class=\"pagebuilder-video-wrapper\" data-element=\"wrapper\"\u003e\u003cdiv class=\"pagebuilder-video-container\"\u003e\u003ciframe frameborder=\"0\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/3cBGdhk0ZWw\" data-element=\"video\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eWide-Angle Lens:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003e20mm-equivalent lens captures a wider field of view than the human eye, ideal for group selfies and dynamic indoor\/outdoor shots.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eVlogging-Centric Design:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eFlip-out 3.0\" touchscreen for front-facing recording.\u003c\/li\u003e\r\n            \u003cli\u003eDirectional 3-capsule microphone ensures clear audio capture from the front of the camera.\u003c\/li\u003e\r\n            \u003cli\u003eIncluded wind screen reduces wind noise for outdoor recordings.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eFast and Intelligent Autofocus:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003e425 contrast detection AF points cover a wide area for precise focusing.\u003c\/li\u003e\r\n            \u003cli\u003eReal-time Eye AF keeps human faces and eyes in sharp focus, even during movement.\u003c\/li\u003e\r\n            \u003cli\u003eFace Priority AE automatically adjusts brightness for well-lit faces in any lighting condition.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eBeautiful Bokeh at the Touch of a Button:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eLarge 1\" sensor and f\/2 aperture lens deliver true optical bokeh.\u003c\/li\u003e\r\n            \u003cli\u003eOne-touch Background Defocus function isolates subjects against beautifully blurred backgrounds.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eCreative Style Presets:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003e10 built-in creative styles enhance contrast, highlights, shadows, saturation, and more for pro-level footage without post-production editing.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eSmooth and Steady Footage:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eActive Mode image stabilization minimizes shake for steady handheld video, even while walking.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eSlow Motion and Speed Control:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eShoot smooth slow-motion video at up to 5x slower or create hyperlapse videos up to 60x faster.\u003c\/li\u003e\r\n            \u003cli\u003eQuick adjustments via the Slow and Quick button for dynamic scene transitions.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eProduct Showcase Setting:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eInstantly focuses on products held in front of the lens, eliminating the need for additional gestures.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eShot Mark Feature:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eTag scenes during or after recording to easily extract 15, 30, or 60-second clips for quick sharing.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eVertical Video Support:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eShoot vertical videos optimized for social media platforms.\u003c\/li\u003e\r\n            \u003cli\u003eAutomatic tagging ensures seamless transfer to smartphones for quick posting.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eSmartphone Connectivity:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eWi-Fi transfer via Imaging Edge Mobile Plus app for easy sharing and remote control functionality.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eSimple Streaming:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eTransforms into a high-quality webcam when connected via USB, with vibrant visuals and excellent audio.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLow Light Performance:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eCaptures clear, low-noise video in dimly lit environments with Intelligent Auto mode.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eOptional Accessories:\u003c\/strong\u003e\r\n        \u003cul\u003e\r\n            \u003cli\u003eCompatible with GP-VPT2BT shooting grip for stable shots and tripod functionality.\u003c\/li\u003e\r\n            \u003cli\u003eSupports external microphones like the ECM-G1 and wireless ECM-W2BT for enhanced audio quality.\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eIdeal Use Cases\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eVlogging and Content Creation:\u003c\/strong\u003e Perfect for capturing high-quality videos, product reviews, tutorials, and travel vlogs with ease.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eSocial Media:\u003c\/strong\u003e Optimized for vertical videos and quick sharing on platforms like Instagram, TikTok, and YouTube.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLive Streaming:\u003c\/strong\u003e Doubles as a high-quality webcam for live broadcasts and video conferencing.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eTravel and Everyday Use:\u003c\/strong\u003e Compact and lightweight design makes it easy to carry and use in various environments.\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eCreative Projects:\u003c\/strong\u003e Creative style presets and speed controls allow for artistic experimentation.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eWhy Choose the Sony ZV-1F?\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eSony ZV-1F Vlogging Camera (Black)\u003c\/strong\u003e combines professional-grade features with user-friendly controls, making it an excellent choice for both beginner and experienced content creators. Its wide-angle lens, intelligent autofocus system, and one-touch bokeh function ensure high-quality results with minimal effort. Whether you're shooting indoors or outdoors, the ZV-1F's compact build, advanced stabilization, and superior audio capabilities make it a reliable companion for any project. With its seamless connectivity options and creative tools, it is also a great tool for engaging with audiences in real-time.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConclusion\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eSony ZV-1F Vlogging Camera (Black)\u003c\/strong\u003e is a purpose-built solution for modern content creators who prioritize portability, versatility, and performance. With its innovative features, intuitive controls, and professional-grade imaging technology, it empowers users to produce high-quality videos and photos effortlessly. Whether you're a beginner or an experienced creator, the Sony ZV-1F is a dependable choice that meets the demands of today's dynamic content creation landscape.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49826286436638,"sku":"ZV-1F","price":1794.