The world’s most affordable and flexible professional HD and Ultra HD broadcast camera for live production and studio programs, at the same price as a DSLR camera!
• Advanced HD and Ultra HD broadcast camera
• B4 mount
• Broadcast controls
• Built in ND filters
• Extended video dynamic range
• ProRes or DNx recording onto SD, UHS-II or CFast cards.
Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)
B4 2/3 inch
Electronic control via 12-pin broadcast connector. Control also possible via EF mount pins when using optional URSA Mini Pro EF Mount.
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60p.
Built in ND Filters
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
Focus button turns on peaking, auto focus available using compatible lenses with focus servo.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
LCD capacitive touchscreen.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Standard Manufacturer's Warranty.
Blackmagic Design Ursa Broadcast
URSA Broadcast is like two cameras in one, an incredible field camera for ENG and programming work, as well as a professional studio camera. The camera features traditional broadcast controls along with exceptional image quality, all in a compact design that is ideal for fast paced, fast turn around production work. The key is URSA Broadcast’s new extended video mode which captures incredible looking video with accurate skin tones and vibrant colors. That means customers don’t have to color correct images before going to air, making URSA Broadcast perfect for news, live sports, studio talk and game shows and more. URSA Broadcast lets customers shoot, edit and get stories on air faster than ever before.
URSA Broadcast is also designed to work with the equipment and systems traditional broadcasters already have. For example, customers can use their existing B4 HD and Ultra HD lenses with URSA Broadcast. Unlike other broadcast cameras, URSA Broadcast records onto inexpensive standard SD cards, UHS-II cards and CFast cards, and records 1080i or 2160p video into standard .mov files, with .mxf to be added in future updates. URSA Broadcast records using DNx145, DNx220X or ProRes, so video doesn’t need to be copied or transcoded. This makes it fast to work with video from URSA Broadcast because it’s compatible with virtually all existing broadcast systems and editing software.
• 4K sensor, extended video dynamic range, traditional external controls and buttons, built in optical ND filters, dual CFast and dual SD card recorders.
• Advanced HD and Ultra HD broadcast camera with ⅔” B4 mount.
• New extended video mode with better dynamic range and color fidelity producing images with amazing texture and detail, accurate skin tones, vibrant color and high dynamic range.
• Full electronic B4 lens control support for adjusting focus, iris and zoom using the camera’s controls, or remotely from an ATEM switcher or ATEM Camera Control Panel.
• Built in dual SD/UHS-II and CFast card recorders allow unlimited duration recording in high quality.
• Records 1080i or 2160p video into standard .mov files using DNx145, DNx220X or ProRes for compatibility with existing broadcast systems and workflows. Standard .mxf will be added in future updates.
• Support for DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1.
• High quality clear, 1/4, 1/16th and 1/64th stop neutral density (ND) filters with IR compensation designed to specifically match the colorimetry and color science of URSA Broadcast.
• Fully redundant controls including external broadcast controls which allow direct access to the most important camera settings such as external power switch, ND filter wheel, ISO, shutter, white balance, record button, audio gain controls, lens and transport control, high frame rate button and more.
• Interchangeable lens mount with B4 mount included as standard. Optional EF, PL and F mount available separately.
• Status display for quickly checking timecode, shutter and lens settings, battery, recording status, and audio levels.
• Features all standard connections, including dual XLR mic/line audio inputs with phantom power, 12G‑SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, headphone jack, LANC remote control and standard 4 pin 12V DC power connection.
• Built in high quality stereo microphones for recording sound.
• 4 inch foldout touchscreen for on-set monitoring and menu settings.
• Blackmagic SDI Control Protocol for external control or iPad control via Bluetooth®, 2 x 2.5mm LANC for lens and record control.