ARRI Alura 18-80mm T2.6 M Wide-Angle Studio Zoom Lens

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$26,639.00
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ARRI Alura 18-80mm Studio Zoom Lens

ARRI Alura 18-80mm T2.6 M Wide-Angle Studio Zoom. (Mfr # K2.47930.0)

ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.

All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire

Main Features

Matched Zooms

Matched wide and long PL mount zooms for an efficient shooting pace
Small size and low weight for quick and easy handling on the set

Fast and Steady

T2.6
Consistent aperture over entire zoom range

Outstanding Optical Performance

High resolution, high contrast
Even field illumination
Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating
Greatly reduced chromatic aberration through the use of extraordinary dispersion glass
Minimized breathing, especially at the wide end where it counts
9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh
Optimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3

Consistent Optical Performance

Consistent contrast, resolution and field illumination across the whole focus and zoom range

Film Style Ergonomics

Compatible with film and digital ARRI cameras and accessories
Robust construction
Large, easy-to-read precision focus scales on both sides
Matched to existing prime lenses

Easy Servicing

Feet/meter focus scales can be exchanged
Front and rear elements can be exchanged
Zoom centering mechanism

Operation Temperature: -10°C to +50°C / +14°F to +122°F

Storage/Transport Temperature: -20C to +60°C / -4°F to +140°F

(1) Positive locking 54 mm stainless steel lens mount
(2) Close focus is measured from the film/sensor plane
(3) Magnification ratio is the relationship of the size of an object on the film/sensor plane (first number) to the size of that object in real life (second number) at the close focus and the telephoto zoom setting
(4) Length is measured from the lens mount to the front of the lens housing
(5) Diameter of the lens/matte box interface
(6) The distance from the entrance pupil to the film/sensor plane. Positive numbers indicated an entrance pupil in front, negative numbers indicated an entrance pupil behind the film/sensor plane. The entrance pupil (often mistakenly called "nodal point") is the center of perspective; moving the camera/lens system around the center of the entrance pupil prevents parallax errors. While largerly irrelevant for live action, this measurement is important for special effects work.
(7) The image diameter (ID) is the diameter of the image circle needed for the respective format.
(8) Horizontal (H), vertical (V) and diagonal (D) angles of view for a Normal 35 Academy camera aperture (aspect ratio 1.37:1, dimensions 22 mm x 16 mm / 0.866" x 0.630")
(9) Horizontal (H), vertical (V) and diagonal (D) angles of view for the ALEXA/D-21 HD camera aperture (aspect ratio 1.78:1, 2880 x 1620 sensor pixels, dimensions 23.76 mm x 13.37mm / 0.935" x 0.526")
(10) Horizontal (H), vertical (V) and diagonal (D) angles of view for the ALEXA 2K camera aperture (aspect ratio 1.78:1, 3072 x 1728 sensor pixels, dimensions 25.34 mm x 14.26 mm / 0.998" x 0.561")
(11) Horizontal (H), vertical (V) and diagonal (D) angles of view for a DIN Super 35 Silent camera aperture (aspect ratio 1.33:1, dimensions 24 mm x 18 mm / 0.944" x 0.709")

Standard Manufacturer's Warranty.