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/1665654347_1730297.jpg?v=1749096508"},{"product_id":"sony-a7cr-mirrorless-camera-body-only-black","title":"Sony a7CR Mirrorless Camera (Body Only)-  Silver","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cp\u003ePacked with processing and resolving power, Sony has stuffed the a7R V's 61MP full-frame sensor and BIONZ XR processor into its beefiest compact yet, the black a7CR Mirrorless Camera, putting professional image quality into a form factor optimized for all-day, everyday carry.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e61MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony a7CR's advanced imaging system is powered by a 61MP Full-Frame Exmor R CMOS sensor and the BIONZ XR processor, a potent combination of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. In terms of shooting speeds, the sensor and processor enable up to 8 fps shooting with the mechanical shutter and 7 fps with the electronic shutter at full resolution with full-time AF\/AE. If shooting JPEG only, more than 1000 frames can be recorded in a single burst. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eImproved Processing Engine\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA new BIONZ XR processing engine offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.\u003c\/p\u003e\n\n\u003ch4 id=\"pixel-shift-multi-shooting\"\u003ePixel Shift Multi Shooting\u003c\/h4\u003e\n\u003cp\u003eThis unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/p\u003e\n\u003cp\u003e\u003cimg class=\"img-center\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/IMG_2072268_hqrolh.jpg?v=1748131385\" alt=\"a photo using ILCE-7CR\"\u003e\u003c\/p\u003e\n\u003ch4 id=\"accurate-exposure-and-color\"\u003eAccurate Exposure and Color\u003c\/h4\u003e\n\u003cp\u003eThe a7CR uses AI-powered algorithms like Human Pose Estimation to detect skin areas for more accurately balance exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto white balance processing.\u003c\/p\u003e\n\u003ch4 id=\"image-stabilization\"\u003eImage Stabilization\u003c\/h4\u003e\n\u003cp\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/p\u003e\n\u003ch3 id=\"next-generation-ai-based-autofocus\"\u003eNext Generation AI-Based Autofocus\u003c\/h3\u003e\n\u003ch4 id=\"ai-processing-unit\"\u003eAI Processing Unit\u003c\/h4\u003e\n\u003cp\u003eUsing dedicated processing, the a7RC's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHuman, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.\u003c\/li\u003e\n\u003cli\u003eAnimal, Bird, and Animal\/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.\u003c\/li\u003e\n\u003cli\u003eInsect recognition offers even finer performance with the ability to detect the head or entire insect subject.\u003c\/li\u003e\n\u003cli\u003eCar\/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.\u003c\/li\u003e\n\u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eModel No:ILCE-7CR\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49826462957854,"sku":"ILCE-7CR\/SQ","price":10475.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/1693312223_1784817.jpg?v=1749093865"},{"product_id":"blackmagic-design-studio-camera-4k-plus-g2","title":"Blackmagic Design Studio Camera 4K Plus G2","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3 id=\"blackmagic-design-studio-camera-4k-plus-g2-overview\"\u003eBlackmagic Design Studio Camera 4K Plus G2 Overview\u003c\/h3\u003e\r\n\u003cp\u003eThe Blackmagic Design Studio Camera 4K Plus G2, an upgrade from HDMI Studio Camera 4K Plus, adds a powerful studio camera to your 4K broadcast when using an ATEM Mini or DaVinci Studio.\u003c\/p\u003e\r\n\u003cp\u003eThis compact and lightweight broadcast camera now features a 12G-SDI input, 12G-SDI output, and HDMI 2.0 output for even more compatibility with SDI switchers. This camera has all the same features as the Studio Camera 4K Plus, including an active MFT lens mount, 25,600 ISO, 13 stops of dynamic range, a tally light, two USB-C ports for recording and control, built-in dual microphones, a 7\" HDR LCD, and a redesigned sun hood. And now it can output 12G-SDI video as well as utilize the program feed and talkback features via SDI.\u003c\/p\u003e\r\n\u003ch4 id=\"designed-for-live-production\"\u003eDesigned for Live Production\u003c\/h4\u003e\r\n\u003cp\u003eWhile Blackmagic Studio Camera is designed for live production, it's not limited to use with a live switcher because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod. The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations, and even weddings.\u003c\/p\u003e\r\n\u003ch4 id=\"studio-camera-design\"\u003eStudio Camera Design\u003c\/h4\u003e\r\n\u003cp\u003eThe distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it's a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. \u003c\/p\u003e\r\n\u003ch4 id=\"advanced-low-light-performance\"\u003eAdvanced Low-Light Performance\u003c\/h4\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. \u003c\/p\u003e\r\n\u003ch4 id=\"cinematic-images-in-live-production\"\u003eCinematic Images in Live Production\u003c\/h4\u003e\r\n\u003cp\u003eSensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. When combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher.\u003c\/p\u003e\r\n\u003ch4 id=\"physical-and-touchscreen-controls\"\u003ePhysical and Touchscreen Controls\u003c\/h4\u003e\r\n\u003cp\u003eBlackmagic Studio G2 cameras feature physical buttons and knobs, as well as touch controls on the screen. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is useful as it lets you fine-tune the detail highlight so you can get accurate focus as you zoom. The three function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. \u003c\/p\u003e\r\n\u003ch4 id=\"built-in-tally-for-on-air-status\"\u003eBuilt-In Tally for On-Air Status\u003c\/h4\u003e\r\n\u003cp\u003eBlackmagic Studio G2 cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras, and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\r\n\u003ch4 id=\"communicate-with-the-director-via-talkback\"\u003eCommunicate with the Director via Talkback\u003c\/h4\u003e\r\n\u003cp\u003eUnlike consumer cameras, Studio G2 cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. All models support 3.5mm headsets that are designed for smartphones. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, as well as in the program return from the switcher to the camera, so any embedded SDI audio device can work with talkback.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eModel:\u003c\/strong\u003eCINSTUDMFT\/G24PDDG2\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826562998558,"sku":"CINSTUDMFT\/G24PDDG2","price":5590.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic-design-studio-camera-4k-plus-g2-main-image.jpg?v=1749104203"},{"product_id":"sony-a7c-ii-mirrorless-camera-with-28-60mm-lens-silver","title":"Sony a7C II Mirrorless Camera with 28-60mm Lens (Silver)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3 id=\"sony-a7c-ii-mirrorless-camera-silver-overview\"\u003eSony a7C II Mirrorless Camera (Silver) Overview\u003c\/h3\u003e\r\n\u003cp\u003eThe Sony a7C II Mirrorless Camera (Silver) offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor.