You have no items in your shopping cart.
You have no items in your shopping cart.
You have no items to compare.
There are no products matching the selection.
The ALEXA platform is the most complete digital camera system ever built, with different camera models for everyday shooting as well as specialty applications. With an integrated wireless receiver for camera and lens remote control, built-in tilt and roll sensors, a DNxHD license and additional connectors for camera and lens control, signal output and accessory power supply, the ALEXA XT Plus offers the best value for anyone who can live without an optical
Like all ALEXA XT cameras it has in-camera ARRIRAW recording, internal ND filtration, a 4:3 Super 35 sensor, Open Gate sensor mode, integrated CDL capture, LDS PL mount, new viewfinder mounting bracket, included anamorphic de-squeeze and high speed licenses as well as a new, super silent fan.
The ALEXA XT Plus is available either as a complete camera package or as an upgrade to the basic ALEXA XT.
Built-in remote control features
Included DNxHD license
Electronic horizon in viewfinder and metadata
Lens synchronization for 3D
Built-in tilt and roll sensors
Built-in ND filter option (ALEXA XT, ALEXA XT M and ALEXA XT Plus)
Features for all ALEXA XT Cameras
(2) Open Gate sensor mode is available now for ALEXA XT, ALEXA XT Plus and ALEXA XT Studio. Open Gate sensor mode for ALEXA XT M is planned for a future software upgrade.
|Weight||ALEXA XT body with XR Module: 7.3 kg/16.1 lbs. ALEXA XT body with XR Module, electronic viewfinder and handle: 8.7 kg/19.2 lbs.|
|Color||Color Correction: While white balance changes the red/blue hue of the image, color correction changes green/magenta. Adjustable range from -12 to +12 CC. 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values.|
|Lens Fit & Mount||ARRI Exchangeable Lens Mount (ELM); ships with Lens Adapter PL Mount with LDS contacts, 54 mm stainless steel PL mount, Super 35 centered. 52.00 mm nominal flange focal depth without FSND filters.|
|Dimensions||Length: 332 mm/12.95”, width: 183 mm/7.20”, height: 158 mm/6.22”|
|Sensor Type||35 format ALEV III CMOS sensor with Dual Gain Architecture (DGA) and Bayer pattern color filter array.|
|Recording Frame Rate||16:9, 4:3|
|Camera Type||35 format film-style digital camera with an electronic viewfinder, an Open Gate/4:3/16:9 switchable active sensor area, built-in support for the ARRI Wireless Remote System and the cmotion cvolution lens control system.|
|Operating Modes||16:9, 4:3 or Open Gate sensor modes. Switching takes approx. 60 seconds. 16:9 available for ARRIRAW, ProRes and DNxHD recording.|
|Filters||Built-in Internal Filter Module (IFM-1) filter holder. Accepts one of eight Full Spectrum Neutral Density (FSND) filters, manual insertion/removal. Permanent filters in front of the sensor: optical low pass, UV, IR|
|Playback||Playback of ARRIRAW, ProRes or DNxHD (1) from XR Capture Drive or playback of ProRes or DNxHD (1) from SxS PRO card visible on EVF-1, MON OUT and REC OUT. Playback audio available over headphone jack and embedded in the MON OUT and REC OUT signal.|
|Audio||1x XLR 5 pin AUDIO IN for 2 channel, line level, balanced audio. 24 bit/48 kHz A/D conversion. Uncompressed PCM audio recording to ARRIRAW, ProRes, DNxHD (1) and embedded in all HD-SDI outputs. Only available with same project/sensor speed at 23.976, 24, 25, 29.97 and 30 fps. Max of 2.5 dBm output from AUDIO OUT headphones connector.|
|Connectors||1x media slot for XR Capture Dive or SxS adapter, 2x BNC recording out HD-SDI, 1.5G/3G (REC OUT 1 and REC OUT 2), 2x BNC monitoring out HD-SDI, 1.5G (MON OUT 1 and MON OUT 2), 1x XLR 5-pin analog audio in (AUDIO IN), 1x BNC return video in HD-SDI, 1.5G (RET/SYNC IN), 1x LEMO 16-pin external accessory interface (EXT), 1x Fischer 2-pin 24 V power in (BAT), 3x Fischer 3-pin 24 V remote start and accessory power out (RS), 1x LEMO 2-pin 12 V accessory power out (12 V), 1x LEMO 5-pin timecode in/out (TC), 1x TRS 3.5 mm headphone mini stereo jack (AUDIO OUT), 1x custom LEMO 16-pin electronic viewfinder (EVF), 1x custom LEMO 10-pin Ethernet with 24 V power (ETHERNET), 1x Fischer 5-pin Lens Data Display (LDD), 2x Fischer 5-pin Lens Control System (LCS), 1x Fischer 12-pin for CLM-2, CLM-3, CLM-4 or later (IRIS), 1x Fischer 12-pin for CLM-2, CLM-3, CLM-4 or later (FOCUS), 1x Fischer 12-pin for CLM-2, CLM-3, CLM-4 or later (ZOOM), BNC connectors designed for fast exchange without camera disassembly. These connectors require a special tool.|
|Recording Outputs||2x 1.5G or 3G REC OUT BNC connectors for uncompressed 1920 x 1080 4:4:4 RGB or 4:2:2 YCbCr HD video at 23.976, 24, 25, 29.97, 30, 50, 59.94, or 60 fps. Recording other speeds requires a recorder with Variflag support. Legal or extended range signal mapping. Embedded audio, time code, metadata and recording flag. ALEXA XT models do not offer ARRIRAW T-Link output.|
|Viewfinder||Low latency (=1 frame delay) electronic color viewfinder ARRI EVF-1 with 1280 x 784 F-LCOS micro display (image: 1280 x 720, status bars: 1280 x 32 above and 1280 x 32 below image) and ARRI LED illumination, both temperature controlled. Image can be flipped for use of viewfinder on camera left or right. Viewfinder Mounting Bracket allows movement of viewfinder forward/backwards, left/right, up/down, 360 degree rotation and placement on camera left or right. EVF-1 controls: viewfinder and basic camera settings, ZOOM button (2.25x pixel to pixel magnification), EXP button (false color exposure check) and jog wheel.|
|SD Card||For importing and storing ARRI Look Files, camera set up files, frame line files, feature license keys, user pixel masks and custom lens tables for the Lens Data Archive (LDA). Stores captured stills from the REC OUT image path in TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format (1). Stores log files. Also used for installing Software Update Packets (SUPs).|
|In-camera Recording||Uncompressed and unencrypted ARRIRAW, compressed and unencrypted QuickTime/ProRes or compressed and unencrypted MXF/DNxHD recording onto XR Capture Drives. With SxS Adapter: QuickTime/ProRes or MXF/DNxHD onto SxS PRO cards.|