\u003c\/p\u003e\r\n\u003ch4 id=\"33-0mp-exmor-r-cmos-sensor-and-bionz-xr-processor\"\u003e33.0MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/h4\u003e\r\n\u003cp\u003eThe Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and a wide dynamic range.\u003c\/p\u003e\r\n\u003ch4 id=\"video-recording\"\u003eVideo Recording\u003c\/h4\u003e\r\n\u003cp\u003eAlong with its powerful sensor and processor, the Sony a7C brings a strong suite of video features to everyday content creators and videographers.\u003c\/p\u003e\r\n\u003ch4 id=\"ai-powered-autofocus-and-image-stabilization\"\u003eAI-Powered Autofocus and Image Stabilization\u003c\/h4\u003e\r\n\u003cp\u003eThe Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.\u003c\/p\u003e\r\n\u003ch4 id=\"vlog-friendly-ai-enhanced-framing\"\u003eVlog-Friendly AI-Enhanced Framing\u003c\/h4\u003e\r\n\u003cp\u003eAdditionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom-located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.\u003c\/p\u003e\r\n\u003ch4 id=\"image-stabilization\"\u003eImage Stabilization\u003c\/h4\u003e\r\n\u003cp\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel.\u003c\/p\u003e\r\n\u003ch4 id=\"advanced-rendering\"\u003eAdvanced Rendering\u003c\/h4\u003e\r\n\u003cp\u003eFor stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High-Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw.\u003c\/p\u003e\r\n\u003ch3 id=\"sony-fe-28-60mm-f-4-5-6-lens\"\u003eSony FE 28-60mm f\/4-5.6 Lens\u003c\/h3\u003e\r\n\u003cp\u003eImpressively compact and versatile, the Sony FE 28-60mm f\/4-5.6 is a wide-angle to long-normal zoom characterized by its retractable design and sleek profile. Its svelte design makes this lens ideal for walkaround, and everyday shooting, and the flexible focal length range benefits a wide range of subject types, from street shooting to portraiture to travel photography.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49826833793310,"sku":"ILCE-7CM2L\/S","price":8270.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/ilce-7cm2l_s_main_product_image.jpg?v=1749107294"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-l-mount","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (L Mount)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (L Mount) Overview\u003c\/h3\u003e\r\n\u003cp\u003eThe Blackmagic Design PYXIS 6K Cinema Box Camera turns it into a box-style cinema camera with a native Leica L lens mount with customizable side plates. The full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor.Record Blackmagic RAW and H.265 proxy files to the cloud or stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXIS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/IMG_2232261_keyl8w.jpg?v=1748147588\" alt=\"Blackmagic Design PYXIS 6K Cinema Box Camera\" style=\"width:100%;border-radius:10px;\"\u003e\u003c\/p\u003e\r\n\u003ch4\u003eLarge-Format Digital Film Sensor\u003c\/h4\u003e\r\n\u003cp\u003eThe PYXIS has a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\r\n\u003ch4 id=\"flexible-film-formats\"\u003eFlexible Film Formats\u003c\/h4\u003e\r\n\u003cp\u003eWork with a variety of film formats and aspect ratios without sacrificing quality, thanks to its large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\r\n\u003ch4\u003eMultiple Resolutions and Frame Rates\u003c\/h4\u003e\r\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\r\n\u003ch4\u003eHDR Imagery and Dual-Native ISO\u003c\/h4\u003e\r\n\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\r\n\u003ch4\u003eLCD Monitor and Onboard Controls\u003c\/h4\u003e\r\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\r\n\u003ch4\u003ePost-Production File Formats\u003c\/h4\u003e\r\n\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real-time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eModel: CINECAMCPYXA60LFL\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826834153758,"sku":"CINECAMCPYXA60LFL","price":12472.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/1713184525_1823584.jpg?v=1749107507"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-ef","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (EF Mount)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3 id=\"blackmagic-design-pyxis-6k-cinema-box-camera-canon-ef-overview\"\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (Canon EF) Overview\u003c\/h3\u003e\r\n\u003cp\u003eThe Blackmagic Design PYXIS 6K Cinema Box Camera (EF) turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record Blackmagic RAW and H.265 proxy files to the cloud or stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/IMG_2232261_keyl8w.jpg?v=1748147588\" alt=\"Blackmagic Design PYXIS 6K Cinema Box Camera\" style=\"width:100%;border-radius:10px;\"\u003e\u003c\/p\u003e\r\n\r\n\u003ch4 id=\"large-format-digital-film-sensor\"\u003eLarge-Format Digital Film Sensor\u003c\/h4\u003e\r\n\u003cp\u003eThe PYXIS has a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\r\n\u003ch4 id=\"flexible-film-formats\"\u003eFlexible Film Formats\u003c\/h4\u003e\r\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\r\n\u003ch4 id=\"multiple-resolutions-and-frame-rates\"\u003eMultiple Resolutions and Frame Rates\u003c\/h4\u003e\r\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\r\n\u003ch4 id=\"hdr-imagery-and-dual-native-iso\"\u003eHDR Imagery and Dual-Native ISO\u003c\/h4\u003e\r\n\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\r\n\u003ch4 id=\"customize-your-gear\"\u003eCustomize Your Gear\u003c\/h4\u003e\r\n\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\r\n\u003ch4 id=\"lcd-monitor-and-onboard-controls\"\u003eLCD Monitor and Onboard Controls\u003c\/h4\u003e\r\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\r\n\u003ch4 id=\"post-production-file-formats\"\u003ePost-Production File Formats\u003c\/h4\u003e\r\n\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real-time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\r\n\u003ch4 id=\"multiple-recording-options\"\u003eMultiple Recording Options\u003c\/h4\u003e\r\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\r\n\u003ch4 id=\"built-in-srt-and-rtmp-live-streaming\"\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/h4\u003e\r\n\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\r\n\u003ch4 id=\"expansive-connectivity\"\u003eExpansive Connectivity\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cp\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cp\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cp\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eModel: CINECAMCPYXD60LFEF\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826834186526,"sku":"CINECAMCPYXD60LFEF","price":12126.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/1712933734_1823585_1.jpg?v=1749107543"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-pl-mount","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (PL Mount)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (PL Mount) Overview\u003c\/h3\u003e\r\n\u003cp\u003eThe Blackmagic Design PYXIS 6K Cinema Box Camera turns it into a box-style cinema camera with a lockable ARRI PL lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record Blackmagic RAW and H.265 proxy files to the cloud or stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/IMG_2232261_keyl8w.jpg?v=1748147588\" alt=\"Blackmagic Design PYXIS 6K Cinema Box Camera\" style=\"width:100%;border-radius:10px;\"\u003e\u003c\/p\u003e\r\n\r\n\u003ch4\u003eLarge-Format Digital Film Sensor\u003c\/h4\u003e\r\n\u003cp\u003eThe PYXIS has a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\r\n\u003ch4\u003eFlexible Film Formats\u003c\/h4\u003e\r\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\r\n\u003ch4\u003eMultiple Resolutions and Frame Rates\u003c\/h4\u003e\r\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\r\n\u003ch4\u003eHDR Imagery and Dual-Native ISO\u003c\/h4\u003e\r\n\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\r\n\u003ch4\u003eCustomize Your Gear\u003c\/h4\u003e\r\n\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\r\n\u003ch4\u003eLCD Monitor and Onboard Controls\u003c\/h4\u003e\r\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\r\n\u003ch4\u003ePost-Production File Formats\u003c\/h4\u003e\r\n\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real-time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\r\n\u003ch4 id=\"multiple-recording-options\"\u003eMultiple Recording Options\u003c\/h4\u003e\r\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\r\n\u003ch4\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/h4\u003e\r\n\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\r\n\u003ch4\u003eExpansive Connectivity\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\r\n\u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e\r\n\u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\r\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eModel: CINECAMCPYXH60LFPL\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49826834284830,"sku":"CINECAMCPYXH60LFPL","price":13230.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/cinecamcpyxh60lfpl_main_product_image.jpg?v=1749107580"},{"product_id":"sony-a7c-mirrorless-camera-with-28-60mm-lens-silver","title":"Sony a7C Mirrorless Camera with 28-60mm Lens (Silver)","description":"\u003cstyle\u003e#html-body [data-pb-style=DFBNFMR]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}\u003c\/style\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"DFBNFMR\"\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eSony a7C Mirrorless Camera (Silver)\u003c\/h2\u003e\r\n\r\n\u003ch2\u003ea7C: Compact and Capable\u003c\/h2\u003e\r\n\u003cp\u003e\r\nMixing the quality and advantages of a full-frame sensor with an especially sleek and portable design, the silver \u003cstrong\u003eSony a7C\u003c\/strong\u003e offers the hybrid recording capabilities, 24.2MP Exmor R BSI CMOS sensor, and intelligent AF performance you would expect from an Alpha camera but with a form factor for all-day, everyday carry.\r\n\u003c\/p\u003e\r\n\r\n\u003ch3\u003eExmor R Sensor, BIONZ X Processor, and 4D FOCUS\u003c\/h3\u003e\r\n\r\n\u003ch3\u003e24.1MP Full-Frame BSI Sensor and Image Processing\u003c\/h3\u003e\r\n\u003cp\u003e\r\nFeaturing a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800.\r\n\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFast Continuous Shooting and Recording Versatility\u003c\/h3\u003e\r\n\u003cp\u003e\r\nThe sensor and processor combination enables fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF\/AE when working with either a mechanical shutter or an electronic shutter.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nAlso, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.\r\n\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-content-type=\"video\" data-appearance=\"default\" data-element=\"main\"\u003e\u003cdiv class=\"pagebuilder-video-inner\" data-element=\"inner\"\u003e\u003cdiv class=\"pagebuilder-video-wrapper\" data-element=\"wrapper\"\u003e\u003cdiv class=\"pagebuilder-video-container\"\u003e\u003ciframe frameborder=\"0\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/ONu9_ywLa_8\" data-element=\"video\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch3\u003eFast Hybrid Autofocus\u003c\/h3\u003e\r\n\u003cp\u003e\r\nCovering a majority of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV.\r\n\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003eLock onto subjects quickly using Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject.\u003c\/li\u003e\r\n  \u003cli\u003eReal-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eVideo Recording\u003c\/h3\u003e\r\n\r\n\u003ch3\u003eUHD 4K Video Recording in XAVC S Format\u003c\/h3\u003e\r\n\u003cp\u003e\r\nInternal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nFull HD 1080p recording is also supported in frame rates up to 120 fps, and both 4K and UHD resolutions utilize the 100 Mb\/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nThe high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nIn addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling.\r\n\u003c\/p\u003e\r\n\r\n\u003ch3\u003eS-Log3 and Other Color and Gamma Controls\u003c\/h3\u003e\r\n\u003cp\u003e\r\nAffording extensive customizable color and gamma controls, the a7C allows users to adjust the gamma, black level, knee, color level, and more:\r\n\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003eUse the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility.\u003c\/li\u003e\r\n  \u003cli\u003eHLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.\u003c\/li\u003e\r\n  \u003cli\u003eS-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/h3\u003e\r\n\u003cp\u003e\r\nDespite the sleek stature of the a7C, it features a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for various types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\r\n\u003c\/p\u003e\r\n\r\n\u003ch2\u003eCompact and Versatile Design\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eIntegrated EVF and Vari-Angle LCD\u003c\/h3\u003e\r\n\u003cp\u003e\r\nCompact and lightweight body design, along with a rangefinder-inspired layout, make the a7C a sleek and portable camera for everyday shooting. Compared to other a7-series cameras, the a7C is approximately 20% smaller and lighter, akin to the size of an APS-C-format camera.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nA 0.39\"-type XGA OLED electronic viewfinder is featured and has a 2.36m-dot resolution and 0.59x magnification for bright, clear viewing in high detail.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nRear 3.0\" 921.6k-dot rear LCD features a side-open vari-angle design along to benefit working from high, low, and front-facing angles. It's also a touchscreen for intuitive control and playback.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nMagnesium-alloy chassis along with a weather-sealed design offers a durable overall construction for use in a variety of conditions.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nThe large-capacity NP-FZ100 battery offers approximately 740 shots per charge when working with the rear LCD or 680 shots per charge when working with the EVF.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nSingle SD memory card slot is rated to support UHS-II memory cards for fast transfer speeds.\r\n\u003c\/p\u003e\r\n\r\n\u003ch2\u003ePorts and Interface\u003c\/h2\u003e\r\n\u003cp\u003e\r\nA USB 3.2 Gen 1 Type-C port offers fast and reliable tethering support and also allows the camera to be charged from the host power source while connected.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nBoth 3.5mm microphone and headphone ports are available for greater audio recording control.\r\n\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWireless Connectivity\u003c\/h2\u003e\r\n\u003cp\u003e\r\nBuilt-in Wi-Fi enables the a7C to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nBluetooth connectivity allows for location data acquisition.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\nNFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and mobile device. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\r\n\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSony FE 28-60mm f\/4-5.6 Lens\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eThe Portable Powerhouse Standard Zoom\u003c\/h3\u003e\r\n\u003cp\u003e\r\nImpressively compact and versatile, the \u003cstrong\u003eSony FE 28-60mm f\/4-5.6\u003c\/strong\u003e is a wide-angle to long-normal zoom characterized by its retractable design and sleek profile. Its svelte design makes this lens ideal for walkaround, everyday shooting, and the flexible focal length range benefits a wide range of subject types, from street shooting to portraiture to travel photography.\r\n\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSmall and Light\u003c\/h3\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003eSmall size and lightweight design is what this lens is all about, meaning it's the perfect companion for casual shooting days when a single, versatile, and portable lens is most desirable.\u003c\/li\u003e\r\n  \u003cli\u003eRetractable design maintains an especially compact profile when not in use, measuring just 1.8\" long.\u003c\/li\u003e\r\n  \u003cli\u003eWeighing 5.9 oz, its featherweight stature pairs well with compact full-frame or APS-C bodies.\u003c\/li\u003e\r\n  \u003cli\u003eDust- and moisture-resistant design suits working in inclement weather conditions.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eOptics and AF\u003c\/h3\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003eThree aspherical elements help to reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and accurate rendering.\u003c\/li\u003e\r\n  \u003cli\u003eThe use of specialized elements also contributes to a smaller, lighter physical design.\u003c\/li\u003e\r\n  \u003cli\u003eLinear motor, along with an internal focusing mechanism, promotes fast, precise, and quiet focusing performance to suit both stills and video applications.\u003c\/li\u003e\r\n  \u003cli\u003eIn addition to the variety afforded by the 28-60mm focal length range, this lens also has a versatile 11.8\" minimum focusing distance that enables working with close-up subjects.\u003c\/li\u003e\r\n  \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49827625468190,"sku":"ILCE-7CL\/SQ","price":6665.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/sony_a7c_mirrorless_camera_with_28-60mm_lens_silver_ilce-7cl_sq_1.jpg?v=1749108980"},{"product_id":"canon-eos-r10-mirrorless-camera-with-18-45mm-lens","title":"Canon EOS R10 Mirrorless Camera with 18-45mm Lens","description":"\u003cstyle\u003e#html-body [data-pb-style=UNTJC1Y]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}\u003c\/style\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"UNTJC1Y\"\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eCanon EOS R10 Mirrorless Camera\u003c\/h2\u003e\r\n\r\n  \u003ch3\u003eEOS R10: Compact and Capable, for Content Creators\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eEmphasizing portability without sacrificing on capability, the Canon EOS R10 is a sleek mirrorless camera with a hybrid ethos. Adept in both photo and video worlds, the R10 brings an APS-C sensor to the R system, along with high-speed shooting, intelligent AF, and impressive 4K video recording to complement a multimedia workflow.\u003c\/p\u003e\r\n\r\n  \u003ch3\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/h3\u003e\r\n\r\n  \u003ch4\u003eAPS-C Comes to EOS R\u003c\/h4\u003e\r\n\r\n  \u003cp\u003eSitting at a sweet-spot in terms of resolution, the 24.2MP APS-C CMOS sensor strikes a fine balance between resolution, file size, speed, and low-light performance. This sensor is suitable for general photo tasks along with UHD 4K recording, as the file sizes are manageable enough to allow for quick continuous burst shooting and extended video recording.\u003c\/p\u003e\r\n\r\n  \u003ch4\u003eDIGIC X Processor\u003c\/h4\u003e\r\n\r\n  \u003cp\u003eBorrowed from the R3, the R10 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R10 supports up to 23 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e\r\n\u003c\/div\u003e\n\u003cdiv data-content-type=\"video\" data-appearance=\"default\" data-element=\"main\"\u003e\u003cdiv class=\"pagebuilder-video-inner\" data-element=\"inner\"\u003e\u003cdiv class=\"pagebuilder-video-wrapper\" data-element=\"wrapper\"\u003e\u003cdiv class=\"pagebuilder-video-container\"\u003e\u003ciframe frameborder=\"0\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/xSaDRg6Ykog\" data-element=\"video\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cbr\u003e\r\n\r\n\u003ch3\u003eUHD 4K Video Recording\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eBeyond stills, the R10's sensor also offers high-res UHD 4K 8-bit recording, with the ability to record at up to 60p using a cropped portion of the sensor or at 30p when using an oversampled 6K recording area for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eHDR-PQ recording is possible, too, for in-camera HDR production in 10-bit and external recording, via the micro-HDMI port, which supports a clean 4K output. Also, unlimited recording times are possible, too, and the R10 features an external microphone port as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e\r\n\r\n  \u003ch3\u003eDual Pixel CMOS AF II\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that cover the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -4 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e\r\n\r\n  \u003ch3\u003eBody Design\u003c\/h3\u003e\r\n\r\n  \u003ch4\u003eIntuitive Construction\u003c\/h4\u003e\r\n\r\n  \u003cp\u003eBright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 0.95x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eA 3.0\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.04m-dot resolution allows for vivid playback and live view monitoring.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eSingle SD memory card slot is rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/p\u003e\r\n\r\n  \u003ch4\u003eFlexible Connectivity\u003c\/h4\u003e\r\n\r\n  \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C port along and a micro-HDMI port, as well as a 3.5mm microphone port to benefit video recording.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eIn terms of wireless, 2.4GHz Wi-Fi and Bluetooth is available for transferring and remote camera control.\u003c\/p\u003e\r\n\r\n  \u003ch4\u003eNext-Generation Multi-Function Shoe\u003c\/h4\u003e\r\n\r\n  \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e\r\n\r\n  \u003ch2\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/h2\u003e\r\n\r\n  \u003cp\u003eA versatile zoom range in a compact package is the promise of the Canon RF-S 18-45mm f\/4.5-6.3 IS STM Lens. Made specifically for Canon's APS-C-format R Series mirrorless line, it delivers a wide-angle to short telephoto equivalent zoom range of 29-72mm. Plus, a retractable design makes it ideal for everyday carry where you want to stuff the camera in a bag.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eCanon has taken care with the optical design, using two aspherical elements and the Super Spectra Coating to minimize aberrations and reduce ghosting and flare.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by up to 4 stops of shake correction or up to 6 stops of Coordinated IS with a compatible camera body.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eThe lead screw-type STM AF system is fast enough to keep up with speedy continuous focus while being smooth and quiet enough to work for video recording.\u003c\/p\u003e\r\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":49827625763102,"sku":"5331C009","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/canon_eos_r10_mirrorless_camera_with_18-45mm_lens.jpg?v=1749109091"},{"product_id":"canon-eos-r100-mirrorless-camera-with-18-45mm-lens","title":"Canon EOS R100 Mirrorless Camera with 18-45mm Lens","description":"\u003cstyle\u003e#html-body [data-pb-style=YOAATJJ]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}\u003c\/style\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"YOAATJJ\"\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eCanon EOS R100 Mirrorless Camera\u003c\/h2\u003e\r\n\r\n  \u003ch3\u003eMultimedia Content Creation\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eDesigned for modern-day content creators, the compact and portable Canon EOS R100 Mirrorless Camera offers a wide range of features to suit a variety of multimedia applications. Its excellent still-image capabilities start with its APS-C-sized 24.1MP CMOS sensor and DIGIC 8 processor, and the camera also provides 4K 24p cropped video recording.\u003c\/p\u003e\r\n\r\n  \u003ch3\u003e24.2MP APS-C CMOS Sensor and DIGIC 8 Processor\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eStriking a fine balance between resolution, file size, speed, and low-light performance, the APS-C-sized 24.2MP CMOS sensor is well-suited for general photo tasks along with cropped UHD 4K and uncropped Full HD video recording. The R100 produces imagery with notable clarity and dynamic range, and the camera offers a native sensitivity range of ISO 100-12800 to support working in difficult lighting situations. The sensor and image processor also realize fast performance throughout the camera system, including the ability to shoot continuously at up to 6.5 fps.\u003c\/p\u003e\r\n\r\n  \u003ch3\u003eDual Pixel CMOS AF Systems\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eThe Dual Pixel CMOS AF system features 3975 autofocus points covering 143 autofocus zones for refined accuracy across the entire image plane, and this system also supports both automatic subject detection and Eye Detection AF. Designed for speed and precision, this Dual Pixel CMOS AF system enables you to achieve critical focus with each shot.\u003c\/p\u003e\r\n\r\n  \u003ch3\u003eBody Design\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eLarge 3.0\" 1.04m-dot LCD screen provides an intuitive method for navigating menus and reviewing imagery.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eBright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eSingle SD memory card slot to support 4K video recording and high-speed continuous shooting.\u003c\/p\u003e\r\n\r\n\u003c\/div\u003e\n\u003cdiv data-content-type=\"video\" data-appearance=\"default\" data-element=\"main\"\u003e\u003cdiv class=\"pagebuilder-video-inner\" data-element=\"inner\"\u003e\u003cdiv class=\"pagebuilder-video-wrapper\" data-element=\"wrapper\"\u003e\u003cdiv class=\"pagebuilder-video-container\"\u003e\u003ciframe frameborder=\"0\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/OFOG8O-_QHM\" data-element=\"video\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cbr\u003e\r\n\r\n\u003ch3\u003eFlexible Connectivity\u003c\/h3\u003e\r\n\r\n  \u003cp\u003eWired and wireless connectivity options allow for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB-C port along and a micro-HDMI port, as well as a 3.5mm microphone port to benefit video recording.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eIn terms of wireless, Bluetooth pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. It also sends GPS location data from your phone, so you know precisely where you captured the photo. Additionally, with built-in Wi-Fi you can also transfer files to your compatible mobile device to browse and share on social media.\u003c\/p\u003e\r\n\r\n  \u003ch2\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/h2\u003e\r\n\r\n  \u003cp\u003eA versatile zoom range in a compact package is the promise of the Canon RF-S 18-45mm f\/4.5-6.3 IS STM Lens. Made specifically for Canon's APS-C-format R Series mirrorless line, it delivers a wide-angle to short telephoto equivalent zoom range of 29-72mm. Plus, a retractable design makes it ideal for everyday carry where you want to stuff the camera in a bag.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eCanon has taken care with the optical design, using two aspherical elements and the Super Spectra Coating to minimize aberrations and reduce ghosting and flare.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by up to 4 stops of shake correction or up to 6 stops of Coordinated IS with a compatible camera body.\u003c\/p\u003e\r\n\r\n  \u003cp\u003eThe lead screw-type STM AF system is fast enough to keep up with speedy continuous focus while being smooth and quiet enough to work for video recording.\u003c\/p\u003e\r\n\r\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":49827626189086,"sku":"6052C012","price":0.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/canon_eos_r100_mirrorless_camera_with_18-45mm_lens_1.jpg?v=1749109130"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro-canon-ef","title":"Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003ch2\u003eBlackmagic Design Pocket Cinema Camera 6K Pro Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eTo top their previous achievement with the Pocket Cinema Camera 6K, Blackmagic Design adds an even more full-featured, compact Super35 camera to their cine-style line with the Pocket Cinema Camera 6K Pro. The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness, a Pro EVF option, built-in clear\/2\/4\/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eKey Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eBright Tilting HDR LCD:\u003c\/strong\u003e 5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness for superior visibility in bright conditions.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eSuper35 HDR Sensor:\u003c\/strong\u003e Dual Native ISO (400 \u0026amp; 3200) up to 25,600, 13 stops of dynamic range, and Gen 5 Color Science for exceptional image quality.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eDual XLR Inputs:\u003c\/strong\u003e Professional audio support includes dual mini-XLR inputs with phantom +48V power, a 3.5mm stereo input, and built-in stereo mic system.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eBuilt-In ND Filters:\u003c\/strong\u003e Clear\/2\/4\/6-stop IR ND filters allow precise exposure control without needing external accessories.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eCanon Active EF Mount:\u003c\/strong\u003e Supports iris, autofocus, and zoom functions using electronic communication with compatible lenses.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eHigh Frame Rate Recording:\u003c\/strong\u003e Record up to 6K (6144 x 3456) at 50 fps or capture HD footage at up to 120 fps in a cropped window mode.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eVersatile Media Options:\u003c\/strong\u003e Internal CFast 2.0 and SD\/UHS-II card slots, USB Type-C output for longer clips to an external SSD, and HDMI output for live streaming or monitoring.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003ePro-Level Additions:\u003c\/strong\u003e Includes a super-accurate timecode clock, DaVinci Resolve Studio license, and supports Blackmagic Raw capture.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eCompact and Ergonomic Design:\u003c\/strong\u003e Slightly larger than the Pocket Cinema Camera 6K but still portable, with a multifunction grip for single-handed operation.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eNew 6K Pro Features\u003c\/h3\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness\u003c\/li\u003e\r\n  \u003cli\u003eBuilt-in clear\/2\/4\/6-stop IR ND filters\u003c\/li\u003e\r\n  \u003cli\u003eDual mini-XLR inputs for professional audio\u003c\/li\u003e\r\n  \u003cli\u003eElectronic lens communication for iris, autofocus, and zoom control with compatible lenses\u003c\/li\u003e\r\n  \u003cli\u003eSuper-accurate timecode clock for multicamera synchronization\u003c\/li\u003e\r\n  \u003cli\u003eNP-F570 L-series battery slot for extended runtime\u003c\/li\u003e\r\n  \u003cli\u003eUpdated Gen 5 color science for improved image consistency\u003c\/li\u003e\r\n  \u003cli\u003eOptional Pro EVF and battery grip for enhanced usability\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eAdditional Highlights\u003c\/h3\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eActive Canon EF Lens Mount:\u003c\/strong\u003e Choose from a wide array of Canon EF\/EF-S-mount lenses and automatically populate lens metadata with compatible lenses.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eSuper35 Image Sensor:\u003c\/strong\u003e Captures rich images at resolutions up to 6144 x 3456 with dual native ISO (400 \u0026amp; 3200), 13 stops of dynamic range, and up to 25,600 ISO.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eBlackmagic Raw and ProRes Options:\u003c\/strong\u003e Capture in Blackmagic Raw or ProRes 422 formats depending on your project's needs.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eUp to 6K Shooting Resolutions:\u003c\/strong\u003e Multiple resolutions include 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and more.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eVersatile Media Capture Options:\u003c\/strong\u003e Record internally to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB Type-C output to an external SSD.\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eDaVinci Resolve Studio License Included:\u003c\/strong\u003e Compatible with DaVinci Resolve and includes an activation key for Resolve Studio.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eIncluded Accessories\u003c\/h3\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e30W power supply with simultaneous battery charging capability\u003c\/li\u003e\r\n  \u003cli\u003eNP-F570 battery\u003c\/li\u003e\r\n  \u003cli\u003eLens port cap\u003c\/li\u003e\r\n  \u003cli\u003eCamera strap\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eOptional Accessories\u003c\/h3\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003eBMPCC Pro EVF (Electronic Viewfinder)\u003c\/li\u003e\r\n  \u003cli\u003eBMPCC Pro Battery Grip\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K Pro combines professional-grade features with a compact design, making it ideal for filmmakers, content creators, and multicamera productions. Its advanced capabilities, including the updated Gen 5 color science, built-in ND filters, and dual mini-XLR inputs, ensure high-quality results in any shooting scenario.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagicdesign","offers":[{"title":"Default Title","offer_id":49827667575070,"sku":"CINECAMPOCHDEF06P","price":10433.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/blackmagic_design_pocket_cinema_camera_6k_pro_canon_ef_1.jpg?v=1749113184"},{"product_id":"sony-fx3a-full-frame-cinema-camera","title":"Sony FX3A Full-Frame Cinema Camera","description":"\u003ch2\u003eSony FX3 Overview\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eSony FX3\u003c\/strong\u003e is a compact and streamlined cinema camera designed for solo shooters, travel applications, and as an ideal B-camera. Combining the best features of Sony's Cinema Line and Alpha series, the FX3 offers cinematic expression in a lightweight, handheld form with a \"cage-free\" design that allows direct attachment of accessories to the camera body. This versatile camera delivers professional-grade video capture, advanced autofocus capabilities, and ergonomic controls tailored for content creators who demand both performance and portability.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eExpressive UHD 4K Video Capture:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003e12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) paired with a BIONZ XR processor for stunning clarity and sensitivity.\u003c\/li\u003e\n            \u003cli\u003eInternal 10-bit 4:2:2 sampling or 16-bit raw output for maximum flexibility in post-production.\u003c\/li\u003e\n            \u003cli\u003eExpandable ISO range of 80-409,600 and over 15 stops of dynamic range for exceptional low-light performance and mixed lighting conditions.\u003c\/li\u003e\n            \u003cli\u003eS-Cinetone color science for beautiful skin tones and seamless matching with VENICE, FX9, or FX6 footage.\u003c\/li\u003e\n            \u003cli\u003eS-Log3\/2 gamut support and 10-bit HLG for simplified HDR productions.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCinematic Sensor and Processor:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003eFull-frame sensor provides shallow depth-of-field looks, impressive bokeh, and reduced rolling shutter artifacts.\u003c\/li\u003e\n            \u003cli\u003eFast Hybrid AF system with 627 points covering approximately 89% of the frame ensures intelligent and quick focusing performance.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVersatile Recording Options:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003eUp to 4K 120p recording with 5x slow motion at 24p output.\u003c\/li\u003e\n            \u003cli\u003eDCI 4K+ 16-bit raw output via HDMI to compatible recorders, with simultaneous XAVC 4K and proxy recording in-camera.\u003c\/li\u003e\n            \u003cli\u003eInternal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.\u003c\/li\u003e\n            \u003cli\u003eDual SD card slots support CFexpress Type A and SDXC cards for relay or backup recording.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdvanced Autofocus System:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003eReal-time Tracking and Eye Autofocus powered by AI-based algorithms ensure precise focus, even for solo shooters.\u003c\/li\u003e\n            \u003cli\u003eSeven AF Transition Speed settings and five AF Subject Shift settings for customizable focus adjustments.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eErgonomic Design for Solo Operation:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003eCage-free design allows direct mounting of accessories, saving weight and setup time.\u003c\/li\u003e\n            \u003cli\u003eClustered controls, including record button, focus\/menu controls, and six assignable buttons, enable single-handed operation.\u003c\/li\u003e\n            \u003cli\u003eFold-out 3\" touchscreen LCD with 2.35MP resolution for intuitive framing and menu navigation.\u003c\/li\u003e\n            \u003cli\u003eTally lights on the top, front, and rear indicate recording status for operators, talent, and sound personnel.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eProfessional Audio Options:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003eDetachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs for high-quality external microphones.\u003c\/li\u003e\n            \u003cli\u003eBuilt-in 3.5mm mic input and mic holder for additional audio flexibility.\u003c\/li\u003e\n            \u003cli\u003eSupports up to 4-channel, 24-bit audio recording for professional-grade sound.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRemote Control and Streaming:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003eWireless control via Imaging Edge Mobile or Desktop apps for remote operation and file transfers.\u003c\/li\u003e\n            \u003cli\u003eStreaming capabilities using Imaging Edge Webcam software for seamless live broadcasts.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eImproved Usability:\u003c\/strong\u003e\n        \u003cul\u003e\n            \u003cli\u003eBattery runtime 1.6x longer than the a7S II, with USB-PD power option for extended shooting sessions.\u003c\/li\u003e\n            \u003cli\u003eInternal fan and heatsink cooling system prevent overheating during uninterrupted 4K60 recording.\u003c\/li\u003e\n            \u003cli\u003eZoom lever for easy frame adjustments and enhanced mobility.\u003c\/li\u003e\n        \u003c\/ul\u003e\n    \u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIdeal Use Cases\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSolo Shooting:\u003c\/strong\u003e Ergonomic design and advanced autofocus make it perfect for independent filmmakers and vloggers.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTravel Cinematography:\u003c\/strong\u003e Compact and lightweight build suits on-the-go creators capturing stunning visuals worldwide.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eProfessional Productions:\u003c\/strong\u003e High dynamic range, S-Cinetone color science, and 16-bit raw output cater to cinematic projects.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLive Streaming:\u003c\/strong\u003e Wireless connectivity and webcam functionality enable high-quality live broadcasts.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow-Light Filming:\u003c\/strong\u003e Expandable ISO range and wide dynamic range excel in challenging lighting conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy Choose the Sony FX3?\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony FX3\u003c\/strong\u003e bridges the gap between Sony's Cinema Line and Alpha series, offering a powerful yet portable tool for filmmakers and content creators. Its full-frame sensor, advanced autofocus system, and professional audio options ensure exceptional image and sound quality, while its cage-free design and ergonomic controls streamline workflows for solo operators. Whether you're shooting documentaries, short films, or live streams, the FX3 combines versatility, performance, and reliability in a sleek package.\u003c\/p\u003e\n\n\u003ch3\u003eConclusion\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony FX3\u003c\/strong\u003e redefines portable cinema cameras with its compact design, cinematic capabilities, and user-friendly features. Equipped with a full-frame sensor, 16-bit raw output, and S-Cinetone color science, it delivers professional-grade results for filmmakers of all levels. With its robust build, advanced autofocus, and wireless connectivity, the FX3 is an indispensable tool for modern content creation, whether you're working alone or as part of a larger production team.\u003c\/p\u003e\n\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":49864606286110,"sku":"ILME-FX3A","price":14300.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/2692\/3550\/files\/Sony_FX3A_Full-Frame_Cinema_Camera_1.jpg?v=1749713202"}],"url":"https:\/\/unitedbroadcast.com\/collections\/digital-cinematography-cameras.oembed?page=2","provider":"UBMS","version":"1.0","type":"link"}